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American detective Grant Colwyn is on a leisurely holiday in a fashionable seaside hotel in Norfolk when one morning during breakfast the strange behavior of one of the other guests catches his attention. The young man's unusual conduct alarms other visitors as well – Colwyn suspects a severe case of a shell-shock. The guest is escorted to his bedroom with some help from Colwyn and Sir Henry Durwood, a doctor who happens to be staying at the hotel, but a few hours later the ill guest disappears without a trace. The next day a man of his description is accused of a murder, and Detective Colwyn can not resist the temptation to get involved ...The Shrieking Pit, an enjoyable classic 'whodunit' novel set in English countryside during the First World War, was first published in 1919.
Colwyn had never seen anything quite so eccentric in a public room as the behaviour of the young man breakfasting alone at the alcove table in the bay embrasure, and he became so absorbed in watching him that he permitted his own meal to grow cold, impatiently waving away the waiter who sought with obtrusive obsequiousness to recall his wandering attention by thrusting the menu card before him.
To outward seeming the occupant of the alcove table was a good-looking young man, whose clear blue eyes, tanned skin and well-knit frame indicated the truly national product of common sense, cold water, and out-of-door pursuits; of a wholesomely English if not markedly intellectual type, pleasant to look at, and unmistakably of good birth and breeding. When a young man of this description, your fellow guest at a fashionable seaside hotel, who had been in the habit of giving you a courteous nod on his morning journey across the archipelago of snowy-topped tables under the convoy of the head waiter to his own table, comes in to breakfast with shaking hands, flushed face, and passes your table with unseeing eyes, you would probably conclude that he was under the influence of liquor, and in your English way you would severely blame him, not so much for the moral turpitude involved in his excess as for the bad taste, which prompted him to show himself in public in such a condition. If, on reaching his place, the young man's conduct took the additional extravagant form of picking up a table-knife and sticking it into the table in front of him, you would probably enlarge your previous conclusion by admitting the hypotheses of drugs or dementia to account for such remarkable behaviour.
All these things were done by the young man at the alcove table in the breakfast room of the Grand Hotel, Durrington, on an October morning in the year 1916; but Colwyn, who was only half an Englishman, and, moreover, had an original mind, did not attribute them to drink, morphia, or madness. Colwyn flattered himself that he knew the outward signs of these diseases too well to be deceived into thinking that the splendid specimen of young physical manhood at the far table was the victim of any of them. His own impression was that it was a case of shell-shock. It was true that, apart from the doubtful evidence of a bronzed skin and upright frame, there was nothing about him to suggest that he had been a soldier: no service lapel or regimental badge in his grey Norfolk jacket. But an Englishman of his class would be hardly likely to wear either once he had left the Army. It was almost certain that he must have seen service in the war, and by no means improbable that he had been bowled over by shell-shock, like many thousands more of equally splendid specimens of young manhood. Any other conclusion to account for the strange condition of a young man like him seemed unworthy and repellent.
"It must be shell-shock, and a very bad case-probably supposed to be cured, and sent up here to recuperate," thought Colwyn. "I'll keep an eye on him."
As Colwyn resumed his breakfast it occurred to him that some of the other guests might have been alarmed by the young man's behaviour, and he cast his eyes round the room to see if anybody else had noticed him.
There were about thirty guests in the big breakfast apartment, which had been built to accommodate five times the number-a charming, luxuriously furnished place, with massive white pillars supporting a frescoed ceiling, and lighted by numerous bay windows opening on to the North Sea, which was sparkling brightly in a brilliant October sunshine. The thirty people comprised the whole of the hotel visitors, for in the year 1916 holiday seekers preferred some safer resort than a part of the Norfolk coast which lay in the track of enemy airships seeking a way to London.
Two nights before a Zeppelin had dropped a couple of bombs on the Durrington front, and the majority of hotel visitors had departed by the next morning's train, disregarding the proprietor's assurance that the affair was a pure accident, a German oversight which was not likely to happen again. Off the nervous ones went, and left the big hotel, the long curved seafront, the miles of yellow sand, the high green headlands, the best golf-links in the East of England, and all the other attractions mentioned in the hotel advertisements, to a handful of people, who were too nerve-proof, lazy, fatalistic, or indifferent to bother about Zeppelins.
These thirty guests, scattered far and wide over the spacious isolation of the breakfast-room, in twos and threes, and little groups, seemed, with one exception, too engrossed in the solemn British rite of beginning the day well with a good breakfast to bother their heads about the conduct of the young man at the alcove table. They were, for the most part, characteristic war-time holiday-makers: the men, obviously above military age, in Norfolk tweeds or golf suits; two young officers at a table by the window, and-as indifference to Zeppelins is not confined to the sterner sex-a sprinkling of ladies, plump and matronly, or of the masculine walking type, with two charmingly pretty girls and a gay young war widow to leaven the mass.
The exception was a tall and portly gentleman with a slightly bald head, glossy brown beard, gold-rimmed eye-glasses perilously balanced on a prominent nose, and an important manner. He was breakfasting alone at a table not far from Colwyn's, and Colwyn noticed that he kept glancing at the alcove table where the young man sat. As Colwyn looked in his direction their eyes met, and the portly gentleman nodded portentously in the direction of the alcove table, as an indication that he also had been watching the curious behaviour of the occupant. A moment afterwards he got up and walked across to the pillar against which Colwyn's table was placed.
"Will you permit me to take a seat at your table?" he remarked urbanely. "I am afraid we are going to have trouble over there directly," he added, sinking his voice as he nodded in the direction of the distant alcove table. "We may have to act promptly. Nobody else seems to have noticed anything. We can watch him from behind this pillar without his seeing us."
Colwyn nodded in return with a quick comprehension of all the other's speech implied, and pushed a chair towards his visitor, who sat down and resumed his watch of the young man at the alcove table. Colwyn bestowed a swift glance on his companion which took in everything. The tall man in glasses looked too human for a lawyer, too intelligent for a schoolmaster, and too well-dressed for an ordinary medical man. Colwyn, versed in judging men swiftly from externals, noting the urbane, somewhat pompous face, the authoritative, professional pose, the well-shaped, plump white hands, and the general air of well-being and prosperity which exuded from the whole man, placed him as a successful practitioner in the more lucrative path of medicine-probably a fashionable Harley Street specialist.
Colwyn returned to his scrutiny of the young man at the alcove table, and he and his companion studied him intently for some time in silence. But the young man, for the moment, was comparatively quiet, gazing moodily through the open window over the waters of the North Sea, an untasted sole in front of him, and an impassive waiter pouring out his coffee as though the spectacle of a young man sticking a knife into the table-cloth was a commonplace occurrence at the Grand Hotel, and all in the day's doings. When the waiter had finished pouring out the coffee and noiselessly departed, the young man tasted it with an indifferent air, pushed it from him, and resumed his former occupation of staring out of the window.
"He seems quiet enough now," observed Colwyn, turning to his companion. "What do you think is the matter with him-shell-shock?"
"I would not care to hazard a definite opinion on so cursory an observation," returned the other, in a dry, reticent, ultra-professional manner. "But I will go so far as to say that I do not think it is a case of shell-shock. If it is what I suspect, that first attack was the precursor of another, possibly a worse attack. Ha! it is commencing. Look at his thumb-that is the danger signal!"
Colwyn looked across the room again. The young man was still sitting in the same posture, with his gaze bent on the open sea. His left hand was extended rigidly on the table in front of him, with the thumb, extended at right angles, oscillating rapidly in a peculiar manner.
"This attack may pass away like the other, but if he looks round at anybody, and makes the slightest move, we must secure him immediately," said Colwyn's companion, speaking in a whisper.
He had barely finished speaking when the young man turned his head from the open window and fixed his blue eyes vacantly on the table nearest him, where an elderly clergyman, a golfing friend, and their wives, were breakfasting together. With a swift movement the young man got up, and started to walk towards this table.
Colwyn, who was watching every movement of the young man closely, could not determine, then or afterwards, whether he meditated an attack on the occupants of the next table, or merely intended to leave the breakfast room. The clergyman's table was directly in front of the alcove and in a line with the pair of swinging glass doors which were the only exit from the breakfast-room. But Colwyn's companion did not wait for the matter to be put to the test. At the first movement of the young man he sprang to his feet and, without waiting to see whether Colwyn was following him, raced across the room and caught the young man by the arm while he was yet some feet away from the clergyman's table. The young man struggled desperately in his grasp for some moments, then suddenly collapsed and fell inert in the other's arms. Colwyn walked over to the spot in time to see his portly companion lay the young man down on the carpet and bend over to loosen his collar.
The young man lay apparently unconscious on the floor, breathing stertorously, with convulsed features and closed eyes. After the lapse of some minutes he opened his eyes, glanced listlessly at the circle of frightened people who had gathered around him, and feebly endeavoured to sit up. Colwyn's companion, who was bending over him feeling his heart, helped him to a sitting posture, and then, glancing at the faces crowded around, exclaimed in a sharp voice:
"He wants air. Please move back there a little."
"Certainly, Sir Henry." It was a stout man in a check golfing suit who spoke. "But the ladies are very anxious to know if it is anything serious."
"No, no. He will be quite all right directly. Just fall back, and give him more air. Here, you!"-this to one of the gaping waiters-"just slip across to the office and find out the number of this gentleman's room."
The waiter hurried away and speedily returned with the proprietor of the hotel, a little man in check trousers and a frock coat, with a bald head and an anxious, yet resigned eye which was obviously prepared for the worst. His demeanour was that of a man who, already overloaded by misfortune, was bracing his sinews to bear the last straw. As he approached the group near the alcove table he smoothed his harassed features into an expression of solicitude, and, addressing himself to the man who was supporting the young man on the floor, said, in a voice intended to be sympathetic,
"I thought I had better come myself, Sir Henry. I could not understand from Antoine what you wanted or what had happened. Antoine said something about somebody dying in the breakfast-room--"
"Nothing of the sort!" snapped the gentleman addressed as Sir Henry, shifting his posture a little so as to enable the young man to lean against his shoulder. "Haven't you eyes in your head, Willsden? Cannot you see for yourself that this gentleman has merely had a fainting fit?"
"I'm delighted to hear it, Sir Henry," replied the hotel proprietor. But his face expressed no visible gratification. To a man who had had his hotel emptied by a Zeppelin raid the difference between a single guest fainting instead of dying was merely infinitesimal.
"Who is this gentleman, and what's the number of his room?" continued Sir Henry. "He will be better lying quietly on his bed."
"His name is Ronald, and his room is No. 32-on the first floor, Sir Henry."
"Very good. I'll take him up there at once."
"Shall I help you, Sir Henry? Perhaps he could be carried up. One of the waiters could take his feet, or perhaps it would be better to have two."
"There's not the slightest necessity. He'll be able to walk in a minute-with a little assistance. Ah, that's better!" The abrupt manner in which Sir Henry addressed the hotel proprietor insensibly softened itself into the best bedside manner when he spoke to the patient on the carpet, who, from a sitting posture, was now endeavouring to struggle to his feet. "You think you can get up, eh? Well, it won't do you any harm. That's the way!" Sir Henry assisted the young man to rise, and supported him with his arm. "Now, the next thing is to get him to his room. No, no, not you, Willsden-you're too small. Where's that gentleman I was sitting with a few minutes ago? Ah, thank you"-as Colwyn stepped forward and took the other arm-"now, let us take him gently upstairs."
The young man allowed himself to be led away without resistance. He walked, or rather stumbled, along between his guides like a man in a dream. Colwyn noticed that his eyes were half-closed, and that his head sagged slightly from side to side as he was led along. A waiter held open the glass doors which led into the lounge, and a palpitating chambermaid, hastily summoned from the upper regions, tripped ahead up the broad carpeted stairs and along the passage to show the way to the young man's bedroom.
* * *
"The Moon Rock" (1922) is Australian mystery writer Arthur J. Rees' locked-room conundrum. In fact, the room — the murder scene — not only is locked from the inside, but also two hundred feet up the cold wall of Flint House. And the house looms on the edge of a cliff in Cornwall. Slip, and a falling body would strike the pale Moon Rock and its legend of doomed love. "A lonely, weird place," Scotland Yard's Det. Barrant sums it up, and that's even before he finds out what happened. The deceased is Robert Turold, a bitter and silent man obsessed with proving his noble linage and claim to a great estate. At last, he succeeds — only to be found dead in the locked room, shot in the chest. Suicide? Barrant suspects not. The house is full of suspects: servants, relatives, a lovely daughter with a ruinous secret. Rees knew all the conventions of a mystery novel — he wrote more than twenty — and how to set the table with plenty of red herrings. But the question is more than who-done-it. Tension builds, too, on the identity of the Moon Rock's next victim. The one word to describe "The Moon Rock" is, literally: Cliffhanger.
They don't know I'm a girl. They all look at me and see a boy. A prince. Their kind purchase humans like me for their lustful desires. And, when they stormed into our kingdom to buy my sister, I intervened to protect her. I made them take me too. The plan was to escape with my sister whenever we found a chance. How was I to know our prison would be the most fortified place in their kingdom? I was supposed to be on the sidelines. The one they had no real use for. The one they never meant to buy. But then, the most important person in their savage land-their ruthless beast king-took an interest in the "pretty little prince." How do we survive in this brutal kingdom, where everyone hates our kind and shows us no mercy? And how does someone, with a secret like mine, become a lust slave? . AUTHOR'S NOTE. This is a dark romance-dark, mature content. Highly rated 18+ Expect triggers, expect hardcore. If you're a seasoned reader of this genre, looking for something different, prepared to go in blindly not knowing what to expect at every turn, but eager to know more anyway, then dive in! . From the author of the international bestselling book: "The Alpha King's Hated Slave."
For as long as Emily can remember, she has wanted to overcome her shyness and explore her sexuality. Still, everything changes when she receives an invitation to visit one of the town's most prestigious BDSM clubs, DESIRE'S DEN. On the day she chose to peruse the club, she noticed three men, all dressed in suits, standing on the upper level, near the railing. Despite her limited vision, she persisted in fixating on them. Their towering statues belied the toned bodies concealed by their sharply tailored suits-or so she could tell. The hair of two of them was short and dark, and the third had light brown-possibly blond-hair that reached the shoulders. The dark, crimson background incised their figures, exuding an air of mystery and strength. They stood in stark contrast to the unfiltered, primal energy that pulsed through the club. Shocked by the desires these men aroused in her, she was disappointed to learn that they were masters seeking a slave to divide and conquer. She couldn't afford the fee, and she also realized that they were outside her league. Emily hurriedly left the club, feeling disappointed and depressed, unaware that she had also caught the group's attention. A world of wicked pleasure, three handsome men. Over the years, they have lived a life of decadence, their lavish lair serving as a stage for their most sinister desires. But despite the unending parade of willing subjects, one woman sticks out. A mysterious stranger with white porcelain skin and a killer body, a slave, a name with no address, the first lady to attract their eye and they will go to any length to obtain her no matter the consequences.
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
"Ahh!" She was in a moaning mess. She did not want to feel anything for this man. She hated him. His hands began to move all over her body. She gasped when he pulled down the back chain of her dress. The chain stopped at her lower waist, so when he zipped it off, her upper back and waist were exposed. "D-Don't touch m-ummm!" His fingers rolled around her bare back, and she pressed her head against the pillow. His touches were giving her goosebumps all over her body. With a deep angry voice, he whispered in her ear, "I am going to make you forget his touches, kisses, and everything. Every time you touch another man, you will only think of me." - - - Ava Adler was a nerdy omega. People bullied her because they thought she was ugly and unattractive. But Ava secretly loved the bad boy, Ian Dawson. He was the future Alpha of the Mystic Shadow Pack. However, he doesn't give a damn about rules and laws, as he only likes to play around with girls. Ava was unaware of Ian's arrogance until her fate intertwined with his. He neglected her and hurt her deeply. What would happen when Ava turned out to be a beautiful girl who could win over any boy, and Ian looked back and regretted his decisions? What if she had a secret identity that she had yet to discover? What if the tables turned and Ian begged her not to leave him?
After two years of marriage, Kristian dropped a bombshell. "She's back. Let's get divorced. Name your price." Freya didn't argue. She just smiled and made her demands. "I want your most expensive supercar." "Okay." "The villa on the outskirts." "Sure." "And half of the billions we made together." Kristian froze. "Come again?" He thought she was ordinary—but Freya was the genius behind their fortune. And now that she'd gone, he'd do anything to win her back.
Rena got into an entanglement with a big shot when she was drunk one night. She needed Waylen's help while he was drawn to her youthful beauty. As such, what was supposed to be a one-night stand progressed into something serious. All was well until Rena discovered that Waylen's heart belonged to another woman. When his first love returned, he stopped coming home, leaving Rena all alone for many nights. She put up with it until she received a check and farewell note one day. Contrary to how Waylen expected her to react, Rena had a smile on her face as she bid him farewell. "It was fun while it lasted, Waylen. May our paths never cross. Have a nice life." But as fate would have it, their paths crossed again. This time, Rena had another man by her side. Waylen's eyes burned with jealousy. He spat, "How the hell did you move on? I thought you loved only me!" "Keyword, loved!" Rena flipped her hair back and retorted, "There are plenty of fish in the sea, Waylen. Besides, you were the one who asked for a breakup. Now, if you want to date me, you have to wait in line." The next day, Rena received a credit alert of billions and a diamond ring. Waylen appeared again, got down on one knee, and uttered, "May I cut in line, Rena? I still want you."