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Chapter 9 WINDOWS AND SHUTTERS

Word Count: 4183    |    Released on: 06/12/2017

ypes, although of course some minor changes and improvements were made with passing years. From the very beginning sliding Georgian

d were completely under the influence of the Renaissance. In the earlier houses the upper sash was let into the frame permanently, only the lower sash being movable and sliding upward, but in later years double-hung sashes with weights began to be

, Stenton; Chimney Piece and Paneled

ight by ten, and nine by twelve. As the size of individual panes of glass was increased, their number in each sash was in some instances correspondingly decreased, although oftener larger sashes with the same number of

private mansions, six-paned sashes in houses of moderate size. While there are several notable instances of nine-paned upper and lower sashes, particularly Hope Lodge, Cedar Grove in Harrowgate, Northern Liberties, and the Wharton house at Number 336 Spruce Street, this arrangement136 frequently, although not always, resulted in a wind

and again the lower. Bartram House and the Johnson house are instances of nine-paned upper and lower sashes on the first story and nine-paned lower and six-paned upper sashes on the second story. Greame Park in Horsham, Montgomery County, not far from Philadelphia, has nine-paned upper and lower sashes on the lower story and twelve-paned lower and nine-paned upp

the Colonial period than any other window arrangement. Notable instances are The Highlands; Upsala; Vernon; Wynnestay in Wynnefield, West Philadelphia; Carlto

hes on both the first and second stories may be mentioned Cliveden, Stenton, Loudoun, Woodford, Whi

elve-paned upper and lower sashes on the first story and eight-paned upper and lower138 sashes on the second story, whereas the Billmeyer house has all twelve-paned sashes except the lower ones on the second story, which are eight-paned. Wyck, consisting as it does of two buildings joined together, probably has the most heterogeneous fenestration of any house in Philadelphia. On the first floor

iece and Paneled Wall

ix-paned lower sashes. The Wharton house, Number 336 Spruce Street, and the Evans house, Number 322 De Lancy Street, have foreshortened windows with six-paned upper and lower sashes. The Waln house, Number 254 South Second Street, the Stocker house, Number139 404 South Front Street, and Pen Rhyn in Bensalem Township, Bucks County, have foreshortened windows with three-paned upper and lower sashes. Such

Parlor, Mount Pleasant; Chim

al or gable-roofed. Segmental topped dormers were rare, although a row of them is to be seen in Camac Street, "the street of little clubs", and occasional individual instances are to be found elsewhere. Le

il of the moldings employed, are features of the Morris house; Wistar house, Fourth and Locust streets; Wynnestay, Wynnefield, West Philadelphia; Wyck; the Johnson house; Carlton, Germantown; and Chalkley Hall, Frankford. Grumblethorpe and Bartram House

e at Number 6105 Germantown Avenue, Germantown, the casings usually take the form of fluted pilasters, supporting the pediment with its nicely molded cornice, often, as in this instance, with a prominent denticulated molding. Narrower sup

use, the Billmeyer house, the Wharton house, Number 336 Spruce Street; the Powel house, Number 244 South Third Street; and the Stocker house, Number 4

truction. The frames were of heavy construction held together at the corners by large dowel pins and were ornamented by suitable moldings broken around the reveals of the masonry and by molded sash guides in the frame. In the earlier brick houses the square-headed window openings had either gauged arches, as at Hope Lodge, or relieving arches of alternate headers and stretchers with a brick core, as at Stenton. Later, as in the case of hewn stonework,142 prominent stone lintels and window sills were adopted. Marble was much favored for this purpose because it harmonizes with t

on the Second Floor of an old Spruce Street

ty. There were also some British soldiers not above making improper use of unshuttered windows at night. Except for a relatively few country houses which had neither outside shutters nor blinds-notably Stenton, Solitude, Mount Pleasant, Bartram House and The143 Woodlands-the use of shutters on the first story was the rule. Above that the custom varied greatly. Where outside shutters were totally absent, inside h

el, Upsala; Detail of

cond Street; the Blackwell house, Number 224 Pine Street; and the Wistar house, Fourth and Locust streets. Two and a half story i

r Grove in Harrowgate, Northern Liberties, and Wynnestay in Wynnefield, West Philadelphia, are good examples. Most two and a half story houses have 144 shutters on the first story and blinds on the second, as instanced by Upsala, Grumblethorpe, Loudoun, Glen Fern and the Perot-Morris house. T

Upsala; Mantel at Thir

able for the fact that the lower panel is not quite so high as the middle one. Sometimes an opening of ornamental shape was cut through the top panel to admit a little light, as for instance the crescent in the shutters at Wynnestay, Wynnefield, West Philadelphia. On a relatively few houses the shutters had four panels, the most common arrangement being a small and a large panel in alternation from145 the top downward. Such shutters were features of Loudoun, the Wistar house, Fourth and Locust streets; the Blackwell house, Number 224 Pine Street; the Powel house, Number 244 South Third St

House, Mount Airy; Mant

oun, Grumblethorpe, Upsala, The Highlands and Port Royal House. At Waynesborough in Easttown Township, Chester County, this division is considerably below the middle, making the upper section much the larger. Less146 common are blinds divided into three sections by two lock rails, such as those of the Perot-Morris house. The Evans house, Numbe

stiles, and bottom rails about double width. Except for heavy louvers instead of panels, they are m

rs to fold back against the face of the wall. They were strap hinges tapering slightly in width, corresponding in length to the147 width of the shutter and fastened to it by means of two or three bolts. Small pendant rings on the inside of the meeting stiles were provided for pulling the shutters together and closing them. They were fastened together by a long wrought-iron strap, usually bolted to the left-hand shutter, that projects to overlap the opposite shutte

vity. In this instance it is placed in the masonry wall near the meeting stile of the shutter. A similar fastener on the Chew house is placed in the window sill near the outer stile of the shutter. Another type of turning fastener that was quite popular is148 seen at Number 6043 Germantown Avenue, Germantown. It is held in place by a long iron strap screwed to the window sill, and

enters' Hall, the Free Quakers' Meeting House at Fifth and Arch streets and the main building of the Pennsylvania Hospital. In Congress Hall and Carpenters' Hall there are also round-topped windows with twelve-paned lo

lor, Stenton; Recep

e to be seen two windows having ten-paned upper and fifteen-paned lower sashes set in a recessed round brick arch. For the most part, however, the church windows of this period were round-topped, the upper sash being higher than the lower

g Room, Stenton;

eighteen rectangular panes with sixteen keystone-shaped and two quarter-round panes to form the semicircular top. On the second floor the windows are the same except for the eighteen-paned lower sashes. Each sid

one were often molded and150 otherwise hand-tooled, as on Christ's Church, and the sills were sometimes supported by a console at each end, as on St. Peter's Protestant

e central section of this window has ninety-six rectangular panes with twenty-four keystone-shaped and two quarter-round panes forming the round top. The narrow side windows have fifteen-paned upper and twelve-paned lower sashes. Th

y-eight keystone-shaped panes and a semicircular pane forming the round top. Each side of this end of the church, with four smaller round-h

and an upper sash with twenty-one ornamental-shaped panes forming the round top above twenty-four rectangular panes. The narrow side windows have six-paned upper and twelve-paned lower sashes. Owing to its good proportion, the chaste simplicity of the detail and the pleasing comb

152 lending grace and distinction to the entire fa?ade. No Palladian windows in Philadelphia so thoroughly please the eye or so convincingly indicate the delightful accord that may exist between gray ledge-stone masonry and white woodwork as those set within recessed arches at The Woodlands. The proportion and simple, clean-cut detail throughout are exquisite. The engaged colonnettes of the mullions contrast pleasingly with the pilasters o

y, First Floor, Mount Pleasa

Mount P

5

Floor Hall, Mount Pleasant;

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