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Chapter 5 THE PLAY-ACTING

Word Count: 4944    |    Released on: 06/12/2017

way there for his Highness the Duke of Zollern!' 'Room for the high and nobly born Freifrau von Geyling!' 'Let pass the coach of the gracious Countess Gemmingen!' 'Ho, there! for t

h little lanterns twinkling in each rose-bush, and the fountain in the centre was so lit up with varied lights that the spray assumed a thousand hues. Hidden bands of musicians played in the garden, and, in fact, it was said that Stuttgart would never have witnessed such a brilliant festival. The Duke had travelled in many lands-to France, where the court had been so gay and fine before its King Louis xiv. became a death-fearing, trembling bigot, dragging out the last years of a dissipated l

r, and the only person who was known to notice her was her Highness Johanna Elizabetha, who was, indeed, something akin to her in nature. Madame de Stafforth sat meekly on the back seat of her husband's splendid coach, leaving

's private garden and gained a side entrance to the castle, and thence traversed the short distance to th

e bird into a cage of canaries; the indigenous birds were all prepared to peck at the intruder. How willingly would they have torn out the strange bird's feathers! Wilhelmine appeared unconscious of this unfriendly scrutiny, though, in reality, she was disagreeably aware of it. Madame de Stafforth had torn the hem of her skirt walking through the crowded antehall, and she begged the attendant to sew it for her. Wilhelmine was obliged to wai

rangements were perfect. So Madame de Stafforth presented Fr?ulein Wilhelmine von Gr?venitz to her Highness Johanna Elizabetha, Duchess of Wirtemberg. The dull, amiable woman gave Wilhelmine her hand to kiss and turned away, indifferent, unconcerned. So little do we know when we

silk overcoat richly embroidered in gold, the embroidered waistcoat of white satin, white silk hose, and blue satin shoes with high red heels and enormous diamond buckles. He carried the Oberhofmarshall's staff of office in his left hand, and on his breast shone the insignia of several high orders. His curled wig was much powdered, and his healthy,

w, and he had told her that her dancing was perfect enough for the court of F

y to observe Eberhard Ludwig at her leisure during the dance. She looked round, but the Duke was not yet visible. Stafforth pointed to an alcove, telling her that his Highness was there talking to Madame de Geyling. At length the curtains of the recess were pushed aside and a tall figure appeared. Eberhard Ludwig, Duke of Wirtemberg, leading his favourite, Madame de Geyling, by the hand. A princely figure indeed, thought Wilhelmine, as she bent low in t

The music rang out in the stately measure of the pavane, and the dance began: the ladies gliding, bowing, bending, their fans raised above their heads, then pressed to their bosoms as th

ced near him without his deigning to notice her. 'Well, my dear, never mind,' said Madame de Ruth, 'the most victorious armies may suffer defeat at first.' As will be seen by this speech, the object of Wilhelmine's campaign was no longer a mystery, and the intriguers now spoke openly before their intended tool. She knew that her goal was Eberhard Ludwig himself, and the future seemed good to her since she had seen Eberhard Ludwig. Also it all spelt 'fine clothes,

ight have grandchildren he

e the doors at the end of the dancing-hall opened, and the musicians in the gallery began to play a lilting strain. Quite slowly through the gilded doors came a tiny figure dressed in wreaths of leaves and flowers, a golden bow in his hand, and at his side a miniature quiver filled w

hall, and there began to dance a rapid skipping

usic softened to an accompaniment, and boys'

entry of four rather lightly clad nymphs, who came forward in a graceful swaying line, encircling the child, who stood stock-still in the midst wondering, poor mite, if this long game

e de Geyling, the little fellow stopped and took his aim, with his bow and paper arrows. Everything was going admirably, never had this Cupid behaved so exactly as arranged. Already

e reine!' He paused irresolute for a moment, then, catching sight of Wilhelmine's smiling face, he made a dash for her, exclaiming loudly, 'Je te choisis, jolie dame!' and he shot his paper arrow straight at her breast. There

g bosom and angry face. Madame de Ruth was laughing, and even the Duchess had risen from her chair and was leaning on Madame de Stafforth's shoulder, smiling and nodding. Wilhelmine had caught Cupid up in her arms, and he was laugh

at shall I do? I don't know the dance-the D

the Duke notice you,' w

with the music, though it was, of course, an impromptu of her own. She danced half-way round the hall, holding Cupid high in the air in her strong arms. Meanwhile the Duke, all unknowing, appeared in the doorway in his appointed place. Wilhelmine glided up to him, and sinking on one knee with Cupid held up to his Highness, she said, 'Cupid has made a mistake, Monseigneur. He was always

to play the new dance, but he danced unevenly, constantly glancing in the direction of the door where Wilhelmine had disappeared. Madame de Ruth

and conjecture was rife as to who she could be. Then it leaked out that she was to sing in the theatricals

She told them so little, though in so many words, that they were all the more anxious to be informed further. But what part was the unknown to take in the theatrical

ng, and even decorous enough for the hearing of Johanna Elizabet

en he came to the dressing-room set apart for Madame de Geyling the door was opened suddenly, almost knocking his Highness on the nose, and an angry face appeared through the door's aperture. One side of this face was painted for the stage, while the other was only adorned with the pigments with which the Gey

ience paid but scant attention to the play, but soon a se

affection which Eberhard Ludwig succeeded in showing Madame de Geyling even through his acting, and she suffered, this poor, dull woman. Madame de Stafforth sat near her, saying nothing as usual. Friedrich Gr?venitz stood leaning against the pillar by the entrance to the parterre, looking handsome and sombre. La Coupe Enchantée went on its gay, subtle way, and was followed by an allegorical dance-a medley of gods and goddesses, of conventional shepherds

rkened stage disclosed. For a moment the music ceased, then took up a haunting melody as a tall, white figure approached down the almost unlit stage. It was a young woman in flowing, classic draperies-a goddess she looked; and after the mincing shepherdesses and their artificial, conventional mannerisms, this woman came as a breath from Nature's grandeur, young, forceful, untrammelled. She came right down to the half-lit footlights, and stood

eminded them that the merry company would soon disperse for many months; she wished them peace and happiness, and she prayed

e heart of man, and, after the vapid brilliancies of La Fontaine's comedy, the strain had all the greater power to stir. Wilhelmine, an unseen spe

le audience. To the singer herself all this hardly mattered; the human hearts were merely instruments upon which she played a melody; yet her receptive, finely strung being thrilled in response to the feeling she evoked; a h

his right hand was Madame de Geyling. Stafforth was seated at this table, Madame de Ruth was there also, Monseigneur the Duke of Zollern, of course, and Prelate Osiander. The Geyling discussed the comedy. Lifting her glass she toasted Eberhard Ludwig: 'I drink to your Highness from la Coupe Enchantée,' she murmured; but the Duke answered absently, and Madame de Ruth smiled when h

ip-there was a pause in th

. It was necessary to pass the Duchess's table; Wilhelmine immediately recognised her Highness, and as she passed she swept Johanna Elizabetha a deep courtesy. It was gracefully done, and the neglected lady, unaccustomed to be treated with even ordinary consideration, responded by an amiable smile.

r divine music, yet permit me to say that I would willingly keep you for ever as my credit

honour,' she responded, sinking t

he compliment of turning her back upon her. The Duke plied his guest with food and wine, declaring that ambrosia and nectar were better fitted for her; he toasted her; he praised her; he exhausted his knowledge of mythology in her honour, calling her Melpomene, the tragic Muse, for had she not made men weep with her song

was falling in love with Eberhard Ludwig of Wirtemberg. When supper was over the Duke rose, and, in defiance of etiquette, desired Stafforth to accompany Madame de Geyling, while he himself led Mademoiselle de Gr?venitz from the

en is very fair to-night; would you honour me by accepting my arm and taking a short stroll toward

as so noble, so open. Why not? 'Mon

rstner-you know Forstner? No? Well-a good friend, yet always at my elbow with rebukes and etiquette! Well-old Forstner used to chide me, saying it was not fitting for a reigning Duke to wander alone "like a

ith the Duke. They went down the steps leading to the garden, and in silence walked along the path towards the fountain. The moon played white over the flowers, and the sound of the violins

id Eberhard Ludwig. 'There is no one near; sing t

remulously, 'I cannot sing-my hear

t her in th

om the seat, offering her his arm. He led her up the dark garden-path and into the glitter of lights in the ante-hall of the Lusthaus, where Madame de Stafforth stood ready to depart, waiting for Wilhelmine. The Duke sent Stafforth for Mademoiselle's cloak, and when he brought it, his H

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