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Chapter 9 THE LACES OF FRANCE

Word Count: 1231    |    Released on: 01/12/2017

point Lace

lace-making by Colbert-"Point de France"-"Point d'Alen?on"-"P

ure of "Lacis," which was merely darned netting, more or less fine. At this time "Lacis" and "Cut-worke" were practically all that was known or used. Bed-hangings, curtains, and furniture-coverings were covered with alternate squares

ucceeded that lace rivalling that of Venice was being produced. The Venetians became alarmed in their turn (as, indeed, they had need to be) and issued an edict, ordering the lace-workers to return forthwith, or, failing this, the nearest relative would be imprisoned for life, and steps would

ted. The introduction of tiny figures was attributable to the overwhelming personality of Louis XIV., and was symbolical of his magnificent sway and far-reaching influence. In the illustration, page 55, an especially fine speci

DE FR

rty of Lad

D'AL

's Coll

re defined. The importation also of the finer flax thread from Flanders brought the more exquisite Pillow lace of Brussels to the notice of the French lace-workers. The French, as a nation, have always been foremost in seizing upon new ideas and adapting them to their own artistic requirements. In this instance the result was admirable, a

f its own, to have been the cause of much of its destruction, as, in washing, the hair contracts and curls. It will be noticed also that the ground is worked in strips, shortways of the lace of less than an inch in length, afterwards being sti

. Under Louis XV. the lace was equally well made, but the patterns followed the Rococo designs which were now introduced into all other decorative work, while in the reign of the ill-fated Louis XVI. it went completely out of fashion, Marie Antoinette affecting a much simpler style of lace. The Revolution final

d'Arg

ss, however, will speedily dispel this illusion. The ground in itself is a marvellous piece of work, each of the sides of the mesh b

DE FR

's Coll

D'ARGE

d'Arge

his as it may, the lace known as Point d'Argentella is exceptionally fine even amongst other fine laces, and is noted most specially for the fine "jours" which form an essential part of the pattern

y many connoisseurs this is considered the finest lace of this age, being far superior to modern Brussels. It is entirely handmade, which cannot be, unfortunately, averred for Brussels, as the fine machine-made net, woven from the exquisitely fine thread manufactured in Flanders and Belgium, serves as the ground

N WITH POINT D'

Colle

SHOWING THE "PART

Colle

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Contents

Chapter 1 A BRIEF HISTORY OF LACE Chapter 2 THE ART OF Chapter 3 THE ART OF LACE-MAKING Chapter 4 THE LACES Chapter 5 THE LACES OF ITALY Chapter 6 THE LACES No.6 Chapter 7 THE LACES OF GENOA AND MILAN Chapter 8 THE LACES No.8 Chapter 9 THE LACES OF FRANCE Chapter 10 THE PILLOW Chapter 11 THE PILLOW LACES OF FRANCE
Chapter 12 THE LACES No.12
Chapter 13 THE LACES OF FLANDERS
Chapter 14 THE MODERN
Chapter 15 THE MODERN BRUSSELS LACES AND MECHLIN
Chapter 16 OTHER
Chapter 17 OTHER CONTINENTAL LACES
Chapter 18 A SHORT
Chapter 19 A SHORT HISTORY OF LACE IN ENGLAND
Chapter 20 ENGLISH
Chapter 21 ENGLISH LACES
Chapter 22 SCOTCH
Chapter 23 SCOTCH AND IRISH LACES
Chapter 24 HOW TO
Chapter 25 HOW TO IDENTIFY LACE
Chapter 26 SALE
Chapter 27 OLD ENGLISH EMBROIDERY
Chapter 28 THE GREAT
Chapter 29 THE GREAT PERIOD OF EMBROIDERY
Chapter 30 ECCLESIASTICAL
Chapter 31 ECCLESIASTICAL EMBROIDERIES AND VESTMENTS
Chapter 32 TUDOR
Chapter 33 TUDOR EMBROIDERY
Chapter 34 EARLY
Chapter 35 EARLY NEEDLEWORK PICTURES AND ACCESSORIES
Chapter 36 STUART
Chapter 37 STUART CASKETS AND MIRRORS
Chapter 38 EMBROIDERED
Chapter 39 EMBROIDERED BOOKS AND BLACK WORK
Chapter 40 STUART No.40
Chapter 41 STUART PICTURES
Chapter 42 SAMPLERS
Chapter 43 SAMPLERS No.43
Chapter 44 THE WILLIAM
Chapter 45 THE WILLIAM AND MARY EMBROIDERIES
Chapter 46 PICTORIAL
Chapter 47 PICTORIAL NEEDLEWORK OF THE EIGHTEENTH CENTURY
Chapter 48 NEEDLEWORK
Chapter 49 NEEDLEWORK PICTURES OF THE NINETEENTH CENTURY
Chapter 50 EMBROIDERY
Chapter 51 EMBROIDERY IN COSTUME
Chapter 52 SALE No.52
Chapter 53 SALE PRICES
Chapter 54 CONCLUSION
Chapter 55 CONCLUSION No.55
Chapter 56 No.56
Chapter 57 No.57
Chapter 58 No.58
Chapter 59 No.59
Chapter 60 No.60
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