Jack's Ward; Or, The Boy Guardian by Jr. Horatio Alger
Jack's Ward; Or, The Boy Guardian by Jr. Horatio Alger
"Look here, boy, can you hold my horse a few minutes?" asked a gentleman, as he jumped from his carriage in one of the lower streets in New York.
The boy addressed was apparently about twelve, with a bright face and laughing eyes, but dressed in clothes of coarse material. This was Jack Harding, who is to be our hero.
"Yes, sir," said Jack, with alacrity, hastening to the horse's head; "I'll hold him as long as you like."
"All right! I'm going in at No. 39; I won't be long."
"That's what I call good luck," said Jack to himself. "No boy wants a job more than I do. Father's out of work, rent's most due, and Aunt Rachel's worrying our lives out with predicting that we'll all be in the poorhouse inside of three months. It's enough to make a fellow feel blue, listenin' to her complainin' and groanin' all the time. Wonder whether she was always so. Mother says she was disappointed in love when she was young. I guess that's the reason."
"Have you set up a carriage, Jack?" asked a boy acquaintance, coming up and recognizing Jack.
"Yes," said Jack, "but it ain't for long. I shall set down again pretty soon."
"I thought your grandmother had left you a fortune, and you had set up a team."
"No such good news. It belongs to a gentleman that's inside."
"Inside the carriage?"
"No, in No. 39."
"How long's he going to stay?"
"I don't know."
"If it was half an hour, we might take a ride, and be back in time."
Jack shook his head.
"That ain't my style," he said. "I'll stay here till he comes out."
"Well, I must be going along. Are you coming to school to-morrow?"
"Yes, if I can't get anything to do."
"Are you trying for that?"
"I'd like to get a place. Father's out of work, and anything I can earn comes in handy."
"My father's got plenty of money," said Frank Nelson, complacently. "There isn't any need of my working."
"Then your father's lucky."
"And so am I."
"I don't know about that. I'd just as lieve work as not."
"Well, I wouldn't. I'd rather be my own master, and have my time to myself. But I must be going home."
"You're lazy, Frank."
"Very likely. I've a right to be."
Frank Nelson went off, and Jack was left alone. Half an hour passed, and still the gentleman, who had entered No. 39, didn't appear. The horse showed signs of impatience, shook his head, and eyed Jack in an unfriendly manner.
"He thinks it time to be going," thought Jack. "So do I. I wonder what the man's up to. Perhaps he's spending the day."
Fifteen minutes more passed, but then relief came. The owner of the carriage came out.
"Did you get tired of waiting for me?" he asked.
"No," said Jack, shrewdly. "I knew the longer the job, the bigger the pay."
"I suppose that is a hint," said the gentleman, not offended.
"Perhaps so," said Jack, and he smiled too.
"Tell me, now, what are you going to do with the money I give you-buy candy?"
"No," answered Jack, "I shall carry it home to my mother."
"That's well. Does your mother need the money?"
"Yes, sir. Father's out of work, and we've got to live all the same."
"What's your father's business?"
"He's a cooper."
"So he's out of work?"
"Yes, sir, and has been for six weeks. It's on account of the panic, I suppose."
"Very likely. He has plenty of company just now."
It may be remarked that our story opens in the year 1867, memorable for its panic, and the business depression which followed. Nearly every branch of industry suffered, and thousands of men were thrown out of work, and utterly unable to find employment of any kind. Among them was Timothy Harding, the father of our hero. He was a sober, steady man, and industrious; but his wages had never been large, and he had been unable to save up a reserve fund, on which to draw in time of need. He had an excellent wife, and but one child-our present hero; but there was another, and by no means unimportant member of the family. This was Rachel Harding, a spinster of melancholy temperament, who belonged to that unhappy class who are always prophesying evil, and expecting the worst. She had been "disappointed" in early life, and this had something to do with her gloomy views, but probably she was somewhat inclined by nature to despondency.
The family lived in a humble tenement, which, however, was neatly kept, and would have been a cheerful home but for the gloomy presence of Aunt Rachel, who, since her brother had been thrown out of employment, was gloomier than ever.
But all this while we have left Jack and the stranger standing in the street.
"You seem to be a good boy," said the latter, "and, under the circumstances, I will pay you more than I intended."
He drew from his vest pocket a dollar bill, and handed it to Jack.
"What! is all this for me?" asked Jack, joyfully.
"Yes, on the condition that you carry it home, and give it to your mother."
"That I will, sir; she'll be glad enough to get it."
"Well, good-by, my boy. I hope your father'll find work soon."
"He's a trump!" ejaculated Jack. "Wasn't it lucky I was here just as he wanted a boy to hold his horse. I wonder what Aunt Rachel will have to say to that? Very likely she'll say the bill is bad."
Jack made the best of his way home. It was already late in the afternoon, and he knew he would be expected. It was with a lighter heart than usual that he bent his steps homeward, for he knew that the dollar would be heartily welcome.
We will precede him, and give a brief description of his home.
There were only five rooms, and these were furnished in the plainest manner. In the sitting room were his mother and aunt. Mrs. Harding was a motherly-looking woman, with a pleasant face, the prevailing expression of which was a serene cheerfulness, though of late it had been harder than usual to preserve this, in the straits to which the family had been reduced. She was setting the table for tea.
Aunt Rachel sat in a rocking-chair at the window. She was engaged in knitting. Her face was long and thin, and, as Jack expressed it, she looked as if she hadn't a friend in the world. Her voice harmonized with her mournful expression, and was equally doleful.
"I wonder why Jack don't come home?" said Mrs. Harding, looking at the clock. "He's generally here at this time."
"Perhaps somethin's happened," suggested her sister-in-law.
"What do you mean, Rachel?"
"I was reading in the Sun this morning about a boy being run over out West somewhere."
"You don't think Jack has been run over!"
"Who knows?" said Rachel, gloomily. "You know how careless boys are, and Jack's very careless."
"I don't see how you can look for such things, Rachel."
"Accidents are always happening; you know that yourself, Martha. I don't say Jack's run over. Perhaps he's been down to the wharves, and tumbled over into the water and got drowned."
"I wish you wouldn't say such things, Rachel. They make me feel uncomfortable."
"We may as well be prepared for the worst," said Rachel, severely.
"Not this time, Rachel," said Mrs. Harding, brightly, "for that's Jack's step outside. He isn't drowned or run over, thank God!"
"I hear him," said Rachel, dismally. "Anybody might know by the noise who it is. He always comes stamping along as if he was paid for makin' a noise. Anybody ought to have a cast-iron head that lives anywhere within his hearing."
Here Jack entered, rather boisterously, it must be admitted, in his eagerness slamming the door behind him.
Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant by Jr. Horatio Alger
Alger's writings happened to correspond with America's Gilded Age, a time of increasing prosperity in a nation rebuilding from the Civil War.This is another fine work by Alger in the vein of 'rags to riches' tales.
The class of boys described in the present volume was called into existence only a few years since, but they are already so numerous that one can scarcely ride down town by any conveyance without having one for a fellow-passenger. Most of them reside with their parents and have comfortable homes, but a few, like the hero of this story, are wholly dependent on their own exertions for a livelihood.
A youth of sturdy qualities elects to follow the calling of a deckhand on a Hudson River steamboat...
Alger describes young men in the city trying to get a head as newsboys, match boys, pedlars, street musicians, and many others. Through luck and hard work, sixteen-year-old Ohio farm boy Nat finds surprising success in nineteenth-century New York City.
This book is written in the typical Alger style. Herbert is a poor boy who sets out, with the help of his great uncle, to clear his father's name of a crime he did not commit...
For eight years, Cecilia Moore was the perfect Luna, loyal, and unmarked. Until the day she found her Alpha mate with a younger, purebred she-wolf in his bed. In a world ruled by bloodlines and mating bonds, Cecilia was always the outsider. But now, she's done playing by wolf rules. She smiles as she hands Xavier the quarterly financials-divorce papers clipped neatly beneath the final page. "You're angry?" he growls. "Angry enough to commit murder," she replies, voice cold as frost. A silent war brews under the roof they once called home. Xavier thinks he still holds the power-but Cecilia has already begun her quiet rebellion. With every cold glance and calculated step, she's preparing to disappear from his world-as the mate he never deserved. And when he finally understands the strength of the heart he broke... It may be far too late to win it back.
Rain hammered against the asphalt as my sedan spun violently into the guardrail on the I-95. Blood trickled down my temple, stinging my eyes, while the rhythmic slap of the windshield wipers mocked my panic. Trembling, I dialed my husband, Clive. His executive assistant answered instead, his voice professional and utterly cold. "Mr. Wilson says to stop the theatrics. He said, and I quote, 'Hang up. Tell her I don’t have time for her emotional blackmail tonight.'" The line went dead while I was still trapped in the wreckage. At the hospital, I watched the news footage of Clive wrapping his jacket around his "fragile" ex-girlfriend, Angelena, shielding her from the storm I was currently bleeding in. When I returned to our penthouse, I found a prenatal ultrasound in his suit pocket, dated the day he claimed to be on a business trip. Instead of an apology, Clive met me with a sneer. He told me I was nothing but an "expensive decoration" his father bought to make him look stable. He froze my bank accounts and cut off my cards, waiting for the hunger to drive me back to his feet. I stared at the man I had loved for four years, realizing he didn't just want a wife; he wanted a prop he could switch off. He thought he could starve me into submission while he played father to another woman's child. But Clive forgot one thing. Before I was his trophy wife, I was Starfall—the legendary voice actress who vanished at the height of her fame. "I'm not jealous, Clive. I'm done." I grabbed my old microphone and walked out. I’m not just leaving him; I’m taking the lead role in the biggest saga in Hollywood—the one Angelena is desperate for. This time, the "decoration" is going to burn his world down.
Elliana, the unfavored "ugly duckling" of her family, was humiliated by her stepsister, Paige, who everyone admired. Paige, engaged to the CEO Cole, was the perfect woman-until Cole married Elliana on the day of the wedding. Shocked, everyone wondered why he chose the "ugly" woman. As they waited for her to be cast aside, Elliana stunned everyone by revealing her true identity: a miracle healer, financial mogul, appraisal prodigy, and AI genius. When her mistreatment became known, Cole revealed Elliana's stunning, makeup-free photo, sending shockwaves through the media. "My wife doesn't need anyone's approval."
I woke up on silk sheets that smelled of expensive cedar and cold sandalwood, a world away from my cramped apartment in Brooklyn. Beside me lay Ezra Gardner—my boss, the billionaire CEO of Gardner Holdings, and the man who could end my career with a snap of his fingers. He didn’t offer an apology for the night before; instead, he looked at me with terrifying clarity and proposed a cold, calculated business arrangement. "Marriage. It stabilizes the board and solves the PR crisis before it begins." He dressed me in archival Chanel and sent me home in his Maybach, but my life was already falling apart. My boyfriend, Irving, claimed he had passed out early, yet his location data placed him at my best friend’s apartment until three in the morning. When I tried to run, I realized Ezra was already ten steps ahead, tracking my movements and uncovering the secret I’d spent twenty years hiding: my connection to the powerful Senator Grimes. I was trapped between a CEO who treated me like a line item on a quarterly report and a boyfriend who had been using me while sleeping with my closest friend. I felt like a pawn in a game I didn't understand, wondering why a man like Ezra would walk up forty flights of stairs on a broken leg just to make sure I was safe. "Showtime, Mrs. Gardner." Standing on the red carpet in a gown that cost more than my life, I watched my cheating ex-boyfriend’s face turn pale as Ezra claimed me in front of the world. I wasn't just an assistant anymore; I was a weapon, and it was time to burn their world down.
My marriage to Joshua Caldwell was a prison sentence. I was a Hartman trophy, sold to the powerful family who had destroyed mine. Then I discovered he was cheating. His mistress was pregnant with the child he denied me, and he was stealing my secret song lyrics to build her career. When I confronted him, he called me a spineless liability and threatened to destroy what was left of my family. To make matters worse, a one-night stand with a stranger turned out to be with my husband's brother, Anthony Caldwell-the Don of the city. He knew all of Joshua's secrets and used them to trap me in a twisted game, seeing me as nothing more than an asset. They both thought I was a broken doll they could control. I wrote a song for his mistress, a beautiful execution with a single, impossible note I knew would destroy her voice. She sang it, and now her career is over. Now the Don has summoned me to Chicago, not knowing the woman he thinks is his asset is the one who just burned his brother's world to the ground.
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."
© 2018-now CHANGDU (HK) TECHNOLOGY LIMITED
6/F MANULIFE PLACE 348 KWUN TONG ROAD KL
TOP
GOOGLE PLAY