he Early R

rd of living. The Italian cities were encouraging business transactions on a large scale; Italian merchants were among the most enterprising on the continent, making long trips to foreign countries for the purpose of buying and selling goods; and the Oriental trade, which had been diverted in great measure to Italian channels, was a constant source of profit. That all this could be so in the face of the warlike condition of society is due to the fact that much of the fighting was done by mercenary soldier

ber of the population, the fact must not be forgotten that even in that day of moral laxity there were many good and simple people who lived their homely lives in peace and quiet and contentment, unmoved by the rush of the world. We get a glimpse of what this simple life may have been from a charming little book by Pandolfino called La Famiglia, wherein the joys of family life are depicted in a most idyllic manner. The story deals with the beginning of the married life of a young couple; and we are shown how the husband takes the wife to his house after the wedding has been celebrated, displays to her his worldly possessions, and then turns them over to her keeping. After visiting the establishment and giving it a careful inspection, they kneel before the little shrine of the Madonna, which is near at hand, and there they

Indeed, Burckhardt has said that from this epoch dates the first conscious attempt to regulate the affairs of a household in a systematic way, and to this end it is interesting to note that bridal outfits were prepared with unusual care, special attention being given to the supply of household linen, which was sometimes elaborate. As a further aid to orderly housekeeping, it was often the custom for the wives to keep a careful account of daily expenditures, which they did with a skill that would doubtless cause the despair of many a modern housewife who has attempted the

it was provided that not more than three dishes should be supplied for an ordinary entertainment, while twenty was the largest number which might be served at a wedding feast. With regard to matters of dress, Scipio Ammirato tells us in his sixteenth-century History of Florence that in the earliest times the women had the simplest tastes and were "much more soft and delicate than the men," and he adds that "the greatest ornament of the most noble and wealthy woman of Florence was no other than a tight-fitting skirt of bright scarlet, without other girdle than a belt of antique style, and a mantle lined with black and white." Such simplicity, however, cannot have been long in vogue, for as early as 1323 the chronicler Villani informs us that the city auth

wear various strings of pearls and of precious stones at the breast, with different designs and letters. Likewise did they give costly entertainments and wedding parties, extravagant and with superfluous and excessive table." In the midst of this deplorable state of affairs, an ordinance was passed forbidding women to wear crowns of any kind, even of painted paper; dresses of more than one piece and dresses with either painted or embroidered figures were forbidden, though woven

r that women seem to have been most conspicuous in educational affairs, and here it was that a number of them were actually allowed to wear the robe of a professor and lecture to the students. Among the number famed for their learning may be mentioned Giovanna Bianchetti and Maddalena Buonsignori, who gave instruction in law. The latter was the author of a small Latin treatise of some reputation, entitled De legibus connubialis, and the character of this legal work reveals the fact that she must have been much interested in the women of her time, for she has made here in some detail a study of their legal status from certain points of view. No list of this kind would be complete without mention of Novella

extended notice, and the first among the number concerns the quarrel between the Buondelmonti and the Amedei, in Florence, in the thirteenth century. Buondelmonte de' Buondelmonti, a young nobleman from the upper Val d'Arno and a member of the Guelph party, was to marry a daughter of the house of Amedei, staunch Ghibelline supporters, and the wedding day was fast approaching; one day the young Guelph was met upon the street by a lady of the Donati family, also a Guelph, who reproached him for his intended union with one of the hated party, and urged him to marry her own daughter, Ciulla, who was far more desirable. The sight of the fair Donati was too much for the quick passions of Buondelmonte; he fell in love with her at once, and straightway repudiated his former plan of marriage. It may well be im

elda barely had time to escape before the two men rushed upon Bonifacio, who was powerless to defend himself. With poisoned daggers, whose secret had been learned from the Saracens by the Crusaders, he was speedily stabbed to the heart, and then dragged into a dark corner beneath a winding staircase. After seeing her brothers leave the palace, Imelda returned to discover her lover's fate, while they rushed off to raise a hue and cry and plan for further deeds of violence. Imelda found the room where she had left the struggling men empty, but, following the drops of blood upon the floor, she soon came to the lifeless body hidden away. Drawing it out to the light, she found that it was still warm, and, knowing the secret of her brothers' weapons, she resolved upon a desperate remedy,

the rich heiress of Abano, Cecilia Ricco by name. Ezzelino received this confidence, and promised to keep the secret; but no sooner had he parted from the Padovan nobleman than he made plans of his own, and succeeded in marrying his own son to the desirable heiress before Tisolino could interpose. What more was needed to start a feud of the first magnitude? Tisolino's disappointed son, whose heart was now filled with vengeance rather than with unrequited love, abducted his former fiancée by means of a clever ruse, and carr

Paolo came to Ravenna with a brilliant train of gentlemen to celebrate the wedding festivities; and as he crossed the courtyard of the palace on the morning of his arrival, a maid who knew him pointed him out to Francesca through the open window, saying: "That is he who is to be your husband." This Francesca believed, as she had no reason to think otherwise, so skilfully was the marriage ceremony arranged, and it was not until her arrival at Rimini that she knew her fate. For there, on the morning following her coming, as she saw Gianciotto rise from her side, when she had thought him to be Paolo, the sad truth burst upon her. What excuses Paolo could give for this strange deception we are not told, but the fact remains that Francesca still loved him, and looked with scorn upon his misshapen brother. From that time the dangerous moment slowly approached. Living together in the same palace, it was but natural that Paolo and Francesca should be much in each other's society; while Gianciotto, unloved and unlovely, busied himself with his own affairs, which sometimes took him to other cities, as he was a man of ambition and essayed by political man?uvres to advance his own interests. It happened once that in returning from one of these journeys he saw Paolo enter Francesca's room, and then for the first time he became jealous. Hitherto

ary upon the barbarous customs of the time, which made such a situation possible, and its climax was so inevitable and so necessar

in, but in the fifth canto, where he first sees them, he i

esca, i t

mi fanno tr

e!] And before she finished telling her tragic story, he swooned a

d Francesca, has produced a dramatic poem of rare merit. Most recently of all, Gabriele d'Annunzio, the well-known Italian poet and novelist, has made this story the subject of a powerful drama, which was interpreted in a most wonderful way by the gre

t he was tall and graceful, with golden hair which he wore in long plaits, or tied up in a net, or else loose and crowned with flowers. By nature he was fond of display, liked to make a great show of his wealth, and spent much money in public entertainments and feasts and in the construction of beautiful palaces and churches. His wealth was so great and his reputation had gone so far abroad that he was able to do what other rich Italian noblemen accomplished in a somewhat later time-arrange royal marriages for some of his children. His daughter Violante was wedded with great ceremony to the Duke of Clarence, son of Edward III. of England, who is said to have received with her as a dowry the sum o

. "At one time it was sixty most beautiful horses, adorned with gold and silver trappings; at another, silver plate, hawks, hounds, fine cuirasses, suits of armor of wrought steel, helmets decorated with crests, tunics adorned with pearls, belts, precious jewels set in gold, and great quantities of cloth of gold and crimson stuff for the making of garments. Such was the profusion at this banquet that the remnants taken from the table were more than enough to supply ten thousand men." Not every heiress in Italy could have gloried in such a wedding feast as the one given in honor of Violante Visconti, but the wealth of these petty ru