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Chapter IV. Characteristics

Word Count: 1952    |    Released on: 17/11/2017

nius, like the very Sun, which, though the highest published creation, or work of genius, has nevertheless black spots and troub

orld of Speculation might henceforth dig to unknown depths. More specially may it now be declared that Professor Teufelsdrockh's acquirements, patience of research, philosophic and even poetic vigor, are here made indisputably manifest; and unhappily no less his prolixity and tortuosity and manifold ineptitude; that, on the whole, as in opening new mine-shafts is not unreason

the time meet together." To Teufelsdrockh the highest Duchess is respectable, is venerable; but nowise for her pearl bracelets and Malines laces: in his eyes, the star of a Lord is little less and little more than the broad button of Birmingham spelter in a Clown's smock; "each is an implement," he says, "in its kind; a tag for hooking-together; and, for the rest, was dug from the earth, and hammered on a stithy before smith's fingers." Thus does the Professor look in men's faces with a strange impartiality, a str

soul pierce through? In our wild Seer, shaggy, unkempt, like a Baptist living on locusts and wild honey, there is an untutored energy, a silent, as it were unconscious, strength, which, except in the higher walks of Literature, must be rare. Many a deep glance, and often with unspeakable precision, has he cast into mysterious Nature, and the still more mysterious Life of Man. Wonderful it is with what cutting words, now and then, he severs asunder the confusio

ables, and Laplace's Mecanique Celeste, down to Robinson Crusoe and the Belfast Town and Country Almanack, are familiar to him, - we shall say nothing: for unexampled as it is with us, to the German

that sheer sleeping and soporific passages; circumlocutions, repetitions, touches even of pure doting jargon, so often intervene! On the whole, Professor Teufelsdrockh, is not a cultivated writer. Of his sentences perhaps not more than nine-tenths stand straight on their legs; the remainder are in quite angular attitudes, buttressed up by props (of parentheses and dashes), and ever with this or the other tagrag hanging from them; a few even sprawl out helplessly on all sides, quite broken-backed and dismembered. Nevertheless, in almost his very worst moods, there lies in him a singular attraction. A wild tone pervade

that men strive after; and ever with some half-visible wrinkle of a bitter sardonic humor, if indeed it be not mere stolid callousness, - that you look on him almost with a shudder, as on some incarnate Mephistopheles, to whom this great terrestrial and celestial Round, after all, were but some huge foolish Whirligig, where kings and beggars, and angels and demons, and stars and street-sweepings, were chaotically whirled, in which only children could take

the Proposal for a Cast-metal King: gradually a light kindled in our Professor's eyes and face, a beaming, mantling, loveliest light; through those murky features, a radiant ever-young Apollo looked; and he burst forth like the neighing of all Tattersall's, - tears streaming down his cheeks, pipe held aloft, foot clutched into the air, - loud, long-continuing, uncontrollable; a laugh not of the face and diaphragm only, but of the whole man from head to heel. The present Editor, who laughed indeed, yet with measure, began to fear all was not right: however, Teufelsdrockh, composed himself, and sank into his old stillness; on his inscrutable countenance there was, if anything, a slight look of shame; and Richter himself could not rouse h

ns and subdivisions, the Work naturally falls into two Parts; a Historical–Descriptive, and a Philosophical–Speculative: but falls, unhappily, by no firm line of demarcation; in that labyrinthic combination, each Part overlaps, and indents, and indeed runs quite through the other. Many sections are of a debatable rubric, or even quite nondescript and unnamable; whereby the Book not onl

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Contents

Sartor Resartus
Book I. Chapter I. Preliminary
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Sartor Resartus
Chapter II. Editorial Difficulties
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Chapter III. Reminiscences
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Chapter IV. Characteristics
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Chapter V. The World in Clothes
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Sartor Resartus
Chapter VI. Aprons
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Chapter VII. Miscellaneous-Historical
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Chapter VIII. The World Out of Clothes
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Chapter IX. Adamitism
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Chapter X. Pure Reason
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Chapter XI. Prospective
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Book II. Chapter I. Genesis
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Chapter II. Idyllic
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Chapter III. Pedagogy
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Chapter IV. Getting Under Way
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Chapter V. Romance
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Chapter VI. Sorrows of Teufelsdrockh
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Chapter VII. The Everlasting No
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Chapter VIII. Centre of Indifference
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Chapter IX. The Everlasting Yea
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Chapter X. Pause
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Book III. Chapter I. Incident in Modern History
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Chapter II. Church-Clothes
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Chapter III. Symbols
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Chapter IV. Helotage
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Chapter V. The Phoenix
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Chapter VI. Old Clothes
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Chapter VII. Organic Filaments
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Chapter VIII. Natural Supernaturalism
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Chapter IX. Circumspective
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Chapter X. The Dandiacal Body
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Chapter XI. Tailors
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Chapter XII. Farewell
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Appendix
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