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Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant
Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant by Jr. Horatio Alger
Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant by Jr. Horatio Alger
"It's most time for Paul to come home," said Mrs. Hoffman. "I must be setting the table for supper."
"I wonder how he will like my new picture," said Jimmy, a delicate boy of eight, whose refined features, thoughtful look, and high brow showed that his mind by no means shared the weakness of his body. Though only eight years of age he already manifested a remarkable taste and talent for drawing, in which he had acquired surprising skill, considering that he had never taken lessons, but had learned all he knew from copying such pictures as fell in his way.
"Let me see your picture, Jimmy," said Mrs. Hoffman. "Have you finished it?"
She came up and looked over his shoulder. He had been engaged in copying a humorous picture from the last page of Harper's Weekly. It was an ambitious attempt on the part of so young a pupil, but he had succeeded remarkably well, reproducing with close fidelity the grotesque expressions of the figures introduced in the picture.
"That is excellent, Jimmy," said his mother in warm commendation.
The little boy looked gratified.
"Do you think I will be an artist some day?" he asked.
"I have no doubt of it," said his mother, "if you can only obtain suitable instruction. However, there is plenty of time for that. You are only seven years old."
"I shall be eight to-morrow," said Jimmy, straightening up his slender form with the pride which every boy feels in advancing age.
"So you will. I had forgotten it."
"I wonder whether I can earn as much money as Paul when I get as old," said Jimmy thoughtfully. "I don't think I can. I shan't be half as strong."
"It isn't always the strongest who earn the most money," said his mother.
"But Paul is smart as well as strong."
"So are you smart. You can read unusually well for a boy of your age, and in drawing I think Paul is hardly your equal, though he is twice as old."
Jimmy laughed.
"That's true, mother," he said. "Paul tried to draw a horse the other day, and it looked more like a cow."
"You see then that we all have our different gifts. Paul has a talent for business."
"I think he'll be rich some day, mother."
"I hope he will, for I think he will make a good use of his money."
While Mrs. Hoffman was speaking she had been setting the table for supper. The meal was not a luxurious one, but there was no lack of food. Beside rolls and butter, there was a plate of cold meat, an apple pie, and a pot of steaming hot tea. The cloth was scrupulously clean, and I am sure that though the room was an humble one not one of my readers need have felt a repugnance to sitting down at Mrs. Hoffman's plain table.
For the benefit of such as may not have read "Paul the Peddler," I will explain briefly that Mrs. Hoffman, by the death of her husband two years previous, had been reduced to poverty, which compelled her to move into a tenement house and live as best she could on the earnings of her oldest son, Paul, supplemented by the pittance she obtained for sewing. Paul, a smart, enterprising boy, after trying most of the street occupations, had become a young street merchant. By a lucky chance he had obtained capital enough to buy out a necktie stand below the Astor House, where his tact and energy had enabled him to achieve a success, the details of which we will presently give. Besides his own profits, he was able to employ his mother in making neckties at a compensation considerably greater than she could have obtained from the Broadway shops for which she had hitherto worked.
Scarcely was supper placed on the table when Paul entered. He was a stout, manly boy of fifteen, who would readily have been taken for a year or two older, with a frank, handsome face, and an air of confidence and self-reliance, which he had acquired through his independent efforts to gain a livelihood. He had been thrown upon his own resources at an age when most boys have everything done for them, and though this had been a disadvantage so far as his education was concerned, it had developed in him a confidence in himself and his own ability to cope with the world not usually found in boys of his age.
"Well, mother," said he briskly, "I am glad supper is ready, for I am as hungry as a wolf."
"I think there will be enough for you," said his mother, smiling. "If not, we will send to the baker's for an extra supply."
"Is a wolf hungry, Paul?" asked Jimmy, soberly accepting Paul's simile.
"I'll draw you one after supper, Jimmy, and you can judge," answered Paul.
"Your animals all look like cows, Paul," said his little brother.
"I see you are jealous of me," said Paul, with much indignation, "because I draw better than you."
"After supper you can look at my last picture," said Jimmy. "It is copied from Harper's Weekly."
"Pass it along now, Jimmy. I don't think it will spoil my appetite."
Jimmy handed it to his brother with a look of pardonable pride.
"Excellent, Jimmy. I couldn't do it better myself," said Paul. "You are a little genius."
"I like drawing so much, Paul. I hope some time I can do something else besides copy."
"No doubt you will. I am sure you will be a famous artist some day, and make no end of money by your pictures."
"That's what I would like-to make money."
"Fie, Jimmy! I had no idea you were so fond of money."
"I would like to help mother just as you are doing, Paul. Do you think I will ever earn as much as you do?"
"A great deal more, I hope, Jimmy. Not but what I am doing well," added Paul in a tone of satisfaction. "Did you know, mother, it is six months to-day since I bought out the necktie stand?"
"Is it, Paul?" asked his mother with interest. "Have you succeeded as well as you anticipated?"
"Better, mother. It was a good idea putting in a case of knives. They help along my profits. Why, I sold four knives to-day, making on an average twenty-five cents each."
"Did you? That is indeed worth while."
"It is more than I used to average for a whole day's earnings before I went into this business."
"How many neckties did you sell, Paul?" asked Jimmy.
"I sold fourteen."
"How much profit did you make on each?"
"About fourteen cents. Can you tell how much that makes?"
"I could cipher it out on my slate."
"No matter; I'll tell you. It makes a dollar and ninety-six cents. That added to the money I made on the knives amounts to two dollars and ninety-six cents."
"Almost three dollars."
"Yes; sometimes I sell more neckties, but then I don't always sell as many knives. However, I am satisfied."
"I have made two dozen neckties to-day, Paul," said his mother.
"I am afraid you did too much, mother."
"Oh, no. There isn't much work about a necktie."
"Then I owe you a dollar and twenty cents, mother."
"I don't think you ought to pay me five cents apiece, Paul."
"That's fair enough, mother. If I get fourteen cents for selling a tie, certainly you ought to get five cents for making one."
"But your money goes to support us, Paul."
"And where does yours go, mother?"
"A part of it has gone for a new dress, Paul. I went up to Stewart's to-day and bought a dress pattern. I will show it to you after supper."
"That's right, mother. You don't buy enough new dresses. Considering that you are the mother of a successful merchant, you ought to dash out. Doesn't Jimmy want some clothes?"
"I am going to buy him a new suit to-morrow. He is eight years old to-morrow."
"Is he? What an old fellow you are getting to be, Jimmy! How many gray hairs have you got?"
"I haven't counted," said Jimmy, laughing.
"I tell you what, mother, we must celebrate Jimmy's birthday. He is the only artist in the family, and we must treat him with proper consideration. I'll tell you what, Jimmy, I'll close up my business at twelve o'clock, and give all my clerks a half-holiday. Then I'll take you and mother to Barnum's Museum, where you can see all the curiosities, and the play besides. How would you like that?"
"Ever so much, Paul," said the little boy, his eyes brightening at the prospect. "There's a giant there, isn't there? How tall is he?"
"Somewhere about eighteen feet, I believe."
"Now you are making fun, Paul."
"Well, it's either eighteen or eight, one or the other. Then there's a dwarf, two feet high, or is it inches?"
"Of course it's feet. He couldn't be so little as two inches."
"Well, Jimmy, I dare say you're right. Then it's settled that we go to the museum tomorrow. You must go with us, mother."
"Oh, yes, I will go," said Mrs. Hoffman, "and I presume I shall enjoy it nearly as much as Jimmy."
Alger's writings happened to correspond with America's Gilded Age, a time of increasing prosperity in a nation rebuilding from the Civil War.This is another fine work by Alger in the vein of 'rags to riches' tales.
The class of boys described in the present volume was called into existence only a few years since, but they are already so numerous that one can scarcely ride down town by any conveyance without having one for a fellow-passenger. Most of them reside with their parents and have comfortable homes, but a few, like the hero of this story, are wholly dependent on their own exertions for a livelihood.
A youth of sturdy qualities elects to follow the calling of a deckhand on a Hudson River steamboat...
Alger describes young men in the city trying to get a head as newsboys, match boys, pedlars, street musicians, and many others. Through luck and hard work, sixteen-year-old Ohio farm boy Nat finds surprising success in nineteenth-century New York City.
This book is written in the typical Alger style. Herbert is a poor boy who sets out, with the help of his great uncle, to clear his father's name of a crime he did not commit...
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
"Lucien, let's get a divorce," I said in a peremptory tone that was long overdue, the most decisive farewell to this absurd marriage. We had been married for exactly three years-three years that, for me, were filled with nothing but endless loneliness and torment. For three years, the husband who should have stood by my side through every storm, Lucien Sullivan, had completely disappeared from my life as if he had never existed. He vanished without a trace, leaving me alone to endure this empty, desolate marriage. Today, I finally received his message: "I'm back. Come pick me up at the airport." When I read his words, my heart leapt with joy, and I raced to the airport, thinking that he finally understood my love and was coming back to me. But his cruelty was far worse than I could have ever imagined-he was accompanied by a pregnant woman, and that woman was Carla, my closest and most trusted friend. In that moment, all of my previous excitement, all my hope, and all of our shared laughter and tears turned into the sharpest of daggers, stabbing into my heart and leaving me gasping for air. Now, all I want is to escape from this place that has left me so broken-to lick my wounds in solitude. Even if these wounds will remain with me for the rest of my life, I refuse to have anything to do with him ever again. He should know that it was his own hand that trampled our love underfoot, that his coldness and betrayal created this irreparable situation. But when he heard those words, he desperately clung to this broken, crumbling marriage, unwilling to let it end-almost as though doing so could rewind time and return everything to how it used to be. "Aurora, come back. I regret everything!" Regret? Those simple words stirred no emotion in me-only endless sadness and fury. My heart let out a frantic, desperate scream: It's too late for any of this!
Janice, the long-forgotten legitimate heiress, made her way back to her family, pouring her heart into winning their hearts. Yet, she had to relinquish her very identity, her academic credentials, and her creative works to her foster sister. In return for her sacrifices, she found no warmth, only deeper neglect. Resolute, Janice vowed to cut off all emotional bonds. Transformed, she now stood as a master of martial arts, adept in eight languages, an esteemed medical expert, and a celebrated designer. With newfound resolve, she declared, "From this day forward, no one in this family shall cross me."
Being second best is practically in my DNA. My sister got the love, the attention, the spotlight. And now, even her damn fiancé. Technically, Rhys Granger was my fiancé now-billionaire, devastatingly hot, and a walking Wall Street wet dream. My parents shoved me into the engagement after Catherine disappeared, and honestly? I didn't mind. I'd crushed on Rhys for years. This was my chance, right? My turn to be the chosen one? Wrong. One night, he slapped me. Over a mug. A stupid, chipped, ugly mug my sister gave him years ago. That's when it hit me-he didn't love me. He didn't even see me. I was just a warm-bodied placeholder for the woman he actually wanted. And apparently, I wasn't even worth as much as a glorified coffee cup. So I slapped him right back, dumped his ass, and prepared for disaster-my parents losing their minds, Rhys throwing a billionaire tantrum, his terrifying family plotting my untimely demise. Obviously, I needed alcohol. A lot of alcohol. Enter him. Tall, dangerous, unfairly hot. The kind of man who makes you want to sin just by existing. I'd met him only once before, and that night, he just happened to be at the same bar as my drunk, self-pitying self. So I did the only logical thing: I dragged him into a hotel room and ripped off his clothes. It was reckless. It was stupid. It was completely ill-advised. But it was also: Best. Sex. Of. My. Life. And, as it turned out, the best decision I'd ever made. Because my one-night stand isn't just some random guy. He's richer than Rhys, more powerful than my entire family, and definitely more dangerous than I should be playing with. And now, he's not letting me go.
Evelina, a mute girl, married Andreas believing he alone would shield her from a world of misery. Three years later, she carried invisible bruises: a miscarried child, a smirking mistress who shamed her in public, and a husband who treated her as a pawn. Love no longer tempted her, nor did she crave another chance. Andreas thought Evelina would never leave him, but when she walked out without a backward glance, panic set in. "Andreas, face the truth. It's over," Evelina declared firmly. He blinked back tears as he stated, "I can't let go." For the first time, she chose herself-and let her heart lead the way.
Camille Lewis was the forgotten daughter, the unloved wife, the woman discarded like yesterday's news. Betrayed by her husband, cast aside by her own family, and left for dead by the sister who stole everything, she vanished without a trace. But the weak, naive Camille died the night her car was forced off that bridge. A year later, she returns as Camille Kane, richer, colder, and more powerful than anyone could have imagined. Armed with wealth, intelligence, and a hunger for vengeance, she is no longer the woman they once trampled on. She is the storm that will tear their world apart. Her ex-husband begs for forgiveness. Her sister's perfect life crumbles. Her parents regret the daughter they cast aside. But Camille didn't come back for apologies, she came back to watch them burn. But as her enemies fall at her feet, one question remains: when the revenge is over, what's left? A mysterious trillionaire Alexander Pierce steps into her path, offering something she thought she lost forever, a future. But can a woman built on ashes learn to love again? She rose from the fire to destroy those who betrayed her. Now, she must decide if she'll rule alone... or let someone melt the ice in her heart.
A year into the marriage, Thea rushed home with radiant happiness-she was pregnant. Jerred barely glanced up. "She's back." The woman he'd never let go had returned, and he forgot he was a husband, spending every night at her hospital bed. Thea forced a smile. "Let's divorce." He snapped, "You're jealous of someone who's dying?" Because the woman was terminal, he excused every jab and made Thea endure. When love went cold, she left the papers and stormed off. He locked down the city and caught her at the airport, eyes red, dropping to his knees. "Honey, where are you going with our child?"
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