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The phone buzzed, a relentless vibration I tried to ignore, but Sarah' s furious face on the video call told me I couldn' t. My artist husband, Ethan, had unveiled his new exhibition, "Raw Truths," a brutal public dissection of our dead marriage. The centerpiece? A twenty-foot-tall projection of me sleeping, mouth open, drooling. The internet exploded, half calling him a monster, half calling me a willing muse. Then I scrolled to the next piece: a distorted loop of my voice, crying after a fight, packaged and sold as art. My phone buzzed again, Ethan' s name on the caller ID. Sarah, my lawyer, ordered me not to answer, but a primal urge to understand the "why" gripped me. He told me he' d made art, groundbreaking art. I screamed that he was selling my tears, my private grief, for fame. His response? This backlash was hurting his career. Then came the real dagger: he' d bring my devout grandmother into this, expose our secret marriage, destroy her if I didn' t release a public apology calling myself a willing collaborator. My world shattered. How could he? How could he use my deepest fear against me? Before I could even process his threat, my aunt called, sobbing. Grandma had collapsed, she' d seen something on the news. It was too late. He had already destroyed the last innocent part of my life. Lying in the hospital, my grandmother gone, I watched Ethan on TV, publicly mourning, accepting accolades. He had taken everything. My peace, my privacy, my family. A cold, hard resolve settled in my chest. If the world wanted a tragic muse, I' d give them a tragedy they' d never forget. I would erase myself from his world completely.