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Alger's writings happened to correspond with America's Gilded Age, a time of increasing prosperity in a nation rebuilding from the Civil War.This is another fine work by Alger in the vein of 'rags to riches' tales.
Alger's writings happened to correspond with America's Gilded Age, a time of increasing prosperity in a nation rebuilding from the Civil War.This is another fine work by Alger in the vein of 'rags to riches' tales.
Just on the edge of the prairie, in western Iowa, some thirty years since, stood a cabin covering quite a little ground, but only one story high. It was humble enough as a home, but not more so than the early homes of some who have become great.
Let us enter.
The furniture was scanty, being limited to articles of prime necessity. There was a stove, a table, three chairs, a row of shelves containing a few articles of crockery and tinware, and a bed in the far corner of the room, on which rested a man. He had a ragged gray beard and hair, and a face long and thin, with preternaturally black eyes.
It was evident that he was sick unto death. His parchment-colored skin was indented with wrinkles; from time to time he coughed so violently as to rack his slight frame, and his hand, thin and wrinkled, as it rested on the quilt that covered him, shook as with palsy.
It was hard to tell how old the man was. He looked over seventy, but there were indications that he had aged prematurely.
There was one other person in the room, one whose appearance contrasted strongly with that of the old man. It was a boy of sixteen, a boy with dark brown hair, ruddy cheeks, hazel eyes, an attractive yet firm and resolute face, and an appearance of manliness and self-reliance. He was well dressed, and, though the tenant of such an humble home, would have passed muster upon the streets of a city.
"How do you feel, Uncle Peter?" he asked, as he stood by the bedside.
"I shall never feel any better, Ernest," said the old man, in a hollow voice.
"Don't say that, uncle," rejoined Ernest in a tone of concern.
There seemed little to connect him, in his strong, attractive boyhood, with the frail old man, but they had lived together for five years, and habit was powerful.
"Yes, Ernest, I shall never rise from this bed."
"Isn't there anything I can get for you, uncle?"
"Is there is there anything left in the bottle?" asked Peter, wistfully.
Ernest walked to the shelf that held the dishes, and took from a corner a large black bottle. It seemed light and might be empty. He turned out the contents into a glass, but there was only a tablespoonful of whisky left.
"It is almost all gone, Uncle Peter; will you have this much?"
"Yes," answered the old man, tremulously.
Ernest lifted the invalid into a sitting posture, and then put the glass to his mouth.
He drained it, and gave a sigh of satisfaction.
"It is good," he said briefly.
"I wish there were more."
"It goes to the right spot. It puts strength into me."
"Shall I go to the village and buy more?"
"I--I don't know--"
"I can get back very soon."
"Very well--go then, like a good boy."
"I shall have to trouble you for some money, Uncle Peter."
"Go to the trunk. You will find some."
There was a small hair trunk, in another corner. Ernest knew that this was meant, and he knelt down before it and lifted the lid.
There was a small wooden box at the left-hand side. Opening this, Ernest discovered three five-dollar gold pieces. Usually his uncle had gone to the trunk for money, but the boy knew where it was kept.
"There are but three gold pieces, uncle," he announced, looking towards the bed.
"Take one of them, Ernest."
"I wonder if that is all the money he has left?" thought Ernest.
He rose from his kneeling position and went to the door.
"I won't be gone long, uncle," he said. He followed a path which led from the door in an easterly direction to the village. It was over a mile away, and consisted only of a few scattering houses, a blacksmith's shop, and a store.
It was to the store that Ernest bent his steps. It was a one-story structure, as were most of the buildings in the village. There was a sign over the door which read:
JOE MARKS.
Groceries and Family Supplies.
Joe stood behind the counter; there were two other men in the store, one tall, gaunt, of the average Western type, with a broad-brimmed, soft felt hat on his head, and in the costume of a hunter; he looked rough, but honest and reliable, and that was more than could be said of the other. He may best be described as a tramp, a man who looked averse to labor of any kind, a man without a settled business or home, who picked up a living as he could, caring less for food than for drink, and whose mottled face indicated frequent potations of whisky.
Ernest looked at this man as he entered. He didn't remember to have met him before, nor was there anything to attract him in his appearance.
"How are you, Ernest?" said Joe Marks, cordially. "How's Uncle Peter?"
"He's pretty bad, Joe. He thinks he's going to die."
"Not so bad as that, surely."
"Yes, I guess he's right. He's very weak."
"Well, well, he's a good age. How old is he?"
"I don't know. He never told me."
"He's well on to seventy, I'm thinking. But what can I do for you?"
"You may fill this bottle, Joe; Uncle Peter is so weak he thinks it will put new life in him."
"So it will, Ernest; there's nothing like good whisky to make an old man strong, or a young man, for that matter."
It may be easy to see that Joe did not believe in total abstinence.
"I don't drink, myself!" said Ernest, replying to the last part of Joe's remark.
"There's nothing like whisky," remarked the tramp in a hoarse voice.
"You've drunk your share, I'm thinking," said Luke Robbins, the tall hunter.
"Not yet," returned the tramp. "I haven't had my share yet. There's lots of people that has drunk more'n me."
"Why haven't you drunk your share? You hadn't no objections, I reckon."
"I hadn't the money," said the tramp, sadly. "I've never had much money. I ain't lucky."
"If you had had more money, you'd maybe not be living now. You'd have drunk yourself to death."
"If I ever do commit suicide, that's the way I'd like to die," said the tramp.
Joe filled the bottle from a keg behind the counter and handed it to Ernest. The aroma of the whisky was diffused about the store, and the tramp sniffed it in eagerly. It stimulated his desire to indulge his craving for drink. As Ernest, with the bottle in his hand, prepared to leave, the tramp addressed him.
"Say, young feller, ain't you goin' to shout?"
"What do you mean?"
"Ain't you goin' to treat me and this gentleman?" indicating Luke Robbins.
"No," answered Ernest, shortly. "I don't buy it as drink, but as medicine."
"I need medicine," urged the tramp, with a smile.
"I don't," said the hunter. "Don't you bother about us, my boy. If we want whisky we can buy it ourselves."
"I can't," whined the tramp. "If I had as much money as you,"--for he had noticed that Ernest had changed a gold piece--"I'd be happy, but I'm out of luck."
Ernest paid no attention to his words, but left the store, and struck the path homeward.
"Who's that boy?" asked the tramp.
"It's Ernest Ray."
"Where'd he get that gold?"
"He lives with his uncle, a mile from the village."
"Is his uncle rich?"
"Folks think so. They call him a miser."
"Is he goin' to die?"
"That's what the boy says."
"And the boy'll get all his money?"
"It's likely."
"I'd like to be his guardian."
Joe and Luke Robbins laughed. "You'd make a pretty guardian," said Luke.
"I won't get it," said the tramp, mournfully. "I never had no luck."
Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant by Jr. Horatio Alger
The class of boys described in the present volume was called into existence only a few years since, but they are already so numerous that one can scarcely ride down town by any conveyance without having one for a fellow-passenger. Most of them reside with their parents and have comfortable homes, but a few, like the hero of this story, are wholly dependent on their own exertions for a livelihood.
A youth of sturdy qualities elects to follow the calling of a deckhand on a Hudson River steamboat...
Alger describes young men in the city trying to get a head as newsboys, match boys, pedlars, street musicians, and many others. Through luck and hard work, sixteen-year-old Ohio farm boy Nat finds surprising success in nineteenth-century New York City.
This book is written in the typical Alger style. Herbert is a poor boy who sets out, with the help of his great uncle, to clear his father's name of a crime he did not commit...
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Elisa watched as the most important people in her life showered the evil imposter-The fake heiress, with love. Elisa, the lost daughter of one of the most wealthiest family was found 18 years later and was brought back to her rightful home. However, someone had already taken her place. A fake heiress, the pampered little princess. Her coy acting and innocent façade made Elisa's real mother love her more than Elisa, her real daughter. That made Elisa, though, the true daughter end up as an adopted child. "Elisa, could you try not to appear in front of her too much as it could trigger her insecurities." Her parents had told her because of the fake heiress. "Elisa, You've taken everything away from her. Why can't you give her a little more?" Her fiancé had ordered her. Because of an unfortunate accident plotted by Isabelle-The fake heiress, Elisa was sent to prison and her family cut ties with her without a second thought. Four years, after much torture which led to her being crippled and blind on one eye, she was released, but got hit by a truck. While laying on the pool of her blood, she wanted to question, Why? Why had they all treated her so cruelly, while they love Isabelle unconditionally? She badly wanted to rip off Isabelle's mask of innocence, to reveal the fake, manipulative woman beneath. She was full of hatred. But after her death, she woke up back to when she was 18 years like all that happened were all nightmare. She was elated. She was reborn to re-live all that had happened in her last life, but now, her mission was to reveal mask beneath that woman and make everyone that made her suffer in her past life pay. It was her time for revenge! And definitely, she won't mess this up!
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
After two years of marriage, Kristian dropped a bombshell. "She's back. Let's get divorced. Name your price." Freya didn't argue. She just smiled and made her demands. "I want your most expensive supercar." "Okay." "The villa on the outskirts." "Sure." "And half of the billions we made together." Kristian froze. "Come again?" He thought she was ordinary—but Freya was the genius behind their fortune. And now that she'd gone, he'd do anything to win her back.
To the public, she was the CEO's executive secretary. Behind closed doors, she was the wife he never officially acknowledged. Jenessa was elated when she learned that she was pregnant. But that joy was replaced with dread as her husband, Ryan, showered his affections on his first love. With a heavy heart, she chose to set him free and leave. When they met again, Ryan's attention was caught by Jenessa's protruding belly. "Whose child are you carrying?!" he demanded. But she only scoffed. "It's none of your business, my dear ex-husband!"
Christina had always believed in taking retribution for the wrongs done to her. To that end, she personally crippled the person who had hurt someone important to her. She was imprisoned for three years, and by the time she was released, her reputation was in tatters. The public despised her for her ruthlessness. They were all shocked, then, to witness the powerful and dignified Harold kiss her with a searing passion. He took it a step further by declaring his love on social media. "I am yours, Christina." She had gone through hell and emerged from the ashes to magnificent new life.
Winter Josh is a kind and warmhearted girl who had engaged to Etan Lloyd when she was a child. However, her step-sister, who was jealous of her position, appearance, and personality, wanted to take her place to marry Etan Lloyd when she met the handsome and powerful man. And so that’s what she did. Unexpectedly, Etan Lloyd, who used to be an arrogant, proud, and heartless CEO, was seriously crippled in a car accident and left wheelchair-bound. This made Winter Josh’s stepsister lose her mind,she immediately broke the engagement and forced Winter Josh to marry the disabled CEO instead of her. Winter Josh had no choice but to obey, and she determined to cure her husband as possible as she can. But to her surprise, her husband, who had been confined to a wheelchair for a long time, was never crippled! Instead, he is even healthier, stronger, and more powerful than before. Since then a new love story begins...
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