Two boys, with guns on their shoulders, were crossing a meadow towards the Pecasset woods. These were situated about a mile from the village, and were quite extensive. The two boys were James Collins and Tom Wyman, the first, the son of a large shoe manufacturer, the other the son of the village postmaster. They were about of a size, and had the appearance of being sixteen years of age. They were very intimate, the second being a satellite of the first, who in right of his father's wealth considered himself the first boy in Pecasset. Tom flattered his vanity by acknowledging his pretensions, and this gave him his position of favorite with the young aristocrat.
Two boys, with guns on their shoulders, were crossing a meadow towards the Pecasset woods. These were situated about a mile from the village, and were quite extensive. The two boys were James Collins and Tom Wyman, the first, the son of a large shoe manufacturer, the other the son of the village postmaster. They were about of a size, and had the appearance of being sixteen years of age. They were very intimate, the second being a satellite of the first, who in right of his father's wealth considered himself the first boy in Pecasset.
Tom flattered his vanity by acknowledging his pretensions, and this gave him his position of favorite with the young aristocrat.
"I should like to be a hunter," said Tom, as they walked along.
"A fine hunter you'd be," said James, in a tone by no means complimentary, for he didn't feel it necessary to flatter his humble companion. "You never hit anything, you know."
"Come, James, that's a little too strong," said Tom, in a tone of annoyance. "I don't pretend to be as good a shot as you are, but still I have hit a bird before now."
"When it was perched on a fence, eh?"
"No, on the wing."
"Who saw you do it?"
"I was alone."
"So I thought," said James, laughing.
"I did it, really. Of course I can't shoot as well as you."
"I don't think there is a boy in the village can come up to me in that line," said James.
"Of course not; though Mark Manning isn't a bad shot."
"Mark Manning! He's one of the peggers in my father's shop, isn't he?"
"Yes."
"Son of the poor widow that lives near the schoolhouse?"
"Yes."
"What can he know of gunning? He had better stick to the shop."
"I didn't say he was equal to you," said Tom apologetically, "but I have seen him shoot well."
"Has he a gun of his own?"
"No, but he often gets the loan of Farmer Jones's."
"I suppose he could hit a barn door if he were within fifty feet of it," said James, contemptuously.
Tom was silent. It was not the first time he had noticed how distasteful to James was praise of any other boy.
At this moment, from another direction came a third boy, of about the same size and age as the two already introduced. He also had a gun on his shoulder. He had on a well-worn suit of mixed cloth, which had been darned in one or two places. His face was open and attractive, his form was well-knit and muscular, and he was evidently in vigorous health.
Tom Wyman was the first to notice the newcomer.
"Talk of the-old Harry," he said, "and he is sure to appear."
"What do you mean?" asked James, who had not yet espied the new arrival.
"There's Mark Manning coming towards us."
James condescended to turn his glance in Marks' direction.
"What brings him here, I wonder?" he said, with a curl of the lip.
"The same errand that brings us, I should judge, from the gun on his shoulder," answered Tom.
By this time Mark was within calling distance.
"Hallo, boys!" he said. "Have you shot anything yet?"
"No," answered Tom. "Have you?"
"No, I have only just come."
"Why are you not in the shop?" demanded James, with the air of a young lord.
"Because we work only half-time to-day."
"I suppose you were glad of the holiday?"
"No, I would rather have worked. Half-work, half-pay, you know."
"I suppose that's quite an important consideration for a-a working boy like you," drawled James, with an air of patronage.
Mark surveyed James, with a quizzical smile, for he had a genuine boy's disdain for affectation, and James was a very good specimen of a self-conceited dude, though the latter term had not yet come into use.
"Yes," he said, after a slight pause, "it is a consideration-to a working boy like me."
"How much now does my father pay you?" inquired James, with gracious condescension.
"Seventy-five cents a day-that's the average."
"Very fair pay! I suppose you take it home to your mother?"
"Yes, I do," answered Mark.
"She's-ah-very poor, I hear."
Mark began to find his patronage on the whole rather oppressive. He had a sturdy independence of feeling that grew restive under the young patrician's condescension.
"We are poor," he answered, "but we have enough to eat, and to wear, and a roof to cover us-"
"Exactly. You are indebted to my father for that."
"I don't see how."
"Doesn't he employ you and pay you wages?"
"Yes, but don't I earn my wages by good work?"
"Really, my good fellow, I can't say. I presume you do passably well, or he wouldn't keep you in his employ."
"Then it seems to me we are even on that score. However, I didn't come here to talk about myself."
Here there was a sudden diversion.
"Look, James! See that bird!" exclaimed Tom, in excitement.
The other two boys looked in the direction indicated, and saw a hawk flying swiftly, perhaps two hundred feet above them. The three simultaneously raised their guns, and Tom and James fired. But Mark, upon second thought reserved his fire, in order to give his two companions a chance.
Their guns were discharged, but in vain. The bird flew on, apparently unconcerned, considerably to their disappointment.
"Now it is my turn!" reflected Mark.
He raised his gun, and quickly pulled the trigger; the effect was soon seen. The bird fluttered its wings, then dropped quickly through the air.
"By Jove, Mark's hit him!" exclaimed Tom in excitement.
James frowned in evident displeasure.
"Yes, he was lucky!" he said significantly.
Mark had run forward to pick up the bird.
"I told you Mark was a good shot!" said Tom, who had not so much vanity to wound as James.
"I suppose you think him a better shot than I, because he hit the bird and I didn't?" said James, reddening.
"No, I don't say that!"
"I tell you it was pure luck. I've heard of a man who shut his eyes when he fired, but he succeeded when all his companions failed. You can't judge of one by a single shot."
Here Mark came up with his trophy.
"I congratulate you on your success," said James, unpleasantly. "I suppose this is the first bird you ever shot?"
"Oh, no!" answered Mark smilingly. "I have shot a few before now."
"A fly lit on my nose just when I was pulling the trigger, or I should have brought him down."
"That was lucky for me," said Mark.
"Come, Tom," said James, drawing his companion away to the left. "We'd better separate, or we shall all be shooting at the same object."
"Good luck to you then!" said Mark, as the two left him.
"Thanks!" said Tom, but James deigned no notice of Mark's civility.
Slow and Sure: The Story of Paul Hoffman the Young Street-Merchant by Jr. Horatio Alger
Alger's writings happened to correspond with America's Gilded Age, a time of increasing prosperity in a nation rebuilding from the Civil War.This is another fine work by Alger in the vein of 'rags to riches' tales.
The class of boys described in the present volume was called into existence only a few years since, but they are already so numerous that one can scarcely ride down town by any conveyance without having one for a fellow-passenger. Most of them reside with their parents and have comfortable homes, but a few, like the hero of this story, are wholly dependent on their own exertions for a livelihood.
A youth of sturdy qualities elects to follow the calling of a deckhand on a Hudson River steamboat...
Alger describes young men in the city trying to get a head as newsboys, match boys, pedlars, street musicians, and many others. Through luck and hard work, sixteen-year-old Ohio farm boy Nat finds surprising success in nineteenth-century New York City.
This book is written in the typical Alger style. Herbert is a poor boy who sets out, with the help of his great uncle, to clear his father's name of a crime he did not commit...
Two years ago, Ricky found himself coerced into marrying Emma to protect the woman he cherished. From Ricky's perspective, Emma was despicable, resorting to underhanded schemes to ensure their marriage. He maintained a distant and cold attitude toward her, reserving his warmth for another. Yet, Emma remained wholeheartedly dedicated to Ricky for more than ten years. As she grew weary and considered relinquishing her efforts, Ricky was seized by a sudden fear. Only when Emma's life teetered on the edge, pregnant with Ricky's child, did he recognize-the love of his life had always been Emma.
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
There was only one man in Raegan's heart, and it was Mitchel. In the second year of her marriage to him, she got pregnant. Raegan's joy knew no bounds. But before she could break the news to her husband, he served her divorce papers because he wanted to marry his first love. After an accident, Raegan lay in the pool of her own blood and called out to Mitchel for help. Unfortunately, he left with his first love in his arms. Raegan escaped death by the whiskers. Afterward, she decided to get her life back on track. Her name was everywhere years later. Mitchel became very uncomfortable. For some reason, he began to miss her. His heart ached when he saw her all smiles with another man. He crashed her wedding and fell to his knees while she was at the altar. With bloodshot eyes, he queried, "I thought you said your love for me is unbreakable? How come you are getting married to someone else? Come back to me!"
Charlee was left at the altar and became a laughingstock. She tried to keep her head high, but ultimately lost it when she received a sex tape of her fiance and her half-sister. Devastated, she ended up spending a wild night with a hot stranger. It was supposed to be one-time thing, but he kept popping up, helping her with projects and revenge, all while flirting with her constantly. Charlee soon realized that it was nice having him around, until her ex suddenly appeared at her door, begging for another chance. Her tycoon lover asked, “Who will you choose? Think carefully before you answer.”
To the public, she was the CEO's executive secretary. Behind closed doors, she was the wife he never officially acknowledged. Jenessa was elated when she learned that she was pregnant. But that joy was replaced with dread as her husband, Ryan, showered his affections on his first love. With a heavy heart, she chose to set him free and leave. When they met again, Ryan's attention was caught by Jenessa's protruding belly. "Whose child are you carrying?!" he demanded. But she only scoffed. "It's none of your business, my dear ex-husband!"
It was supposed to be a marriage of convenience, but Carrie made the mistake of falling in love with Kristopher. When the time came that she needed him the most, her husband was in the company of another woman. Enough was enough. Carrie chose to divorce Kristopher and move on with her life. Only when she left did Kristopher realize how important she was to him. In the face of his ex-wife’s countless admirers, Kristopher offered her 20 million dollars and proposed a new deal. “Let’s get married again.”