Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant
Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant by Jr. Horatio Alger
Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant by Jr. Horatio Alger
"It's most time for Paul to come home," said Mrs. Hoffman. "I must be setting the table for supper."
"I wonder how he will like my new picture," said Jimmy, a delicate boy of eight, whose refined features, thoughtful look, and high brow showed that his mind by no means shared the weakness of his body. Though only eight years of age he already manifested a remarkable taste and talent for drawing, in which he had acquired surprising skill, considering that he had never taken lessons, but had learned all he knew from copying such pictures as fell in his way.
"Let me see your picture, Jimmy," said Mrs. Hoffman. "Have you finished it?"
She came up and looked over his shoulder. He had been engaged in copying a humorous picture from the last page of Harper's Weekly. It was an ambitious attempt on the part of so young a pupil, but he had succeeded remarkably well, reproducing with close fidelity the grotesque expressions of the figures introduced in the picture.
"That is excellent, Jimmy," said his mother in warm commendation.
The little boy looked gratified.
"Do you think I will be an artist some day?" he asked.
"I have no doubt of it," said his mother, "if you can only obtain suitable instruction. However, there is plenty of time for that. You are only seven years old."
"I shall be eight to-morrow," said Jimmy, straightening up his slender form with the pride which every boy feels in advancing age.
"So you will. I had forgotten it."
"I wonder whether I can earn as much money as Paul when I get as old," said Jimmy thoughtfully. "I don't think I can. I shan't be half as strong."
"It isn't always the strongest who earn the most money," said his mother.
"But Paul is smart as well as strong."
"So are you smart. You can read unusually well for a boy of your age, and in drawing I think Paul is hardly your equal, though he is twice as old."
Jimmy laughed.
"That's true, mother," he said. "Paul tried to draw a horse the other day, and it looked more like a cow."
"You see then that we all have our different gifts. Paul has a talent for business."
"I think he'll be rich some day, mother."
"I hope he will, for I think he will make a good use of his money."
While Mrs. Hoffman was speaking she had been setting the table for supper. The meal was not a luxurious one, but there was no lack of food. Beside rolls and butter, there was a plate of cold meat, an apple pie, and a pot of steaming hot tea. The cloth was scrupulously clean, and I am sure that though the room was an humble one not one of my readers need have felt a repugnance to sitting down at Mrs. Hoffman's plain table.
For the benefit of such as may not have read "Paul the Peddler," I will explain briefly that Mrs. Hoffman, by the death of her husband two years previous, had been reduced to poverty, which compelled her to move into a tenement house and live as best she could on the earnings of her oldest son, Paul, supplemented by the pittance she obtained for sewing. Paul, a smart, enterprising boy, after trying most of the street occupations, had become a young street merchant. By a lucky chance he had obtained capital enough to buy out a necktie stand below the Astor House, where his tact and energy had enabled him to achieve a success, the details of which we will presently give. Besides his own profits, he was able to employ his mother in making neckties at a compensation considerably greater than she could have obtained from the Broadway shops for which she had hitherto worked.
Scarcely was supper placed on the table when Paul entered. He was a stout, manly boy of fifteen, who would readily have been taken for a year or two older, with a frank, handsome face, and an air of confidence and self-reliance, which he had acquired through his independent efforts to gain a livelihood. He had been thrown upon his own resources at an age when most boys have everything done for them, and though this had been a disadvantage so far as his education was concerned, it had developed in him a confidence in himself and his own ability to cope with the world not usually found in boys of his age.
"Well, mother," said he briskly, "I am glad supper is ready, for I am as hungry as a wolf."
"I think there will be enough for you," said his mother, smiling. "If not, we will send to the baker's for an extra supply."
"Is a wolf hungry, Paul?" asked Jimmy, soberly accepting Paul's simile.
"I'll draw you one after supper, Jimmy, and you can judge," answered Paul.
"Your animals all look like cows, Paul," said his little brother.
"I see you are jealous of me," said Paul, with much indignation, "because I draw better than you."
"After supper you can look at my last picture," said Jimmy. "It is copied from Harper's Weekly."
"Pass it along now, Jimmy. I don't think it will spoil my appetite."
Jimmy handed it to his brother with a look of pardonable pride.
"Excellent, Jimmy. I couldn't do it better myself," said Paul. "You are a little genius."
"I like drawing so much, Paul. I hope some time I can do something else besides copy."
"No doubt you will. I am sure you will be a famous artist some day, and make no end of money by your pictures."
"That's what I would like-to make money."
"Fie, Jimmy! I had no idea you were so fond of money."
"I would like to help mother just as you are doing, Paul. Do you think I will ever earn as much as you do?"
"A great deal more, I hope, Jimmy. Not but what I am doing well," added Paul in a tone of satisfaction. "Did you know, mother, it is six months to-day since I bought out the necktie stand?"
"Is it, Paul?" asked his mother with interest. "Have you succeeded as well as you anticipated?"
"Better, mother. It was a good idea putting in a case of knives. They help along my profits. Why, I sold four knives to-day, making on an average twenty-five cents each."
"Did you? That is indeed worth while."
"It is more than I used to average for a whole day's earnings before I went into this business."
"How many neckties did you sell, Paul?" asked Jimmy.
"I sold fourteen."
"How much profit did you make on each?"
"About fourteen cents. Can you tell how much that makes?"
"I could cipher it out on my slate."
"No matter; I'll tell you. It makes a dollar and ninety-six cents. That added to the money I made on the knives amounts to two dollars and ninety-six cents."
"Almost three dollars."
"Yes; sometimes I sell more neckties, but then I don't always sell as many knives. However, I am satisfied."
"I have made two dozen neckties to-day, Paul," said his mother.
"I am afraid you did too much, mother."
"Oh, no. There isn't much work about a necktie."
"Then I owe you a dollar and twenty cents, mother."
"I don't think you ought to pay me five cents apiece, Paul."
"That's fair enough, mother. If I get fourteen cents for selling a tie, certainly you ought to get five cents for making one."
"But your money goes to support us, Paul."
"And where does yours go, mother?"
"A part of it has gone for a new dress, Paul. I went up to Stewart's to-day and bought a dress pattern. I will show it to you after supper."
"That's right, mother. You don't buy enough new dresses. Considering that you are the mother of a successful merchant, you ought to dash out. Doesn't Jimmy want some clothes?"
"I am going to buy him a new suit to-morrow. He is eight years old to-morrow."
"Is he? What an old fellow you are getting to be, Jimmy! How many gray hairs have you got?"
"I haven't counted," said Jimmy, laughing.
"I tell you what, mother, we must celebrate Jimmy's birthday. He is the only artist in the family, and we must treat him with proper consideration. I'll tell you what, Jimmy, I'll close up my business at twelve o'clock, and give all my clerks a half-holiday. Then I'll take you and mother to Barnum's Museum, where you can see all the curiosities, and the play besides. How would you like that?"
"Ever so much, Paul," said the little boy, his eyes brightening at the prospect. "There's a giant there, isn't there? How tall is he?"
"Somewhere about eighteen feet, I believe."
"Now you are making fun, Paul."
"Well, it's either eighteen or eight, one or the other. Then there's a dwarf, two feet high, or is it inches?"
"Of course it's feet. He couldn't be so little as two inches."
"Well, Jimmy, I dare say you're right. Then it's settled that we go to the museum tomorrow. You must go with us, mother."
"Oh, yes, I will go," said Mrs. Hoffman, "and I presume I shall enjoy it nearly as much as Jimmy."
Alger's writings happened to correspond with America's Gilded Age, a time of increasing prosperity in a nation rebuilding from the Civil War.This is another fine work by Alger in the vein of 'rags to riches' tales.
The class of boys described in the present volume was called into existence only a few years since, but they are already so numerous that one can scarcely ride down town by any conveyance without having one for a fellow-passenger. Most of them reside with their parents and have comfortable homes, but a few, like the hero of this story, are wholly dependent on their own exertions for a livelihood.
A youth of sturdy qualities elects to follow the calling of a deckhand on a Hudson River steamboat...
Alger describes young men in the city trying to get a head as newsboys, match boys, pedlars, street musicians, and many others. Through luck and hard work, sixteen-year-old Ohio farm boy Nat finds surprising success in nineteenth-century New York City.
This book is written in the typical Alger style. Herbert is a poor boy who sets out, with the help of his great uncle, to clear his father's name of a crime he did not commit...
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Silvia lost everything in one night-her parents,her trust,and her mate. Coming home from their funeral,she found her "fated"partner,Zack,tangled with another she-wolf. "You'll always be my Luna... even if I need variety,"he said,smirking. Heartbroken but fierce,she rejected him-and turned to someone far more dangerous. "I need help,"she whispered. Sherman leaned closer,his voice like silk over steel. "I offer more than help,little wolf. I offer everything he couldn't give you." Now married to Zack's powerful half-brother,Silvia plays a deadly game of loyalty,vengeance,and survival. But Sherman Carter doesn't help for free-and as their bond deepens,truths unravel. Is Silvia just a pawn in Sherman's war? Or is she becoming the Queen who'll burn the whole pack down? When love,betrayal,and bloodlines collide,how far will one omega go to save her family-and destroy the mate who broke her soul?
For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
For eight years, Cecilia Moore was the perfect Luna, loyal, and unmarked. Until the day she found her Alpha mate with a younger, purebred she-wolf in his bed. In a world ruled by bloodlines and mating bonds, Cecilia was always the outsider. But now, she's done playing by wolf rules. She smiles as she hands Xavier the quarterly financials-divorce papers clipped neatly beneath the final page. "You're angry?" he growls. "Angry enough to commit murder," she replies, voice cold as frost. A silent war brews under the roof they once called home. Xavier thinks he still holds the power-but Cecilia has already begun her quiet rebellion. With every cold glance and calculated step, she's preparing to disappear from his world-as the mate he never deserved. And when he finally understands the strength of the heart he broke... It may be far too late to win it back.
Belinda thought after divorce, they would part ways for good - he could live his life on his own terms, while she could indulge in the rest of hers. However, fate had other plans in store. "My darling, I was wrong. Would you please come back to me?" The man, whom she once loved deeply, lowered his once proud head humbly. "I beg you to return to me." Belinda coldly pushed away the bouquet of flowers he had offered her and coolly replied, "It's too late. The bridge has been burned, and the ashes have long since scattered to the wind!"
"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?
Yelena discovered that she wasn't her parents' biological child. After seeing through their ploy to trade her as a pawn in a business deal, she was sent away to her barren birthplace. There, she stumbled upon her true origins-a lineage of historic opulence. Her real family showered her with love and adoration. In the face of her so-called sister's envy, Yelena conquered every adversity and took her revenge, all while showcasing her talents. She soon caught the attention of the city's most eligible bachelor. He cornered Yelena and pinned her against the wall. "It's time to reveal your true identity, darling."
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