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Last Words by Stephen Crane
Last Words by Stephen Crane
Two men sat by the sea waves.
"Well, I know I'm not handsome," said one gloomily. He was poking holes in the sand with a discontented cane.
The companion was watching the waves play. He seemed overcome with perspiring discomfort as a man who is resolved to set another man right.
Suddenly his mouth turned into a straight line. "To be sure you are not," he cried vehemently. "You look like thunder. I do not desire to be unpleasant, but I must assure you that your freckled skin continually reminds spectators of white wall paper with gilt roses on it. The top of your head looks like a little wooden plate. And your figure-heavens!"
For a time they were silent. They stared at the waves that purred near their feet like sleepy sea-kittens.
Finally the first man spoke.
"Well," said he, defiantly, "what of it?"
"What of it," exploded the other. "Why, it means that you'd look like blazes in a bathing-suit."
They were again silent. The freckled man seemed ashamed. His tall companion glowered at the scenery.
"I am decided," said the freckled man suddenly. He got boldly up from the sand and strode away. The tall man followed, walking sarcastically and glaring down at the round, resolute figure before him.
A bath-clerk was looking at the world with superior eyes through a hole in a board. To him the freckled man made application, waving his hands over his person in illustration of a snug fit. The bath-clerk thought profoundly. Eventually, he handed out a blue bundle with an air of having phenomenally solved the freckled man's dimensions.
The latter resumed his resolute stride.
"See here," said the tall man, following him, "I bet you've got a regular toga, you know. That fellow couldn't tell-"
"Yes, he could," interrupted the freckled man, "I saw correct mathematics in his eyes."
"Well, supposin' he has missed your size. Supposin'-"
"Tom," again interrupted the other, "produce your proud clothes and we'll go in."
The tall man swore bitterly. He went to one of a row of little wooden boxes and shut himself in it. His companion repaired to a similar box.
At first he felt like an opulent monk in a too-small cell, and he turned round two or three times to see if he could. He arrived finally into his bathing-dress. Immediately he dropped gasping upon a three-cornered bench. The suit fell in folds about his reclining form. There was silence, save for the caressing calls of the waves without.
Then he heard two shoes drop on the floor in one of the little coops. He began to clamour at the boards like a penitent at an unforgiving door.
"Tom," called he, "Tom-"
A voice of wrath, muffled by cloth, came through the walls. "You go t' blazes!"
The freckled man began to groan, taking the occupants of the entire row of coops into his confidence.
"Stop your noise," angrily cried the tall man from his hidden den. "You rented the bathing-suit, didn't you? Then-"
"It ain't a bathing-suit," shouted the freckled man at the boards. "It's an auditorium, a ballroom, or something. It ain't a bathing-suit."
The tall man came out of his box. His suit looked like blue skin. He walked with grandeur down the alley between the rows of coops. Stopping in front of his friend's door, he rapped on it with passionate knuckles.
"Come out of there, y' ol' fool," said he, in an enraged whisper. "It's only your accursed vanity. Wear it anyhow. What difference does it make? I never saw such a vain ol' idiot!"
As he was storming the door opened, and his friend confronted him. The tall man's legs gave way, and he fell against the opposite door.
The freckled man regarded him sternly.
"You're an ass," he said.
His back curved in scorn. He walked majestically down the alley. There was pride in the way his chubby feet patted the boards. The tall man followed, weakly, his eyes riveted upon the figure ahead.
As a disguise the freckled man had adopted the stomach of importance. He moved with an air of some sort of procession, across a board walk, down some steps, and out upon the sand.
There was a pug dog and three old women on a bench, a man and a maid with a book and a parasol, a seagull drifting high in the wind, and a distant, tremendous meeting of sea and sky. Down on the wet sand stood a girl being wooed by the breakers.
The freckled man moved with stately tread along the beach. The tall man, numb with amazement, came in the rear. They neared the girl.
Suddenly the tall man was seized with convulsions. He laughed, and the girl turned her head.
She perceived the freckled man in the bathing-suit. An expression of wonderment overspread her charming face. It changed in a moment to a pearly smile.
This smile seemed to smite the freckled man. He obviously tried to swell and fit his suit. Then he turned a shrivelling glance upon his companion, and fled up the beach. The tall man ran after him, pursuing with mocking cries that tingled his flesh like stings of insects. He seemed to be trying to lead the way out of the world. But at last he stopped and faced about.
"Tom Sharp," said he, between his clenched teeth, "you are an unutterable wretch! I could grind your bones under my heel."
The tall man was in a trance, with glazed eyes fixed on the bathing-dress. He seemed to be murmuring: "Oh, good Lord! Oh, good Lord! I never saw such a suit!"
The freckled man made the gesture of an assassin.
"Tom Sharp, you-"
The other was still murmuring: "Oh, good Lord! I never saw such a suit! I never-"
The freckled man ran down into the sea.
PLOT: After being admonished by his father, Dr. Ned Trescott, for damaging a peony while playing in his family's yard, young Jimmie Trescott visits his family's coachman, Henry Johnson. Henry, who is described as "a very handsome negro," "known to be a light, a weight, and an eminence in the suburb of the town,"[20] is friendly toward Jimmie. Later that evening Henry dresses smartly and saunters through town-inciting catcalls from friends and ridicule from the local white men-on his way to call on the young Bella Farragut, who is extremely taken with him. That same evening, a large crowd gathers in the park to hear a band play. Suddenly, the nearby factory whistle blows to alert the townspeople of a fire in the second district of the town; men gather hose-carts and head toward the blaze that is quickly spreading throughout Dr. Trescott's house. Mrs. Trescott is saved by a neighbor, but cannot locate Jimmie, who is trapped inside. Henry appears from the crowd and rushes into the house in search of the boy, finding him unharmed in his bedroom. Unable to retreat the way he came, Henry carries Jimmie, wrapped in a blanket, to the doctor's laboratory and the hidden stairway that leads outside. He discovers the fire has blocked this way out as well and collapses beside Dr. Trescott's desk. A row of nearby jars shatters from the heat, spilling molten chemicals upon Henry's upturned face.....
\"Run, Jimmie, run! Dey'll get yehs,\" screamed a retreating Rum Alley child. \"Naw,\" responded Jimmie with a valiant roar, \"dese micks can't make me run.\" Howls of renewed wrath went up from Devil's Row throats. Tattered gamins on the right made a furious assault on the gravel heap. On their small, convulsed faces there shone the grins of true assassins. As they charged, they threw stones and cursed in shrill chorus. The little champion of Rum Alley stumbled precipitately down the other side. His coat had been torn to shreds in a scuffle, and his hat was gone. He had bruises on twenty parts of his body, and blood was dripping from a cut in his head. His wan features wore a look of a tiny, insane demon. On the ground, children from Devil's Row closed in on their antagonist. He crooked his left arm defensively about his head and fought with cursing fury. The little boys ran to and fro, dodging, hurling stones and swearing in barbaric trebles.
The Open Boat and Other Stories is a classic collection of short tales from Stephen Crane.
The Red Badge of Courage is a war novel by American author Stephen Crane (1871–1900). Ranks among the foremost literary achievements of the modern era. Taking place during the American Civil War, the story is about a young private of the Union Army, Henry Fleming, who flees from the field of battle. Overcome with shame, he longs for a wound—a "red badge of courage"—to counteract his cowardice. When his regiment once again faces the enemy, Henry acts as standard-bearer. Although Crane was born after the war, and had not at the time experienced battle first-hand, the novel is known for its realism. The novel is known for its distinctive style, which includes realistic battle sequences as well as the repeated use of color imagery, and ironic tone. Separating itself from a traditional war narrative, reflects the inner experience of its protagonist—a soldier fleeing from combat—rather than the external world around him.
The engine bellowed its way up the slanting, winding valley. Grey crags, and trees with roots fastened cleverly to the steeps looked down at the struggles of the black monster. When the train finally released its passengers they burst forth with the enthusiasm of escaping convicts. A great bustle ensued on the platform of the little mountain station. The idlers and philosophers from the village were present to examine the consignment of people from the city. These latter, loaded with bundles and children, thronged at the stage drivers. The stage drivers thronged at the people from the city...
Brenna lived with her adoptive parents for twenty years, enduring their exploitation. When their real daughter appeared, they sent Brenna back to her true parents, thinking they were broke. In reality, her birth parents belonged to a top circle that her adoptive family could never reach. Hoping Brenna would fail, they gasped at her status: a global finance expert, a gifted engineer, the fastest racer... Was there any end to the identities she kept hidden? After her fiancé ended their engagement, Brenna met his twin brother. Unexpectedly, her ex-fiancé showed up, confessing his love...
She spent ten years chasing after the right brother, only to fall for the wrong one in one weekend. ~~~ Sloane Mercer has been hopelessly in love with her best friend, Finn Hartley, since college. For ten long years, she's stood by him, stitching him back together every time Delilah Crestfield-his toxic on-and-off girlfriend-shattered his heart. But when Delilah gets engaged to another man, Sloane thinks this might finally be her chance to have Finn for herself. She couldn't be more wrong. Heartbroken and desperate, Finn decides to crash Delilah's wedding and fight for her one last time. And he wants Sloane by his side. Reluctantly, Sloane follows him to Asheville, hoping that being close to Finn will somehow make him see her the way she's always seen him. Everything changes when she meets Knox Hartley, Finn's older brother-a man who couldn't be more different from Finn. He's dangerously magnetic. Knox sees right through Sloane and makes it his mission to pull her into his world. What starts as a game-a twisted bet between them-soon turns into something deeper. Sloane is trapped between two brothers: one who's always broken her heart and another who seems hell-bent on claiming it... no matter the cost. CONTENT WARNING: This story is strongly 18+. It delves into dark romance themes such as obsession and lust with morally complex characters. While this is a love story, reader discretion is advised.
Once Alexia was exposed as a fake heiress, her family dumped her and her husband turned his back on her. The world expected her to break-until Waylon, a mysterious tycoon, took her hand. While doubters waited for him to drop her, Alexia showed skill after shocking skill, leaving CEOs gaping. Her ex begged to come back, but she shut him down and met Waylon's gaze instead. "Darling, you can count on me." He brushed her cheek. "Sweetheart, rely on me instead." Recently, international circles reeled from three disasters: her divorce, his marriage, and their unstoppable alliance crushing foes overnight.
"I heard you're going to marry Marcelo. Is this perhaps your revenge against me? It's very laughable, Renee. That man can barely function." Her foster family, her cheating ex, everyone thought Renee was going to live in pure hell after getting married to a disabled and cruel man. She didn't know if anything good would ever come out of it after all, she had always thought it would be hard for anyone to love her but this cruel man with dark secrets is never going to grant her a divorce because she makes him forget how to breathe.
On her wedding day, Khloe’s sister connived with her groom, framing her for a crime she didn’t commit. She was sentenced to three years in prison, where she endured much suffering. When Khloe was finally released, her evil sister used their mother to coerce Khloe into an indecent liaison with an elderly man. As fate would have it, Khloe crossed paths with Henrik, the dashing yet ruthless mobster who sought to alter the course of her life. Despite Henrik’s cold exterior, he cherished Khloe like no other. He helped her take retribution from her tormentors and kept her from being bullied again.
Maia grew up a pampered heiress-until the real daughter returned and framed her, sending Maia to prison with help from her fiancé and family. Four years later, free and married to Chris, a notorious outcast, everyone assumed Maia was finished. They soon discovered she was secretly a famed jeweler, elite hacker, celebrity chef, and top game designer. As her former family begged for help, Chris smiled calmly. "Honey, let's go home." Only then did Maia realize her "useless" husband was a legendary tycoon who'd adored her from the start.
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