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"The Moon Rock" (1922) is Australian mystery writer Arthur J. Rees' locked-room conundrum. In fact, the room — the murder scene — not only is locked from the inside, but also two hundred feet up the cold wall of Flint House. And the house looms on the edge of a cliff in Cornwall. Slip, and a falling body would strike the pale Moon Rock and its legend of doomed love. "A lonely, weird place," Scotland Yard's Det. Barrant sums it up, and that's even before he finds out what happened. The deceased is Robert Turold, a bitter and silent man obsessed with proving his noble linage and claim to a great estate. At last, he succeeds — only to be found dead in the locked room, shot in the chest. Suicide? Barrant suspects not. The house is full of suspects: servants, relatives, a lovely daughter with a ruinous secret. Rees knew all the conventions of a mystery novel — he wrote more than twenty — and how to set the table with plenty of red herrings. But the question is more than who-done-it. Tension builds, too, on the identity of the Moon Rock's next victim. The one word to describe "The Moon Rock" is, literally: Cliffhanger.
The voice of the clergyman intoned the last sad hope of humanity, the final prayer was said, and the mourners turned away, leaving Mrs. Turold to take her rest in a bleak Cornish churchyard among strangers, far from the place of her birth and kindred.
The fact would not have troubled her if she had known. In life she had been a nonentity; in death she was not less. At least she could now mix with her betters without reproach, free (in the all-enveloping silence) from the fear of betraying her humble origin. Debrett's Peerage was unimportant in the grave; breaches of social etiquette passed unnoticed there; the wagging of malicious tongues was stopped by dust.
Her husband lingered at the grave-side after the others had departed. As he stood staring into the open grave, regardless of a lurking grave-digger waiting to fill it, he looked like a man whose part in the drama of life was Care. There was no hint of happiness in his long narrow face, dull sunken eyes, and bloodless compressed lips. His expression was not that of one unable to tear himself away from the last glimpse of a loved wife fallen from his arms into the clutch of Death. It was the gaze of one immersed in anxious thought.
The mourners, who had just left the churchyard, awaited him by a rude stone cross near the entrance to the church. There were six-four men, a woman, and a girl. In the road close by stood the motor-car which had brought them to the churchyard in the wake of the hearse, glistening incongruously in the grey Cornish setting of moorland and sea.
The girl stood a little apart from the others. She was the daughter of the dead woman, but her head was turned away from the churchyard, and her sorrowful glance dwelt on the distant sea. The contour of her small face was perfect as a flower or gem, and colourless except for vivid scarlet lips and dark eyes gleaming beneath delicate dark brows. She was very young-not more than twenty-but in the soft lines of her beauty there was a suggestion of character beyond her years. Her face was dreamy and wayward, and almost gipsy in type. There was something rather disconcerting in the contrast between her air of inexperienced youth and the sombre intensity of her dark eyes, which seemed mature and disillusioned, like those of an older person. The slim lines of her figure had the lissome development of a girl who spent her days out of doors.
She stood there motionless, apparently lost in meditation, indifferent to the bitter wind which was driving across the moors with insistent force.
"Put this on, Sisily."
Sisily turned with a start. Her aunt, a large stout woman muffled in heavy furs, was standing behind her, holding a wrap in her hand.
"You'll catch your death of cold, child, standing here in this thin dress," the elder lady continued. "Why didn't you wear your coat? You'd be warmer sitting in the car. It's really very selfish of Robert, keeping us all waiting in this dreadful wind!" She shivered, and drew her furs closer. "Why doesn't he come away? As if it could do any good!"
As she spoke the tall form of Robert Turold was seen approaching through the rank grass and mouldering tombstones with a quick stride. He emerged from the churchyard gate with a stern and moody face.
"Let us get home," he said, and his words were more of a command than request.
He walked across the road to the car with his sister and daughter. The men by the cross followed. They were his brother, his brother's son, his sister's husband, and the local doctor, whose name was Ravenshaw. With a clang and a hoot the car started on the return journey. The winding cobbled street of the churchtown was soon left behind for a road which struck across the lonely moors to the sea. Through the moors and stony hills the car sped until it drew near a solitary house perched on the edge of the dark cliffs high above the tumbling waters of the yeasty sea which foamed at their base.
The car stopped by the gate where the moor road ended. The mourners alighted and entered the gate. Their approach was observed from within, for as they neared the house the front door was opened by an elderly man-servant with a brown and hawk-beaked face.
Walking rapidly ahead Robert Turold led the way into a front sitting-room lighted by a window overlooking the sea. There was an air of purpose in his movements, but an appearance of strain in his careworn face and twitching lips. He glanced at the others in a preoccupied way, but started perceptibly as his eye fell upon his daughter.
"There is no need for you to remain, Sisily," he said in a harsh dry voice.
Sisily turned away without speaking. Her cousin Charles jumped up to open the door, and the two exchanged a glance as she went out. The young man then returned to his seat near the window. Robert Turold was speaking emphatically to Dr. Ravenshaw, answering some objection which the doctor had raised.
"... No, no, Ravenshaw-I want you to be present. You will oblige me by remaining. I will go upstairs and get the documents. I shall not keep you long. Thalassa, serve refreshments."
He left the room quickly, as though to avoid further argument. The elderly serving-man busied himself by setting out decanters and glasses, then went out like one who considered his duty done, leaving the company to wait on themselves.
American detective Grant Colwyn is on a leisurely holiday in a fashionable seaside hotel in Norfolk when one morning during breakfast the strange behavior of one of the other guests catches his attention. The young man's unusual conduct alarms other visitors as well – Colwyn suspects a severe case of a shell-shock. The guest is escorted to his bedroom with some help from Colwyn and Sir Henry Durwood, a doctor who happens to be staying at the hotel, but a few hours later the ill guest disappears without a trace. The next day a man of his description is accused of a murder, and Detective Colwyn can not resist the temptation to get involved ...The Shrieking Pit, an enjoyable classic 'whodunit' novel set in English countryside during the First World War, was first published in 1919.
Corinne devoted three years of her life to her boyfriend, only for it to all go to waste. He saw her as nothing more than a country bumpkin and left her at the altar to be with his true love. After getting jilted, Corinne reclaimed her identity as the granddaughter of the town’s richest man, inherited a billion-dollar fortune, and ultimately rose to the top. But her success attracted the envy of others, and people constantly tried to bring her down. As she dealt with these troublemakers one by one, Mr. Hopkins, notorious for his ruthlessness, stood by and cheered her on. “Way to go, honey!”
Three years of marriage couldn't melt Theo's frozen heart. When an art gallery collapsed on Lena, he was off romancing another woman—lavishing her with a private jet. Three steel pins held Lena's shoulder together, but her heart remained broken. She filed for divorce and told everyone that he was impotent. Rising from the rubble, Lena blazed onto the design world's A‑list. She expected him to sail off with his true love—until Theo reappeared at her runway, pressing her against the wall. "Impotent, huh? Care to give it a try?"
Bailey seems to be never destined to fit in, a little geeky, but under it all, a hidden beauty that so many seem to miss, but still not what her pack Alpha is looking for in a fated mate... so he is determined to reject her and make her life hell. Bailey, knowing her life will likely never be the same focuses on what she can control, her future, and heads off to study; becoming a teacher. Asher is the Beta of Autumn Valley Pack, a neighbouring pack. A broken man having suffered the loss of his mate after a rogue attack, Asher is slowly crumbling. Falling to pieces. A shadow of his former self, and not a man that anyone wants to be around anymore... Until, Autumn Valley Pack require a new teacher, and Bailey finds herself there and pushed together with the Beta. Is there a connection building or is that in their imaginations? And what will happen when Bailey's mate comes back to claim what is his?
Trigger warning!!! Intended for mature readers who enjoy morally complex, slow-burn, poseesive, forbidden, dark romance that pushes boundaries. ***EXCERPT*** Blood everywhere. Trembling hands. "No!" My eyes blurred. His lifeless eyes stared back at me, his blood pooling at my feet. The man I loved-dead. Killed by the one person I could never escape - my stepbrother. *** Kasmine's life was never hers to begin with. Kester, her stepbrother, controlled and monitored her every move. At first, it was all sweet and brotherly until it began to turn into an obsession. Kester was the Alpha, and his word was law. No close friends. No boyfriends. No freedom. The only consolation Kasmine had was her twenty-first birthday, which was supposed to change everything. She dreamt of finding her mate, escaping the sickening control of Kester, and finally claiming her own life. But fate had other plans for her. On the night of her birthday, not only was she disappointed that she wasn't mated to the love of her life, but she found out that her mate was none other than him - Her tormentor. Her stepbrother. She'd rather die than be mated to a man whom she had known as her big brother all her life. A man who would do just anything to make sure she was his. But when love turns to obsession, and obsession turns to blood, how far can one girl run before she realizes there is nowhere else to run to?
"There will be no falling in love, we will only act as a loving couple when we are in public, we will share a room to make it believable, but no intimacy, touching is off-limits. We'll only have sex once a month, and that's solely to produce an heir. You won't interfere in my business, and I won't interfere in yours. You will be my wife in every sense and you will not be involved with any other man," he said, arrogance seeping from every word. I watch his mouth move, I'm not ready to fall in love with any man, especially not one as arrogant and egoistic as him. I can handle acting as a loving couple, and as for intimacy once a month. I can agree to that just to satisfy my sexual cravings with no strings attached. "Where can I sign?" I asked since I had nothing to lose. *** Nadine's wedding dreams turned to nightmares when she caught her sister and fiancé cheating! With a secret recording, she's ready for revenge. But then mysterious billionaire Logan West offers a deal: A Contract Marriage to take down her ex's empire. But what Nadine doesn't know is her life is getting complicated as she takes her chance to get revenge or risks everything for a chance at love?"
Julia and Evan were the perfect couple-or so she thought. But everything changed when Evan abruptly ended their relationship, leaving her heartbroken and unable to tell him she was carrying his child. Years later, Julia has built a life for herself and her son, Andy, while Evan has risen to unimaginable wealth and success. Their paths cross again at a chance meeting, but Julia soon discovers Evan has moved on with someone else. Julia is done with the pain. She's fought battles alone, raising a son who deserves the truth about his father, even if Evan doesn't deserve her forgiveness. When Julia told Evan years ago she had something to say, he didn't listen. Now, it's time for him to listen. But is it too late to reclaim what he lost? "We should break up," he'd said, the words cutting through her like glass. The pregnancy test in her pocket stayed hidden, just like the child they would never share. Now, it's Evan's turn to hear the truth-and to face his deepest regret.