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PLOT: After being admonished by his father, Dr. Ned Trescott, for damaging a peony while playing in his family's yard, young Jimmie Trescott visits his family's coachman, Henry Johnson. Henry, who is described as "a very handsome negro," "known to be a light, a weight, and an eminence in the suburb of the town,"[20] is friendly toward Jimmie. Later that evening Henry dresses smartly and saunters through town-inciting catcalls from friends and ridicule from the local white men-on his way to call on the young Bella Farragut, who is extremely taken with him. That same evening, a large crowd gathers in the park to hear a band play. Suddenly, the nearby factory whistle blows to alert the townspeople of a fire in the second district of the town; men gather hose-carts and head toward the blaze that is quickly spreading throughout Dr. Trescott's house. Mrs. Trescott is saved by a neighbor, but cannot locate Jimmie, who is trapped inside. Henry appears from the crowd and rushes into the house in search of the boy, finding him unharmed in his bedroom. Unable to retreat the way he came, Henry carries Jimmie, wrapped in a blanket, to the doctor's laboratory and the hidden stairway that leads outside. He discovers the fire has blocked this way out as well and collapses beside Dr. Trescott's desk. A row of nearby jars shatters from the heat, spilling molten chemicals upon Henry's upturned face.....
LTHOUGH Whilomville was in no sense a summer resort, the advent of the warm season meant much to it, for then came visitors from the city-people of considerable confidence-alighting upon their country cousins. Moreover, many citizens who could afford to do so escaped at this time to the sea-side.
The town, with the commercial life quite taken out of it, drawled and drowsed through long months, during which nothing was worse than the white dust which arose behind every vehicle at blinding noon, and nothing was finer than the cool sheen of the hose sprays over the cropped lawns under the many maples in the twilight.
One summer the Trescotts had a visitation. Mrs. Trescott owned a cousin who was a painter of high degree. I had almost said that he was of national reputation, but, come to think of it, it is better to say that almost everybody in the United States who knew about art and its travail knew about him. He had picked out a wife, and naturally, looking at him, one wondered how he had done it. She was quick, beautiful, imperious, while he was quiet, slow, and misty. She was a veritable queen of health, while he, apparently, was of a most brittle constitution. When he played tennis, particularly, he looked every minute as if he were going to break.
They lived in New York, in awesome apartments wherein Japan and Persia, and indeed all the world, confounded the observer. At the end was a cathedral-like studio. They had one child. Perhaps it would be better to say that they had one CHILD. It was a girl. When she came to Whilomville with her parents, it was patent that she had an inexhaustible store of white frocks, and that her voice was high and commanding. These things the town knew quickly. Other things it was doomed to discover by a process.
Her effect upon the children of the Trescott neighborhood was singular. They at first feared, then admired, then embraced. In two days she was a Begum. All day long her voice could be heard directing, drilling, and compelling those free-born children; and to say that they felt oppression would be wrong, for they really fought for records of loyal obedience.
All went well until one day was her birthday.
On the morning of this day she walked out into the Trescott garden and said to her father, confidently, "Papa, give me some money, because this is my birthday."
He looked dreamily up from his easel. "Your birthday?" he murmured. Her envisioned father was never energetic enough to be irritable unless some one broke through into that place where he lived with the desires of his life. But neither wife nor child ever heeded or even understood the temperamental values, and so some part of him had grown hardened to their inroads. "Money?" he said. "Here." He handed her a five-dollar bill. It was that he did not at all understand the nature of a five-dollar bill. He was deaf to it. He had it; he gave it; that was all.
She sallied forth to a waiting people-Jimmie Trescott, Dan Earl, Ella Earl, the Margate twins, the three Phelps children, and others. "I've got some pennies now," she cried, waving the bill, "and I am going to buy some candy." They were deeply stirred by this announcement. Most children are penniless three hundred days in the year, and to another possessing five pennies they pay deference. To little Cora waving a bright green note these children paid heathenish homage. In some disorder they thronged after her to a small shop on Bridge Street hill. First of all came ice-cream. Seated in the comic little back parlor, they clamored shrilly over plates of various flavors, and the shopkeeper marvelled that cream could vanish so quickly down throats that seemed wide open, always, for the making of excited screams.
These children represented the families of most excellent people. They were all born in whatever purple there was to be had in the vicinity of Whilomville. The Margate twins, for example, were out-and-out prize-winners. With their long golden curls and their countenances of similar vacuity, they shone upon the front bench of all Sunday-school functions, hand in hand, while their uplifted mother felt about her the envy of a hundred other parents, and less heavenly children scoffed from near the door.
Then there was little Dan Earl, probably the nicest boy in the world, gentle, fine-grained, obedient to the point where he obeyed anybody. Jimmie Trescott himself was, indeed, the only child who was at all versed in villany, but in these particular days he was on his very good behavior. As a matter of fact, he was in love. The beauty of his regal little cousin had stolen his manly heart.
Yes, they were all most excellent children, but, loosened upon this candy-shop with five dollars, they resembled, in a tiny way, drunken revelling soldiers within the walls of a stormed city. Upon the heels of ice-cream and cake came chocolate mice, butter-scotch, "everlastings," chocolate cigars, taffy-on-a-stick, taffy-on-a-slate-pencil, and many semi-transparent devices resembling lions, tigers, elephants, horses, cats, dogs, cows, sheep, tables, chairs, engines (both railway and for the fighting of fire), soldiers, fine ladies, odd-looking men, clocks, watches, revolvers, rabbits, and bedsteads. A cent was the price of a single wonder.
Some of the children, going quite daft, soon had thought to make fight over the spoils, but their queen ruled with an iron grip. Her first inspiration was to satisfy her own fancies, but as soon as that was done she mingled prodigality with a fine justice, dividing, balancing, bestowing, and sometimes taking away from somebody even that which he had.
It was an orgy. In thirty-five minutes those respectable children looked as if they had been dragged at the tail of a chariot. The sacred Margate twins, blinking and grunting, wished to take seat upon the floor, and even the most durable Jimmie Trescott found occasion to lean against the counter, wearing at the time a solemn and abstracted air, as if he expected something to happen to him shortly.
Of course their belief had been in an unlimited capacity, but they found there was an end. The shopkeeper handed the queen her change.
"Two seventy-three from five leaves two twenty-seven, Miss Cora," he said, looking upon her with admiration.
She turned swiftly to her clan. "O-oh!" she cried, in amazement. "Look how much I have left!" They gazed at the coins in her palm. They knew then that it was not their capacities which were endless; it was the five dollars.
The queen led the way to the street. "We must think up some way of spending more money," she said, frowning. They stood in silence, awaiting her further speech.
Suddenly she clapped her hands and screamed with delight. "Come on!" she cried. "I know what let's do." Now behold, she had discovered the red and white pole in front of the shop of one William Neeltje, a barber by trade.
It becomes necessary to say a few words concerning Neeltje. He was new to the town. He had come and opened a dusty little shop on dusty Bridge Street hill, and although the neighborhood knew from the courier winds that his diet was mainly cabbage, they were satisfied with that meagre data. Of course Riefsnyder came to investigate him for the local Barbers' Union, but he found in him only sweetness and light, with a willingness to charge any price at all for a shave or a haircut. In fact, the advent of Neeltje would have made barely a ripple upon the placid bosom of Whilomville if it were not that his name was Neeltje.
At first the people looked at his sign-board out of the eye corner, and wondered lazily why any one should bear the name of Neeltje; but as time went on, men spoke to other men, saying, "How do you pronounce the name of that barber up there on Bridge Street hill?" And then, before any could prevent it, the best minds of the town were splintering their lances against William Neeltje's sign-board. If a man had a mental superior, he guided him seductively to this name, and watched with glee his wrecking. The clergy of the town even entered the lists. There was one among them who had taken a collegiate prize in Syriac, as well as in several less opaque languages, and the other clergymen-at one of their weekly meetings-sought to betray him into this ambush. He pronounced the name correctly, but that mattered little, since none of them knew whether he did or did not; and so they took triumph according to their ignorance. Under these arduous circumstances it was certain that the town should look for a nickname, and at this time the nickname was in process of formation. So William Neeltje lived on with his secret, smiling foolishly towards the world.
"Come on," cried little Cora. "Let's all get our hair cut. That's what let's do. Let's all get our hair cut! Come on! Come on! Come on!" The others were carried off their feet by the fury of this assault. To get their hair cut! What joy! Little did they know if this were fun; they only knew that their small leader said it was fun. Chocolate-stained but confident, the band marched into William Neeltje's barber shop.
"We wish to get our hair cut," said little Cora, haughtily.
Neeltje, in his shirt-sleeves, stood looking at them with his half-idiot smile.
"Hurry, now!" commanded the queen. A dray-horse toiled step by step, step by step, up Bridge Street hill; a far woman's voice arose; there could be heard the ceaseless hammers of shingling carpenters; all was summer peace. "Come on, now. Who's goin' first? Come on, Ella; you go first. Gettin' our hair cut! Oh what fun!"
Little Ella Earl would not, however, be first in the chair. She was drawn towards it by a singular fascination, but at the same time she was afraid of it, and so she hung back, saying: "No! You go first! No! You go first!" The question was precipitated by the twins and one of the Phelps children. They made simultaneous rush for the chair, and screamed and kicked, each pair preventing the third child. The queen entered this mêlée, and decided in favor of the Phelps boy. He ascended the chair. Thereat an awed silence fell upon the band. And always William Neeltje smiled fatuously.
He tucked a cloth in the neck of the Phelps boy, and taking scissors, began to cut his hair. The group of children came closer and closer. Even the queen was deeply moved. "Does it hurt any?" she asked, in a wee voice.
"Naw," said the Phelps boy, with dignity. "Anyhow, I've had m' hair cut afore."
When he appeared to them looking very soldierly with his cropped little head, there was a tumult over the chair. The Margate twins howled; Jimmie Trescott was kicking them on the shins. It was a fight.
But the twins could not prevail, being the smallest of all the children. The queen herself took the chair, and ordered Neeltje as if he were a lady's-maid. To the floor there fell proud ringlets, blazing even there in their humiliation with a full fine bronze light. Then Jimmie Trescott, then Ella Earl (two long ash-colored plaits), then a Phelps girl, then another Phelps girl; and so on from head to head. The ceremony received unexpected check when the turn came to Dan Earl. This lad, usually docile to any rein, had suddenly grown mulishly obstinate. No, he would not, he would not. He himself did not seem to know why he refused to have his hair cut, but, despite the shrill derision of the company, he remained obdurate. Anyhow, the twins, long held in check, and now feverishly eager, were already struggling for the chair.
"THE QUEEN HERSELF TOOK THE CHAIR"
And so to the floor at last came the golden Margate curls, the heart treasure and glory of a mother, three aunts, and some feminine cousins.
All having been finished, the children, highly elate, thronged out into the street. They crowed and cackled with pride and joy, anon turning to scorn the cowardly Dan Earl.
Ella Earl was an exception. She had been pensive for some time, and now the shorn little maiden began vaguely to weep. In the door of his shop William Neeltje stood watching them, upon his face a grin of almost inhuman idiocy.
\"Run, Jimmie, run! Dey'll get yehs,\" screamed a retreating Rum Alley child. \"Naw,\" responded Jimmie with a valiant roar, \"dese micks can't make me run.\" Howls of renewed wrath went up from Devil's Row throats. Tattered gamins on the right made a furious assault on the gravel heap. On their small, convulsed faces there shone the grins of true assassins. As they charged, they threw stones and cursed in shrill chorus. The little champion of Rum Alley stumbled precipitately down the other side. His coat had been torn to shreds in a scuffle, and his hat was gone. He had bruises on twenty parts of his body, and blood was dripping from a cut in his head. His wan features wore a look of a tiny, insane demon. On the ground, children from Devil's Row closed in on their antagonist. He crooked his left arm defensively about his head and fought with cursing fury. The little boys ran to and fro, dodging, hurling stones and swearing in barbaric trebles.
The Open Boat and Other Stories is a classic collection of short tales from Stephen Crane.
The Red Badge of Courage is a war novel by American author Stephen Crane (1871–1900). Ranks among the foremost literary achievements of the modern era. Taking place during the American Civil War, the story is about a young private of the Union Army, Henry Fleming, who flees from the field of battle. Overcome with shame, he longs for a wound—a "red badge of courage"—to counteract his cowardice. When his regiment once again faces the enemy, Henry acts as standard-bearer. Although Crane was born after the war, and had not at the time experienced battle first-hand, the novel is known for its realism. The novel is known for its distinctive style, which includes realistic battle sequences as well as the repeated use of color imagery, and ironic tone. Separating itself from a traditional war narrative, reflects the inner experience of its protagonist—a soldier fleeing from combat—rather than the external world around him.
The engine bellowed its way up the slanting, winding valley. Grey crags, and trees with roots fastened cleverly to the steeps looked down at the struggles of the black monster. When the train finally released its passengers they burst forth with the enthusiasm of escaping convicts. A great bustle ensued on the platform of the little mountain station. The idlers and philosophers from the village were present to examine the consignment of people from the city. These latter, loaded with bundles and children, thronged at the stage drivers. The stage drivers thronged at the people from the city...
Corinne devoted three years of her life to her boyfriend, only for it to all go to waste. He saw her as nothing more than a country bumpkin and left her at the altar to be with his true love. After getting jilted, Corinne reclaimed her identity as the granddaughter of the town's richest man, inherited a billion-dollar fortune, and ultimately rose to the top. But her success attracted the envy of others, and people constantly tried to bring her down. As she dealt with these troublemakers one by one, Mr. Hopkins, notorious for his ruthlessness, stood by and cheered her on. "Way to go, honey!"
Life was a bed of roses for Debra, the daughter of Alpha. That was until she had a one-night stand with Caleb. She was sure he was her mate as determined by Moon Goddess. But this hateful man refused to accept her. Weeks passed before Debra discovered that she was pregnant. Her pregnancy brought shame to her and everyone she loved. Not only was she driven out, but her father was also hunted down by usurpers. Fortunately, she survived with the help of the mysterious Thorn Edge Pack. Five years passed and Debra didn't hear anything from Caleb. One day, their paths crossed again. They were both on the same mission—carrying out secret investigations in the dangerous Roz Town for the safety and posterity of their respective packs. Caleb was still cold toward her. But as time went on, he fell head over heels in love with her. He tried to make up for abandoning her, but Debra wasn't having any of it. She was hell-bent on hiding her daughter from him and also making a clean break. What did the future hold for the two as they journeyed in Roz Town? What kind of secrets would they find? Would Caleb win Debra's heart and get to know his lovely daughter? Find out!
Life was perfect until she met her boyfriend's big brother. There was a forbidden law in the Night Shade Pack that if the head Alpha rejected his mate, he would be stripped of his position. Sophia's life would get connected with the law. She was an Omega who was dating the head Alpha's younger brother. Bryan Morrison, the head Alpha, was not only a cold-blooded man but also a charming business tycoon. His name was enough to cause other packs to tremble. He was known as a ruthless man. What if, by some twist of destiny, Sophia's path were to intertwine with his?
After two years of marriage, Kristian dropped a bombshell. "She's back. Let's get divorced. Name your price." Freya didn't argue. She just smiled and made her demands. "I want your most expensive supercar." "Okay." "The villa on the outskirts." "Sure." "And half of the billions we made together." Kristian froze. "Come again?" He thought she was ordinary—but Freya was the genius behind their fortune. And now that she'd gone, he'd do anything to win her back.
Yelena discovered that she wasn't her parents' biological child. After seeing through their ploy to trade her as a pawn in a business deal, she was sent away to her barren birthplace. There, she stumbled upon her true origins—a lineage of historic opulence. Her real family showered her with love and adoration. In the face of her so-called sister's envy, Yelena conquered every adversity and took her revenge, all while showcasing her talents. She soon caught the attention of the city's most eligible bachelor. He cornered Yelena and pinned her against the wall. “It's time to reveal your true identity, darling.”
Julia and Evan were the perfect couple-or so she thought. But everything changed when Evan abruptly ended their relationship, leaving her heartbroken and unable to tell him she was carrying his child. Years later, Julia has built a life for herself and her son, Andy, while Evan has risen to unimaginable wealth and success. Their paths cross again at a chance meeting, but Julia soon discovers Evan has moved on with someone else. Julia is done with the pain. She's fought battles alone, raising a son who deserves the truth about his father, even if Evan doesn't deserve her forgiveness. When Julia told Evan years ago she had something to say, he didn't listen. Now, it's time for him to listen. But is it too late to reclaim what he lost? "We should break up," he'd said, the words cutting through her like glass. The pregnancy test in her pocket stayed hidden, just like the child they would never share. Now, it's Evan's turn to hear the truth-and to face his deepest regret.