Critical and Historical Essays / Lectures delivered at Columbia University / Chapter 17 OPERA | 70.83%Download App
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Chapter 17 OPERA
Word Count: 3648
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Released on: 01/12/2017
ashion, and suffers from its changes. To-day the stilted figures of Hasse, Pergolesi, Rameau, and even Gluck, seem a
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Contents
Chapter 1 THE ORIGIN OF MUSIC
Chapter 2 No.2
Chapter 3 THE MUSIC OF THE HEBREWS AND THE HINDUS
Chapter 4 THE MUSIC OF THE EGYPTIANS, ASSYRIANS, AND CHINESE
Chapter 5 No.5
Chapter 6 THE MUSIC OF GREECE
Chapter 7 THE MUSIC OF THE ROMANS-THE EARLY CHURCH
Chapter 8 FORMATION OF THE SCALE-NOTATION
Chapter 9 THE SYSTEMS OF HUCBALD AND GUIDO D'AREZZO-THE BEGINNING OF COUNTERPOINT
Chapter 10 MUSICAL INSTRUMENTS-THEIR HISTORY AND DEVELOPMENT
Chapter 11 FOLK SONG AND ITS RELATION TO NATIONALISM IN MUSIC
Chapter 12 THE TROUBADOURS, MINNESINGERS AND MASTERSINGERS
Chapter 13 EARLY INSTRUMENTAL FORMS
Chapter 14 THE MERGING OF THE SUITE INTO THE SONATA
Chapter 15 THE DEVELOPMENT OF PIANOFORTE MUSIC
Chapter 16 THE MYSTERY AND MIRACLE PLAY
Chapter 17 OPERA
Chapter 18 No.18
Chapter 19 ON THE LIVES AND ART PRINCIPLES OF SOME SEVENTEENTH AND EIGHTEENTH CENTURY COMPOSERS
Chapter 20 DECLAMATION IN MUSIC
Chapter 21 SUGGESTION IN MUSIC
Chapter 22 No.22
Chapter 23 No.23
Chapter 24 No.24
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