Adrift in New York: Tom and Florence Braving the World by Jr. Horatio Alger
Adrift in New York: Tom and Florence Braving the World by Jr. Horatio Alger
The Missing Heir.
"Uncle, you are not looking well to-night."
"I'm not well, Florence. I sometimes doubt if I shall ever be any better."
"Surely, uncle, you cannot mean--"
"Yes, my child, I have reason to believe that I am nearing the end."
"I cannot bear to hear you speak so, uncle," said Florence Linden, in irrepressible agitation. "You are not an old man. You are but fifty-four."
"True, Florence, but it is not years only that make a man old. Two great sorrows have embittered my life. First, the death of my dearly beloved wife, and next, the loss of my boy, Harvey."
"It is long since I have heard you refer to my cousin's loss. I thought you had become reconciled-no, I do not mean that,-I thought your regret might be less poignant."
"I have not permitted myself to speak of it, but I have never ceased to think of it day and night."
John Linden paused sadly, then resumed:
"If he had died, I might, as you say, have become reconciled; but he was abducted at the age of four by a revengeful servant whom I had discharged from my employment. Heaven knows whether he is living or dead, but it is impressed upon my mind that he still lives, it may be in misery, it may be as a criminal, while I, his unhappy father, live on in luxury which I cannot enjoy, with no one to care for me--"
Florence Linden sank impulsively on her knees beside her uncle's chair.
"Don't say that, uncle," she pleaded. "You know that I love you, Uncle John."
"And I, too, uncle."
There was a shade of jealousy in the voice of Curtis Waring as he entered the library through the open door, and approaching his uncle, pressed his hand.
He was a tall, dark-complexioned man, of perhaps thirty-five, with shifty, black eyes and thin lips, shaded by a dark mustache. It was not a face to trust.
Even when he smiled the expression of his face did not soften. Yet he could moderate his voice so as to express tenderness and sympathy.
He was the son of an elder sister of Mr. Linden, while Florence was the daughter of a younger brother.
Both were orphans, and both formed a part of Mr. Linden's household, and owed everything to his bounty.
Curtis was supposed to be in some business downtown; but he received a liberal allowance from his uncle, and often drew upon him for outside assistance.
As he stood with his uncle's hand in his, he was necessarily brought near Florence, who instinctively drew a little away, with a slight shudder indicating repugnance.
Slight as it was, Curtis detected it, and his face darkened.
John Linden looked from one to the other. "Yes," he said, "I must not forget that I have a nephew and a niece. You are both dear to me, but no one can take the place of the boy I have lost."
"But it is so long ago, uncle," said Curtis. "It must be fourteen years."
"It is fourteen years."
"And the boy is long since dead!"
"No, no!" said John Linden, vehemently. "I do not, I will not, believe it. He still lives, and I live only in the hope of one day clasping him in my arms."
"That is very improbable, uncle," said Curtis, in a tone of annoyance. "There isn't one chance in a hundred that my cousin still lives. The grave has closed over him long since. The sooner you make up your mind to accept the inevitable the better."
The drawn features of the old man showed that the words had a depressing effect upon his mind, but Florence interrupted her cousin with an indignant protest.
"How can you speak so, Curtis?" she exclaimed. "Leave Uncle John the hope that he has so long cherished. I have a presentiment that Harvey still lives."
John Linden's face brightened up
"You, too, believe it possible, Florence?" he said, eagerly.
"Yes, uncle. I not only believe it possible, but probable. How old would Harvey be if he still lived?"
"Eighteen-nearly a year older than yourself."
"How strange! I always think of him as a little boy."
"And I, too, Florence. He rises before me in his little velvet suit, as he was when I last saw him, with his sweet, boyish face, in which his mother's looks were reflected."
"Yet, if still living," interrupted Curtis, harshly, "he is a rough street boy, perchance serving his time at Blackwell's Island, and, a hardened young ruffian, whom it would be bitter mortification to recognize as your son."
"That's the sorrowful part of it," said his uncle, in a voice of anguish. "That is what I most dread."
"Then, since even if he were living you would not care to recognize him, why not cease to think of him, or else regard him as dead?"
"Curtis Waring, have you no heart?" demanded Florence, indignantly.
"Indeed, Florence, you ought to know," said Curtis, sinking his voice into softly modulated accents.
"I know nothing of it," said Florence, coldly, rising from her recumbent position, and drawing aloof from Curtis.
"You know that the dearest wish of my heart is to find favor in your eyes. Uncle, you know my wish, and approve of it, do you not?"
"Yes, Curtis; you and Florence are equally dear to me, and it is my hope that you may be united. In that case, there will be no division of my fortune. It will be left to you jointly."
"Believe me, sir," said Curtis, with faltering voice, feigning an emotion which he did not feel, "believe me, that I fully appreciate your goodness. I am sure Florence joins with me--"
"Florence can speak for herself," said his cousin, coldly. "My uncle needs no assurance from me. He is always kind, and I am always grateful."
John Linden seemed absorbed in thought.
"I do not doubt your affection," he said; "and I have shown it by making you my joint heirs in the event of your marriage; but it is only fair to say that my property goes to my boy, if he still lives."
"But, sir," protested Curtis, "is not that likely to create unnecessary trouble? It can never be known, and meanwhile--"
"You and Florence will hold the property in trust."
"Have you so specified in your will?" asked Curtis.
"I have made two wills. Both are in yonder secretary. By the first the property is bequeathed to you and Florence. By the second and later, it goes to my lost boy in the event of his recovery. Of course, you and Florence are not forgotten, but the bulk of the property goes to Harvey."
"I sincerely wish the boy might be restored to you," said Curtis; but his tone belied his words. "Believe me, the loss of the property would affect me little, if you could be made happy by realizing your warmest desire; but, uncle, I think it only the part of a friend to point out to you, as I have already done, the baselessness of any such expectation."
"It may be as you say, Curtis," said his uncle, with a sigh. "If I were thoroughly convinced of it, I would destroy the later will, and leave my property absolutely to you and Florence."
"No, uncle," said Florence, impulsively, "make no change; let the will stand."
Curtis, screened from his uncle's view, darted a glance of bitter indignation at Florence.
"Is the girl mad?" he muttered to himself. "Must she forever balk me?"
"Let it be so for the present, then," said Mr. Linden, wearily. "Curtis, will you ring the bell? I am tired, and shall retire to my couch early."
"Let me help you, Uncle John," said Florence, eagerly.
"It is too much for your strength, my child. I am growing more and more helpless."
"I, too, can help," said Curtis.
John Linden, supported on either side by his nephew and niece, left the room, and was assisted to his chamber.
Curtis and Florence returned to the library.
"Florence," said her cousin, "my uncle's intentions, as expressed to-night, make it desirable that there should be an understanding between us. Take a seat beside me"-leading her to a sofa-"and let us talk this matter over."
With a gesture of repulsion Florence declined the proffered seat, and remained standing.
"As you please," she answered, coldly.
"Will you be seated?"
"No; our interview will be brief."
"Then I will come to the point. Uncle John wishes to see us united."
"It can never be!" said Florence, decidedly.
Curtis bit his lip in mortification, for her tone was cold and scornful.
Mingled with this mortification was genuine regret, for, so far as he was capable of loving any one, he loved his fair young cousin.
"You profess to love Uncle John, and yet you would disappoint his cherished hope!" he returned.
"Is it his cherished hope?"
"There is no doubt about it. He has spoken to me more than once on the subject. Feeling that his end is near, he wishes to leave you in charge of a protector."
"I can protect myself," said Florence, proudly.
"You think so. You do not consider the hapless lot of a penniless girl in a cold and selfish world."
"Penniless?" repeated Florence, in an accent of surprise.
"Yes, penniless. Our uncle's bequest to you is conditional upon your acceptance of my hand."
"Has he said this?" asked Florence, sinking into an armchair, with a helpless look.
"He has told me so more than once," returned Curtis, smoothly. "You don't know how near to his heart this marriage is. I know what you would say: If the property comes to me I could come to your assistance, but I am expressly prohibited from doing so. I have pleaded with my uncle in your behalf, but in vain."
Florence was too clear-sighted not to penetrate his falsehood.
"If my uncle's heart is hardened against me," she said, "I shall be too wise to turn to you. I am to understand, then, that my choice lies between poverty and a union with you?"
"You have stated it correctly, Florence."
"Then," said Florence, arising, "I will not hesitate. I shrink from poverty, for I have been reared in luxury, but I will sooner live in a hovel-"
"Or a tenement house," interjected Curtis, with a sneer.
"Yes, or a tenement house, than become the wife of one I loathe."
"Girl, you shall bitterly repent that word!" said Curtis, stung to fury.
She did not reply, but, pale and sorrowful, glided from the room to weep bitter tears in the seclusion of her chamber.
Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant by Jr. Horatio Alger
Alger's writings happened to correspond with America's Gilded Age, a time of increasing prosperity in a nation rebuilding from the Civil War.This is another fine work by Alger in the vein of 'rags to riches' tales.
The class of boys described in the present volume was called into existence only a few years since, but they are already so numerous that one can scarcely ride down town by any conveyance without having one for a fellow-passenger. Most of them reside with their parents and have comfortable homes, but a few, like the hero of this story, are wholly dependent on their own exertions for a livelihood.
A youth of sturdy qualities elects to follow the calling of a deckhand on a Hudson River steamboat...
Alger describes young men in the city trying to get a head as newsboys, match boys, pedlars, street musicians, and many others. Through luck and hard work, sixteen-year-old Ohio farm boy Nat finds surprising success in nineteenth-century New York City.
This book is written in the typical Alger style. Herbert is a poor boy who sets out, with the help of his great uncle, to clear his father's name of a crime he did not commit...
The night I discovered my husband's whore was carrying his heir, I smiled for the cameras-and plotted his ruin. Scarlett was born a queen-heir to a powerful legacy, Luna of the Dark Moon Pack by blood and by sacrifice. She gave everything to Alexander: her love, her loyalty, her life. In return, he paraded his mistress before their pack... and dared to call it duty. But Scarlett won't be another broken woman weeping in the shadows. She'll wear her crown of thorns with pride, tear down every lie built around her, and when she strikes, it will be glorious. The Alpha forgot that the woman he betrayed is far more dangerous than the girl who once loved him.
After the divorce, she became the dream woman everyone longed for. James Ferguson saved Zelda Liamson and always did whatever she asked, making sure she had everything she could ever want. Zelda thought it was true love. After five years of marriage, she realized she was nothing more than his favourite pet, while he was her whole world. Then, the woman James truly loved came back, and Zelda demanded a divorce. James mocked her, saying, " You can't survive without me. What will you do without the Ferguson's name? " But Zelda did run away and never looked back, receiving marriage proposals every day. James lost his mind and returned, begging Zelda, "Please, come back to me. Give me another chance." His eyes were full of love and desperation.
"I heard you're going to marry Marcelo. Is this perhaps your revenge against me? It's very laughable, Renee. That man can barely function." Her foster family, her cheating ex, everyone thought Renee was going to live in pure hell after getting married to a disabled and cruel man. She didn't know if anything good would ever come out of it after all, she had always thought it would be hard for anyone to love her but this cruel man with dark secrets is never going to grant her a divorce because she makes him forget how to breathe.
Trigger/Content Warning: This story contains mature themes and explicit content intended for adult audiences(18+). Reader discretion is advised. It includes elements such as BDSM dynamics, explicit sexual content, toxic family relationships, occasional violence and strong language. This is not a fluffy romance. It is intense, raw and messy, and explores the darker side of desire. ***** "Take off your dress, Meadow." "Why?" "Because your ex is watching," he said, leaning back into his seat. "And I want him to see what he lost." ••••*••••*••••* Meadow Russell was supposed to get married to the love of her life in Vegas. Instead, she walked in on her twin sister riding her fiance. One drink at the bar turned to ten. One drunken mistake turned into reality. And one stranger's offer turned into a contract that she signed with shaking hands and a diamond ring. Alaric Ashford is the devil in a tailored Tom Ford suit. Billionaire CEO, brutal, possessive. A man born into an empire of blood and steel. He also suffers from a neurological condition-he can't feel. Not objects, not pain, not even human touch. Until Meadow touches him, and he feels everything. And now he owns her. On paper and in his bed. She wants him to ruin her. Take what no one else could have. He wants control, obedience... revenge. But what starts as a transaction slowly turns into something Meadow never saw coming. Obsession, secrets that were never meant to surface, and a pain from the past that threatens to break everything. Alaric doesn't share what's his. Not his company. Not his wife. And definitely not his vengeance.
I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him-my father, Giovanni Vitiello, the Don of the Chicago Outfit-watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London-an exile disguised as a severance package-I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.
Arabella, a state-trained prodigy, won freedom after seven brutal years. Back home, she found her aunt basking in her late parents' mansion while her twin sister scrounged for scraps. Fury ignited her genius. She gutted the aunt's business overnight and enrolled in her sister's school, crushing the bullies. When cynics sneered at her "plain background," a prestigious family claimed her and the national lab hailed her. Reporters swarmed, influencers swooned, and jealous rivals watched their fortunes crumble. Even Asher-the rumored ruthless magnate-softened, murmuring, "Fixed your mess-now be mine."
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