My Experiences as an Executioner by James Berry
My Experiences as an Executioner by James Berry
The Executioner at Home.
By H. Snowden Ward.
James Berry, though regarded by some people as a monster, and by others as a curiosity, is very much like any other working-man when one comes to know him. He is neither a paragon of perfection, nor an embodiment of all vice-though different classes of people have at times placed him under both these descriptions. His character is a curious study-a mixture of very strong and very weak traits, such as is seldom found in one person. And although one of his weak points is his Yorkshire open-hearted frankness, which he tries to control as much as possible, the man who has only been with him a few days has not by any means got to the depths of his character. His wife has said to me more than once:-"I have lived with him for nineteen years, but I don't thoroughly know him yet," and one can quite understand it, as his character is so many-sided and in some respects contradictory. This partly accounts for the varying and contradictory views of his personality which have been published in different papers.
His strongest point is his tender-heartedness. Perhaps this may be doubted, but I state the fact from ample knowledge. Mr. Berry's occupation was not by any means taken up from a love of the ghastly, or any pleasure in the work. Even in his business as executioner his soft-heartedness has shown itself, for though it has never caused him to flinch on the scaffold, it has led him to study most carefully the science of his subject, and to take great pains to make death painless.
Of this trait I have had many proofs. For instance, I know that on some occasions when he has been due to start for a place of execution, his repugnance to the task has been so great that his wife and her mother have been obliged to use the greatest possible force of persuasion to prevent him shirking his duty. Another instance of this characteristic appeared when I was overhauling his manuscript and cuttings for the purpose of this book. I came across a copy of a poem "For one under Sentence of Death," and made some enquiry about it. I found that the lines were some which Mr. Berry had copied from a Dorchester newspaper, and that for a long time it had been his habit to make a copy of them, to send to the chaplain in every case where a prisoner was sentenced to death, with a request that they should be read to the prisoner. This was continued until the governor of one of the gaols resented the sending of such a poem to the chaplain, and intimated that in all cases the chaplain was best able to judge of what was necessary for the condemned man, and did not need any outside interference. After this Mr. Berry sent no more poems, but he kept one or two copies by him, and I think that it may interest the reader.
LINES FOR ONE UNDER SENTENCE OF DEATH.
My brother,-Sit and think,
While yet some hours on earth are left to thee;
Kneel to thy God, who does not from thee shrink,
And lay thy sins on Christ, who died for thee.
He rests His wounded hand
With loving kindness, on thy sin-stained brow,
And says-"Here at thy side I ready stand,
To make thy scarlet sins as white as snow.
"I did not shed My blood
For sinless angels, good and pure and true;
For hopeless sinners flowed that crimson flood,
My heart's blood ran for you, my son, for you.
"Though thou hast grieved me sore,
My arms of mercy still are open wide,
I still hold open Heaven's shining door,
Come then-take refuge in My wounded side.
"Men shun thee-but not I,
Come close to me-I love my erring sheep.
My blood can cleanse thy sins of blackest dye,
I understand, if thou canst only weep."
Words fail thee-never mind,
Thy Saviour can read e'en a sigh, or tear;
I came, sin-stricken heart, to heal and bind,
And died to save thee-to My heart thou'rt dear.
Come now-the time is short,
Longing to pardon and to bless, I wait;
Look up to Me, My sheep so dearly bought,
And say, "forgive me, e'er it is too late."
E. B. C.
The soft-heartedness of Mr. Berry's nature would quite unfit him for his post if it were not that he possesses a strong resolution, and can control his feelings when he finds duty warring against inclination.
In personal appearance he is a kindly-looking man, thickset and muscular, with a florid complexion and sandy hair. He stands 5ft. 8?in. high, weighs 13 stones, and does not look the sort of man to willingly injure anyone. The appearance of his right cheek is somewhat marred by a long, deep scar, extending downwards from the corner of the eye, which has given rise to one or two sensational stories from the pens of imaginative newspaper men. The scar was caused by the kick of a horse which he attempted to ride when he was a boy about ten years old. The horse was young, unbroken and vicious, and its kick narrowly missed being fatal. Across his forehead is another great scar, the result of a terrible blow received when arresting a desperate character in a Bradford public-house. The man was one of a gang of six, and his comrades helped him to violently resist arrest, but Berry stuck to his captive until he was safely locked in the Bradford Town Hall, and the six men all had to "do time" for the assault.
Mr. Berry was born on February 8th, 1852, at Heckmondwike, in Yorkshire. His father was a wool-stapler, holding a good position in the district. Young Berry's education was obtained at the Wrea Green School, near Lytham, where he gained several prizes for his writing and drawing. His writing ability was useful to him later in life, when he was employed by a lithographer, to write "copper-plate" transfers. In 1874 he was married, and has had six children. Of these, two boys and a girl died while young, and two boys and a girl are living.
The "executioner's office," as Mr. Berry likes to call it on his official communications, is a house just off City Road, Bradford. It is one of six owned by Mr. Berry. When he first took the position of executioner some of his neighbours were so prejudiced against the work, that they refused to live "next door to a hangman," and as landlords naturally object to losing two or three tenants for the sake of keeping one, Mr. Berry was obliged to move once or twice, and came to the conclusion that he had better be his own landlord. The prejudice which then existed has been lived down, and there is now no difficulty in letting neighbouring houses to respectable tenants.
The house in Bilton Place is furnished just the same as hundred of other houses in the district that are occupied by better-class artisans, and there is nothing at all gloomy or gruesome about the place. In fact, there is no indication of the business of the occupant. There are, in the front room, two frames of small photographs, which are really portraits of some of the murderers who have been executed by Mr. Berry, but the frames bear no inscription. In a glass-fronted sideboard, too, there are a few handsome electro goblets, cruet stands and similar articles that have been given to Mr. Berry by some of his admirers, but no one would connect them with his business. In drawers and cupboards about the place there are (or were, for they have now gone to Madame Tussaud's) a large number of relics and mementos of executions and other incidents. Amongst them is the great knife, once used by the executioner of Canton for the beheading of nine pirates. This was obtained in exchange for a rope with which several persons had been hanged. These relics were all stowed well away, and were not by any means "on show," though the executioner did not object to producing them if a personal friend wished to see them.
In conversation Mr. Berry is fluent, apt in anecdote and illustration, and full of a subtle Yorkshire humour which he cannot entirely shake off even when talking on serious subjects. He has a very good memory for facts, and is very observant, so that he is always ready with a personal experience or observation on almost any topic. His tastes are simple. His favourite occupations are fishing and otter hunting, of both of which sports he is passionately fond. Frequently when going to an execution in a country town he takes his rod and basket, and gets a half-day's fishing before or after the execution. He seems to like the sport on account of its quiet and contemplative nature, and says that he enjoys the fishing even if he never gets a nibble.
At home Mr. Berry devotes himself largely to mechanical pursuits. At the present time he is working a patent which he bought recently, and has the topmost room of his house fitted as a mechanic's workshop, with lathe, bench, etc. In spare time he devotes a good deal of attention to his pigeons and rabbits, for he is an ardent fancier, and keeps a large number of live pets.
For three years, I documented the slow death of my marriage in a black journal. It was my 100-point divorce plan: for every time my husband, Blake, chose his first love, Ariana, over me, I deducted points. When the score hit zero, I would leave. The final points vanished the night he left me bleeding out from a car crash. I was eight weeks pregnant with the child we had prayed for. In the ER, the nurses frantically called him-the star surgeon of the very hospital I was dying in. "Dr. Santos, we have a Jane Doe, O-negative, bleeding out. She's pregnant, and we're about to lose them both. We need you to authorize an emergency blood transfer." His voice came over the speaker, cold and impatient. "I can't. My priority is Miss Whitfield. Do what you can for the patient, but I can't divert anything right now." He hung up. He condemned his own child to death to ensure his ex-girlfriend had resources on standby after a minor procedure.
In the glittering world of high society and cutthroat ambition, a single sentence shatters a marriage: "Let's get a divorce." For three years, Claire Thompson has lived in exile, her marriage to the powerful Nelson Cooper a hollow shell existing only on paper. Shipped abroad on her wedding day and utterly forgotten, she returns only to be handed divorce papers. But Claire is no longer the timid, heartbroken girl she once was. Behind her quiet facade lies a woman transformed, secretly rejoicing at her newfound freedom. However, freedom comes with a price. As Claire signs the papers with relief, a chilling phone call reveals a dark truth: the threats she faced overseas were no accident, and the trail leads shockingly close to home-to the family that raised her and the husband who discarded her. Just as she prepares to sever all ties, a twist of fate pulls her back into the gilded cage. Nelson, for reasons unknown, suddenly stalls the divorce. Meanwhile, the family that disowned her and the fragile, manipulative sister who stole her life are determined to ruin her reputation and drive her out for good. But Claire is playing a different game now. With a mysterious new identity, powerful allies, and secrets of her own, she is no one's pawn. As hidden truths unravel and loyalties are tested, a stunning question emerges: In this high-stakes battle of love, betrayal, and revenge, who is truly trapping whom?
Serena gave everything to the man she loved-her trust, her devotion, her future. But betrayal shattered it all. Pregnant and full of hope, she walked in on her husband tangled in bed with another woman. What followed was worse: the slow, agonizing loss of her baby... and then her own life, bleeding out on an operating table, heartbroken and alone. But fate wasn't finished with her. Reborn with every memory intact, Serena wakes in the past-stronger, colder, and no longer naive. This time, she's ready to rewrite her story. This time, she'll make them pay. Because the girl they destroyed... came back for revenge. And maybe, just maybe, she'll find something worth living for too.
Rachel used to think that her devotion would win Brian over one day, but she was proven wrong when his true love returned. Rachel had endured it all-from standing alone at the altar to dragging herself to the hospital for an emergency treatment. Everyone thought she was crazy to give up so much of herself for someone who didn't return her feelings. But when Brian received news of Rachel's terminal illness and realized she didn't have long to live, he completely broke down. "I forbid you to die!" Rachel just smiled. She no longer needed him. "I will finally be free."
In order to fulfill her grandfather's last wish, Stella entered into a hasty marriage with an ordinary man she had never met before. However, even after becoming husband and wife on paper, they each led separate lives, barely crossing paths. A year later, Stella returned to Seamarsh City, hoping to finally meet her mysterious husband. To her astonishment, he sent her a text message, unexpectedly pleading for a divorce without ever having met her in person. Gritting her teeth, Stella replied, "So be it. Let’s get a divorce!" Following that, Stella made a bold move and joined the Prosperity Group, where she became a public relations officer that worked directly for the company’s CEO, Matthew. The handsome and enigmatic CEO was already bound in matrimony, and was known to be unwaveringly devoted to his wife in private. Unbeknownst to Stella, her mysterious husband was actually her boss, in his alternate identity! Determined to focus on her career, Stella deliberately kept her distance from the CEO, although she couldn't help but notice his deliberate attempts to get close to her. As time went on, her elusive husband had a change of heart. He suddenly refused to proceed with the divorce. When would his alternate identity be uncovered? Amidst a tumultuous blend of deception and profound love, what destiny awaited them?
In their previous lives, Gracie married Theo. Outwardly, they were the perfect academic couple, but privately, she became nothing more than a stepping stone for his ambition, and met a tragic end. Her younger sister Ellie wed Brayden, only to be abandoned for his true love, left alone and disgraced. This time, both sisters were reborn. Ellie rushed to marry Theo, chasing the success Gracie once had-unaware she was repeating the same heartbreak. Gracie instead entered a contract marriage with Brayden. But when danger struck, he defended her fiercely. Could fate finally rewrite their tragic endings?
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