/0/85749/coverbig.jpg?v=9fae4c6ee770cb995c42c029ce96ff33)
The blinding white of the hospital ceiling. My ears registered the monotonous beep of a machine, my body a dull ache radiating from my chest, but my mind was replaying a lifetime. A lifetime I didn't swerve, didn't fight, a life where I gave everything for her, for Sarah Miller. I saw myself hollowed out, unfulfilled, alone, a footnote in her brilliant biography, my own child a ghost. Then the blinding clarity: this wasn't just a brush with death, it was a preview of the life I was about to lose myself in. My gaze drifted-Sarah, impeccable as always, on her phone, brow furrowed. And next to her, Alex, murmuring, his hand on her arm, a gesture far too familiar. They were a perfect, closed circuit. I was the outsider. A cold certainty settled in my chest, more real than the pain from my injuries: I would not let that life happen. My hands trembled, not from weakness, but from a newfound resolve. I called my boss. "Mike! I heard about the accident. Are you okay? Do you need anything?" "I'm okay, Mark," I said, my voice raspy. "But I'm calling to resign." "Resign? Mike, what are you talking about? You're our top young talent. We were just about to put you on the downtown high-rise project." "I don't want the high-rise," I said, with surprising strength. "I want the sustainable community project. The one in Oak Creek. I know it's a pay cut. I know it's in the middle of nowhere. I'll take it. I need to do it." A weight I hadn't realized I was carrying lifted from my shoulders. It felt incredible. This was my second chance. My life wasn't going to be a footnote in Sarah Miller's biography. It was going to be my own story. Starting now.