th and Eighte

ook and corner of the continent, Italian painters and sculptors, princes and poets, artists and artisans of all kinds, had stimulated this new birth of the world; but this mission accomplished, Italy seemed to find little more to do, and for lack of an ideal her sons and daughters wasted their time in the pursuit of idle things. It was the natural reaction after an age of unusual force and brilliancy. In the shadow of the great

s own comfort. At the death of a certain princess, the royal commissioners delayed the funeral because it was claimed that she had used arms and insignia of nobility above her true rank, and was not entitled, therefore, to the brilliant obsequies which were being planned by the members of her family. The body was finally put in a vault and left unburied until the matter had been passed upon by the heraldry experts in Madrid! During the funeral services which were being held in honor of the Queen of Spain, the archbishop desired footstools placed for all the bishops present, but the vicegerent opposed this innovation, and the ceremony was finally suspended because they could come to no agreement. The cities of Cremona and Pavia were in litiga

more of them who vied in magnificence with the pope himself. And all this helped to make the Eternal City the scene of much brilliancy. The papal court was the natural centre of all this animation, and many a stately procession wended its way to the Vatican. On one occasion, the Duke of Parma, wishing to compliment a newly elected pope, sent as his representative the Count of San Secondo, who went to his solemn interview followed by a long procession of one hundred and fifty carriages, and appeared before the pontiff with eighteen distinguished prelates in his train. This mad

pe. Young women were much given to curling their hair, and at the same time it was the fashion to wear upon the forehead a cluster of blond curls, a petite perruque, which, in the words of an old chronicler, Rinuccini, "is very unbecoming to those whose hair happens to be of another color." From the same authority is derived the following information concerning the women belonging to the under crust of society: "Prostitutes, formerly, all wore an apparent sign which revealed their infamous profession; it was a ye

d it seems to have been usual for her employers to arrange a good marriage for her after several years of service, giving her at that time from one hundred to one hundred and fifty crowns as a dowry. Later in the century, the matrona does not seem to have been so common, and many women went alone in their carriages, while on foot they were accompanied by a manservant in livery. The wealthier ladies of the nobility, however, were accompanied in their conveyances by a donzella, and on the

pride and ambition of this rich Tuscan family were unlimited, and the memory of that other daughter of the house of Medici, Catherine, who had been Queen of France and mother of three French kings, was still fresh in the minds of all. The wedding ceremony was performed in great splendor, at Florence, Henry sending a proxy to represent him at that time; and then the young bride set out for France, followed by a glittering retinue, and bearing, as her dowry, six hundred thousand crowns of gold. Arriving at Leghorn, they took ship for Marseilles, and then began a triumphal march across the country, cities vying with each other in doing her honor. Cantu tells us that at Avignon, which was still a city under the temporal sway of the pope, Marie was placed in a chariot drawn by two elephants, and given an escort of two thousand cavaliers. There were seven triumphal arches and seven theatres; for it wa

the person of Eleanora Galiga?, her foster-sister, whose husband, Concino Concini, a Florentine, had come to France in the suite of Marie, and had subsequently risen to a position of influence in the court. Eventually, he became the Maréchal d'Ancre, and his wife was spoken of as la Maréchale or la Galiga?, for so great was the extent of Eleanora's control over the queen that she was one of the most conspicuous women in all Europe at that time. Gradually, she was criticised on account of the way in which she used her power, and it was alleged that she was overmu

ade so distinguished a convert, and Christine, in acknowledgment of this attention, presented her crown and sceptre as a votive offering to the church of the Santa Casa at Loretto. At Rome she lived in one of the most beautiful palaces in the city, and there divided her time between study and amusements. Through it all she was never able to forget the fact that she had been a queen, and many examples might be given of her haughty demeanor in the presence of those who were unwilling to do her bidding. Before leaving Sweden, Christine had tried to gather a circle of learned men about her at Stockholm, and the great French philosopher Descartes spent some months in her palace. Later, when in Paris, on her way to Italy, a special session of the French A

s which present an interesting description and criticism of existing manners and customs in so far as they had to do with women and their attitude toward conventual institutions. Having entered upon this life under protest, her first books were written in a wild, passionate style, and it was her purpose to make public the violence of which she had been a victim, and to prove, by copious references to authorities both sacred and profane, that women should be allowed entire liberty in their choice of a career. Incidentally, she cursed most thoroughly the fathers who compelled their daughters to take the veil in spite of their expressed unwillingness. Perhaps the most important of these protests, which was given an Elzevir edition in 1654, was entitled Innocence Deceived, or The Tyranny of Parents. This special edition was dedicated to God, and bore the epigraph: "Compulsory devotion is not agreeable to God!" Another of these books was ent

ehalf and ordered that Elizabetta should be confined in a Florentine convent. Thereupon Roberto fled to Mantua, and, after having married her by letter, publicly proclaimed his act and demanded that his wife be delivered up to him. The best lawyers in Lombardy now declared the marriage a valid one, but in Florence the steps taken were considered merely as the equivalent of a public betrothal. So the matter stood for a time, until the pope died and the ambitious cardinal presented himself as a candidate for the pontiff's chair. Then the outraged nephew sent to each one of the papal electors a detailed account of what had taken place, with the result that his uncle's candidacy was a complete failure. Cosmo, moved somewhat by public opinion, which was all upon the side of the lovers, ordered Elizabetta to be released from her captivity, whereupon she joined her husband in Venice, that she might share his exile. They were not allowed to remain there for a long tim

are extremely difficult to obtain, as the social aspects of Italian life from the decline of the Renaissance to the Napoleonic era have been quite generally neglected by historians; the information which is obtainable must be derived in large measure from books and letters on Italian travel,

vening-the box at the opera was an integral part of the household arrangements, a continuation of the salon-only it could not be reached without an escort. The chaperon did not exist, because a woman, no matter how old, was no escort for another woman, nor could she herself dispense with an attendant of the other sex. A dowager of sixty and a bride of sixteen had equally to stay at home if there was not a man to accompany them. The cavalier's service was particularly in request at the theatre, but he was more or less on duty whenever his lady left her house for any purpose, with the doubtful exception of going to church. No husband outside a honeymoon could be expected to perform all these functions: he, therefore, appointed or agreed upon the appointment of somebody else to act as his substitute. This was, in nine cases out of ten, the eminently unromantic cavalier servitude of fa

itable view which has just been given, but the general trend of more enlightened comment seems to agree with t

mit you as a lover no farth

re platonic cicisbeo-what

n-that a traveller was led to remark: On ne go?te pas ses plaisirs, on les avale. Here, as in all parts of Italy for that matter, the conditions of domestic life were somewhat unusual at this time, as it was the custom to employ menservants almost exclusively; as these servitors were under the control of the master of the house, it was quite common for the women to intrust to their husbands the entire management of household affairs. Thus freed from family cares, Venetian ladies had little to occupy their time outside of the pleasures of society. Nothing was expected of them on the intellectual side; they had no thought of education, found no resource in study, and were not compelled to read in order to keep up with society small-talk; so long as they found a means to charm their masculine admirers, nothing more was demanded. Apparently, for them to charm and fascinate was not difficult, fo

hat to be found in any other Italian city. Apropos of the poor heating arrangements in Genoese houses, Mrs. Piozzi makes the following remark, which gives a sidelight upon some of the customs of the place and will interest the curious: "To church, however, and to the theatre in winter,

r, she was publicly crowned with the laurel in the presence of thousands of applauding spectators; and in her later years, at Florence, her drawing room was ever filled with curious and admiring crowds. Without pretensions to immaculate character, deep erudition, or high birth, which an Italian esteems above all earthly things, Cori

H?ndel, and there she finally displaced in the public favor her old-time rival, Cuzzoni. The singer known as Catarina Gabrielli was the daughter of the cook of the celebrated Cardinal Gabrielli; in spite of her low origin, she was possessed of a great though insolent beauty, in addition to her wonderful vocal powers, and her brilliant career in Europe was most exceptional in every way. In Italy, later in Vienna, and even in far-away St. Petersburg, she not only achieved wonderful success as a singer, but by her coquettish ways she contrived to attract a crowd of most jealous and ardent admirers, who pursued her and more than once fought for her favors. During her stay in Vienna, the French ambassador, who had fallen a victim to her charms, became so madly jealous of the Portuguese minister, that he drew his sword on Catarina upon

sh a long and carefully prepared address written in that classic tongue, contending that there was no reason why women should not devote themselves to the pursuit of liberal studies. By the time she was thirteen she knew-in addition to Latin-Greek, Hebrew, French, Spanish, German, and several other languages, and was so renowned for her linguistic attainments that she was called, familiarly, the "walking polyglot." When she was fifteen, her father began to invite the most learned men of Bologna to assemble at his house and listen to her essays and discussions upon the most difficult philosophical problems; in spite of the fact that this display of her learning was known to be distasteful to the young girl, it was not until she r