long dry season. Around her, children of the village gathered, wide-eyed and silent,
hers' fathers were born, the stars told of a child born under the blood moon
ng why the tale gripped her soul like a forgotten melody. She clutched the wooden pendant th
of drums, and a voice whispering:
ts across the clay huts. Night creatures stirred in the brush beyond the huts, b
the fire, her bones c
from the heart of the oldest baobab tree. It was a throne meant for
. She had always felt different. While the other girls weaved baskets or sang wedding songs
on her, and for a se
rain will awaken the spirits and break the chain of silence. That child may be
he crackle of t
shooed home by yawning mothers and
leave, Maama Nia
i tu
ream, do
i fr
do yo
"Because your dreams are not your own. They are
e. Not about the voice in the river. Not about the strange writing that som
nderstand,
d woman said. "But
barkcloth. Imani opened it carefully. Inside was a stone the siz
it?" she
said. "And a key. Hide it.
t Maama Nia had already closed her eye
-
Morni
ter from the stream, her mind spinning with questions. Who were the anc
gourd, her eyes caught a reflec
e color of rich soil, a spear slung acro
ound. No on
, she looked bac
ection w
-
Hunter
he best hunter of N'golo, had returned from the wilds. He broug
ou did it!" ch
said, "The lion to
ama Nia, watching fr
ooked at her, pausing
yes?" sh
lio
one in her pouch
-
hat
, staring at the thatched roof. Then she heard it -
mmered like diamonds scattered across obsidian. She walked pas
the baobab tr
e was
man from
he did no
. "Daughter of thu