My Experiences as an Executioner by James Berry
My Experiences as an Executioner by James Berry
The Executioner at Home.
By H. Snowden Ward.
James Berry, though regarded by some people as a monster, and by others as a curiosity, is very much like any other working-man when one comes to know him. He is neither a paragon of perfection, nor an embodiment of all vice-though different classes of people have at times placed him under both these descriptions. His character is a curious study-a mixture of very strong and very weak traits, such as is seldom found in one person. And although one of his weak points is his Yorkshire open-hearted frankness, which he tries to control as much as possible, the man who has only been with him a few days has not by any means got to the depths of his character. His wife has said to me more than once:-"I have lived with him for nineteen years, but I don't thoroughly know him yet," and one can quite understand it, as his character is so many-sided and in some respects contradictory. This partly accounts for the varying and contradictory views of his personality which have been published in different papers.
His strongest point is his tender-heartedness. Perhaps this may be doubted, but I state the fact from ample knowledge. Mr. Berry's occupation was not by any means taken up from a love of the ghastly, or any pleasure in the work. Even in his business as executioner his soft-heartedness has shown itself, for though it has never caused him to flinch on the scaffold, it has led him to study most carefully the science of his subject, and to take great pains to make death painless.
Of this trait I have had many proofs. For instance, I know that on some occasions when he has been due to start for a place of execution, his repugnance to the task has been so great that his wife and her mother have been obliged to use the greatest possible force of persuasion to prevent him shirking his duty. Another instance of this characteristic appeared when I was overhauling his manuscript and cuttings for the purpose of this book. I came across a copy of a poem "For one under Sentence of Death," and made some enquiry about it. I found that the lines were some which Mr. Berry had copied from a Dorchester newspaper, and that for a long time it had been his habit to make a copy of them, to send to the chaplain in every case where a prisoner was sentenced to death, with a request that they should be read to the prisoner. This was continued until the governor of one of the gaols resented the sending of such a poem to the chaplain, and intimated that in all cases the chaplain was best able to judge of what was necessary for the condemned man, and did not need any outside interference. After this Mr. Berry sent no more poems, but he kept one or two copies by him, and I think that it may interest the reader.
LINES FOR ONE UNDER SENTENCE OF DEATH.
My brother,-Sit and think,
While yet some hours on earth are left to thee;
Kneel to thy God, who does not from thee shrink,
And lay thy sins on Christ, who died for thee.
He rests His wounded hand
With loving kindness, on thy sin-stained brow,
And says-"Here at thy side I ready stand,
To make thy scarlet sins as white as snow.
"I did not shed My blood
For sinless angels, good and pure and true;
For hopeless sinners flowed that crimson flood,
My heart's blood ran for you, my son, for you.
"Though thou hast grieved me sore,
My arms of mercy still are open wide,
I still hold open Heaven's shining door,
Come then-take refuge in My wounded side.
"Men shun thee-but not I,
Come close to me-I love my erring sheep.
My blood can cleanse thy sins of blackest dye,
I understand, if thou canst only weep."
Words fail thee-never mind,
Thy Saviour can read e'en a sigh, or tear;
I came, sin-stricken heart, to heal and bind,
And died to save thee-to My heart thou'rt dear.
Come now-the time is short,
Longing to pardon and to bless, I wait;
Look up to Me, My sheep so dearly bought,
And say, "forgive me, e'er it is too late."
E. B. C.
The soft-heartedness of Mr. Berry's nature would quite unfit him for his post if it were not that he possesses a strong resolution, and can control his feelings when he finds duty warring against inclination.
In personal appearance he is a kindly-looking man, thickset and muscular, with a florid complexion and sandy hair. He stands 5ft. 8?in. high, weighs 13 stones, and does not look the sort of man to willingly injure anyone. The appearance of his right cheek is somewhat marred by a long, deep scar, extending downwards from the corner of the eye, which has given rise to one or two sensational stories from the pens of imaginative newspaper men. The scar was caused by the kick of a horse which he attempted to ride when he was a boy about ten years old. The horse was young, unbroken and vicious, and its kick narrowly missed being fatal. Across his forehead is another great scar, the result of a terrible blow received when arresting a desperate character in a Bradford public-house. The man was one of a gang of six, and his comrades helped him to violently resist arrest, but Berry stuck to his captive until he was safely locked in the Bradford Town Hall, and the six men all had to "do time" for the assault.
Mr. Berry was born on February 8th, 1852, at Heckmondwike, in Yorkshire. His father was a wool-stapler, holding a good position in the district. Young Berry's education was obtained at the Wrea Green School, near Lytham, where he gained several prizes for his writing and drawing. His writing ability was useful to him later in life, when he was employed by a lithographer, to write "copper-plate" transfers. In 1874 he was married, and has had six children. Of these, two boys and a girl died while young, and two boys and a girl are living.
The "executioner's office," as Mr. Berry likes to call it on his official communications, is a house just off City Road, Bradford. It is one of six owned by Mr. Berry. When he first took the position of executioner some of his neighbours were so prejudiced against the work, that they refused to live "next door to a hangman," and as landlords naturally object to losing two or three tenants for the sake of keeping one, Mr. Berry was obliged to move once or twice, and came to the conclusion that he had better be his own landlord. The prejudice which then existed has been lived down, and there is now no difficulty in letting neighbouring houses to respectable tenants.
The house in Bilton Place is furnished just the same as hundred of other houses in the district that are occupied by better-class artisans, and there is nothing at all gloomy or gruesome about the place. In fact, there is no indication of the business of the occupant. There are, in the front room, two frames of small photographs, which are really portraits of some of the murderers who have been executed by Mr. Berry, but the frames bear no inscription. In a glass-fronted sideboard, too, there are a few handsome electro goblets, cruet stands and similar articles that have been given to Mr. Berry by some of his admirers, but no one would connect them with his business. In drawers and cupboards about the place there are (or were, for they have now gone to Madame Tussaud's) a large number of relics and mementos of executions and other incidents. Amongst them is the great knife, once used by the executioner of Canton for the beheading of nine pirates. This was obtained in exchange for a rope with which several persons had been hanged. These relics were all stowed well away, and were not by any means "on show," though the executioner did not object to producing them if a personal friend wished to see them.
In conversation Mr. Berry is fluent, apt in anecdote and illustration, and full of a subtle Yorkshire humour which he cannot entirely shake off even when talking on serious subjects. He has a very good memory for facts, and is very observant, so that he is always ready with a personal experience or observation on almost any topic. His tastes are simple. His favourite occupations are fishing and otter hunting, of both of which sports he is passionately fond. Frequently when going to an execution in a country town he takes his rod and basket, and gets a half-day's fishing before or after the execution. He seems to like the sport on account of its quiet and contemplative nature, and says that he enjoys the fishing even if he never gets a nibble.
At home Mr. Berry devotes himself largely to mechanical pursuits. At the present time he is working a patent which he bought recently, and has the topmost room of his house fitted as a mechanic's workshop, with lathe, bench, etc. In spare time he devotes a good deal of attention to his pigeons and rabbits, for he is an ardent fancier, and keeps a large number of live pets.
After two years of marriage, Sadie was finally pregnant. Filled with hope and joy, she was blindsided when Noah asked for a divorce. During a failed attempt on her life, Sadie found herself lying in a pool of blood, desperately calling Noah to ask him to save her and the baby. But her calls went unanswered. Shattered by his betrayal, she left the country. Time passed, and Sadie was about to be wed for a second time. Noah appeared in a frenzy and fell to his knees. "How dare you marry someone else after bearing my child?"
From childhood, Stephanie knew she was not her parents' real daughter, but out of gratitude, she turned their business into a powerhouse. Once the true daughter came back, Stephanie was cast out-only to be embraced by an even more powerful birth family, adored by three influential brothers. The second ruled the battlefield. "Stephanie's sweet and innocent; she would never commit such crimes. That name on the wanted list is just a coincidence." And the youngest controlled the markets. "Anyone who dares bully my sister will lose my investment." Her former family begged for forgiveness-even on TV. Stephanie stood firm. When the richest man proposed, she became the woman everyone envied. The eldest ran the boardroom. "Cancel the meeting. I need to set up the art exhibition for my sister!" The town was turned upside down.
After being kicked out of her home, Harlee learned she wasn't the biological daughter of her family. Rumors had it that her impoverished biological family favored sons and planned to profit from her return. Unexpectedly, her real father was a zillionaire, catapulting her into immense wealth and making her the most cherished member of the family. While they anticipated her disgrace, Harlee secretly held design patents worth billions. Celebrated for her brilliance, she was invited to mentor in a national astronomy group, drew interest from wealthy suitors, and caught the eye of a mysterious figure, ascending to legendary status.
I spent four hours preparing a five-course meal for our fifth anniversary. When Jackson finally walked into the penthouse an hour late, he didn't even look at the table. He just dropped a thick Manila envelope in front of me and told me he was done. He said his stepsister, Davida, was getting worse and needed "stability." I wasn't his wife; I was a placeholder, a temporary fix he used until the woman he actually loved was ready to take my place. Jackson didn't just want a divorce; he wanted to erase me. He called me a "proprietary asset," claiming that every design I had created to save his empire belonged to him. He froze my bank accounts, cut off my phone, and told me I’d be nothing without his name. Davida even called me from her hospital bed to flaunt the family heirloom ring Jackson claimed was lost, mocking me for being "baggage" that was finally being cleared out. I stood in our empty home, realizing I had spent five years being a martyr for a man who saw me as a transaction. I couldn't understand how he could be so blind to the monster he was protecting, or how he could discard me so coldly after I had given him everything. I grabbed my hidden sketchbook, shredded our wedding portrait, and walked out into the rain. I dialed a number I hadn't touched in years—a dangerous man known as The Surgeon who dealt in debts and shadows. I told him I was ready to pay his price. Jackson and Davida wanted to steal my identity, but I was about to show the world the literal scars they had left behind.
Chelsey loved Brett for seven years and tried everything for a baby-doctors, IVF, surgeries. Then she found out he'd been dosing her food with contraceptives. She woke back at the fire years earlier and watched Brett carry another woman out, leaving Chelsey to choke in smoke. She realized he'd been reborn too-and picked his "true love." Chelsey walked away and married Julian, her friend's cousin and the hot firefighter who saved her; he gave her all his money the day they married. Brett scoffed... until Chelsey shone at an AI summit and Julian's real identity shocked him. Seeing her with twins and another baby coming, Brett begged, "Come back to me! Please!"
She was a world-renowned divine doctor, the CEO of a publicly traded company, the most formidable female mercenary, and a top-tier tech genius. Marissa, a titan with a plethora of secret identities, had hidden her true stature to marry a seemingly impoverished young man. However, on the eve of their wedding, her fiance, who was actually the lost heir to a wealthy dynasty, called off the engagement and subjected her to degradation and mockery. Upon the revelation of her concealed identities, her ex-fiance was left stunned and desperately pleaded for her forgiveness. Standing protectively before Marissa, an incredibly influential and fearsome magnate declared, "This is my wife. Who would dare try to claim her?"
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