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Chapter 5 THE LACES OF ITALY

Word Count: 875    |    Released on: 01/12/2017

netian

eige"-"Gros Point"-"Punto Tagliato a F

ads stretched across, afterwards being buttonholed into a variety of designs. The edges are then again worked upon with loops or picots, and in "Rose Point" tiny stars or roses are worked on suitable parts of the design, sometimes the "roses" or "stars" being three in numbers, one poised upon the other. This is known as "Point de N

rsonal influence of his reign, frequently having tiny figures worked in the design. A collar in my possession has the Indian worshipping the sun (the King's glory was said to rival th

ational Library at the South Kensington Museum, may be seen the very patterns designed by Vinciolo, Vicellio, and Isabella Parasole. These publications actually came from Venice, and being

POINT (V

E VENISE (FL

's Coll

G THE MEDICIS COLLAR TO

n and called Spanish Point), and Point Plat de Venise. A much rarer variety is "Venetian point à réseau," which is the flat point worked roun

of lace; the wonderful diversities of the fillings worked in buttonhole stitches; the elaborate decoration of

dicis introducing the Medici collar trimmed with Venetian points specially to display them. At a little later period the collar became more falling and the heavier "Gros point" was used. Men and women al

re genuine works of art, worked slowly and patiently under the clear light of the Italian skies by women who were naturally artistic and beauty loving, and who, while working the shining needle and fairy thread in and out of the intricacies of the design sang the pretty "Lace

gth, and was sold for £145 by one of our leading lacemen. Barely 5 yards of Venetian lace, only 2 inches wide and in rags,

commanded high prices. In the inventory of Q

Italian Cut-worke,

ork lace of Italy, wit

paid £29 f

PLE OF "GROS P

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Contents

Chats on Old Lace and Needlework
Chapter 1 A BRIEF HISTORY OF LACE
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Chats on Old Lace and Needlework
Chapter 2 THE ART OF
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Chats on Old Lace and Needlework
Chapter 3 THE ART OF LACE-MAKING
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Chats on Old Lace and Needlework
Chapter 4 THE LACES
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Chats on Old Lace and Needlework
Chapter 5 THE LACES OF ITALY
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Chats on Old Lace and Needlework
Chapter 6 THE LACES No.6
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Chats on Old Lace and Needlework
Chapter 7 THE LACES OF GENOA AND MILAN
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Chats on Old Lace and Needlework
Chapter 8 THE LACES No.8
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Chats on Old Lace and Needlework
Chapter 9 THE LACES OF FRANCE
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Chats on Old Lace and Needlework
Chapter 10 THE PILLOW
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Chats on Old Lace and Needlework
Chapter 11 THE PILLOW LACES OF FRANCE
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Chapter 12 THE LACES No.12
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Chapter 13 THE LACES OF FLANDERS
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Chapter 14 THE MODERN
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Chapter 15 THE MODERN BRUSSELS LACES AND MECHLIN
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Chapter 16 OTHER
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Chapter 17 OTHER CONTINENTAL LACES
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Chapter 18 A SHORT
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Chapter 19 A SHORT HISTORY OF LACE IN ENGLAND
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Chapter 20 ENGLISH
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Chapter 21 ENGLISH LACES
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Chapter 22 SCOTCH
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Chapter 23 SCOTCH AND IRISH LACES
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Chapter 24 HOW TO
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Chapter 25 HOW TO IDENTIFY LACE
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Chapter 26 SALE
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Chapter 27 OLD ENGLISH EMBROIDERY
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Chapter 28 THE GREAT
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Chapter 29 THE GREAT PERIOD OF EMBROIDERY
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Chapter 30 ECCLESIASTICAL
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Chapter 31 ECCLESIASTICAL EMBROIDERIES AND VESTMENTS
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Chapter 32 TUDOR
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Chapter 33 TUDOR EMBROIDERY
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Chapter 34 EARLY
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Chapter 35 EARLY NEEDLEWORK PICTURES AND ACCESSORIES
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Chapter 36 STUART
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Chapter 37 STUART CASKETS AND MIRRORS
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Chapter 38 EMBROIDERED
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Chapter 39 EMBROIDERED BOOKS AND BLACK WORK
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Chapter 40 STUART No.40
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Chapter 41 STUART PICTURES
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Chapter 42 SAMPLERS
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Chapter 43 SAMPLERS No.43
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Chapter 44 THE WILLIAM
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Chapter 45 THE WILLIAM AND MARY EMBROIDERIES
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Chapter 46 PICTORIAL
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Chapter 47 PICTORIAL NEEDLEWORK OF THE EIGHTEENTH CENTURY
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Chapter 48 NEEDLEWORK
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Chapter 49 NEEDLEWORK PICTURES OF THE NINETEENTH CENTURY
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Chapter 50 EMBROIDERY
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Chapter 51 EMBROIDERY IN COSTUME
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Chapter 52 SALE No.52
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Chapter 53 SALE PRICES
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Chapter 54 CONCLUSION
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Chapter 55 CONCLUSION No.55
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Chapter 56 No.56
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Chapter 57 No.57
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Chapter 58 No.58
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Chapter 59 No.59
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Chapter 60 No.60
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