iography of the painter was that by his friend Sensier, in a large illustrated volume whose contents have been made familiar

miniscences of childhood, Sensier's work is the principal source of information, from which all later writers draw. Yet it is not an altogether fa

unded on Sensier's life, yet rounds out the study of the master's character and wor

critical rather than biographical in purport. It is a sympathetic appreciation of Millet's art and characte

ect, the life work of Millet is admirably sketched

han's "History of French Painting," Rose G. Kingsley's "Hi

eelwright, in "The Atlantic Monthly," September, 1876; by Wyatt Eaton, in the "Century," May, 1889; by T.H. Bartlett, in "Scribner's," May and June, 1890; by Pierre Millet, in "Century," January,