The Spruce Street Tragedy by Irvin S. Cobb
The Spruce Street Tragedy by Irvin S. Cobb
"Hark! I thought I heard the outside door open and shut."
"No, it was nothing."
"Are you sure?"
"Quite sure, Seth."
"What time is it now, Spicer?"
"Half-past seven."
"Half-past seven, and George not here yet!"
"He don't seem to have shown up, that's a fact."
"What can be keeping the fellow?"
"There you've got me, Seth. He's usually prompt enough, you know."
"That's so, old man; but I tell you what, if we're going to take hold of this case at all, we ought to be getting to work."
"I fully agree with you, and am most anxious not to lose the next Eastern-bound train."
"Confound it. I wish George would come. I don't want the regular men to get in ahead of us."
"It isn't that that I care so much about," said Old Spicer, quietly; "but I do hate to see a good case all muddled up."
"And so do I," exclaimed Stricket. "It makes me mad even now when I think of the way they managed such splendid cases as the Jennie Cramer, Rose Ambler, and half a dozen others like them."
"Did you hear who was going over to Stony Creek this morning?"
"Only Willett, so far as I could learn; and perhaps Medical Examiner Gaylord, of Branford."
"Well, I--"
"Hark! what's that? The outside door this time, eh?"
"You're right; he's come at last. Yes, that's George Morgan's footstep." Then, as some one knocked at the door of the room, "Come in, George," and a young man of some twenty-six or twenty-seven years entered.
"I'm glad to see you, George," continued the old detective, as the new-comer sank wearily into an arm-chair; "but I should have been better pleased to have welcomed you half an hour earlier."
"Yes," exclaimed Seth Stricket, quickly; "for goodness' sake, what's kept you, George?"
"My excuse for not being on time is a good one," responded George Morgan, gravely. "If it were not so, I think you both know me well enough to believe I wouldn't have occasion to offer any."
"I am sure of that," nodded Old Spicer.
"And so am I," added Seth; "but let's hear it all the same."
"Well, you know it was agreed among us, before we parted last night, that I should see Chief Bollmann before joining you this morning."
"Yes, that was the arrangement," assented Old Spicer.
"Of course, he wouldn't be at his office in the police building as early as six o'clock."
"Not likely," laughed Stricket.
"So, knowing that," continued George, "I started at once for his residence, No. 40 Sylvan Avenue."
His two listeners nodded.
"I went out George Street, expecting to turn off either before, or at least when, I reached York, but was so busy with my own thoughts that I had crossed York and was well on toward Spruce before I knew it."
"Well?"
"When I came to myself and saw where I was, I turned into Spruce Street, and walked toward Oak."
"For Heaven's sake, George," exclaimed Stricket, impatiently, "where are you driving to? Do get to Sylvan Avenue some time this morning."
"I'm afraid I can't do that, Seth," replied the young man, with a grave smile; "but I am getting to the meat of my story, and to my excuse, pretty fast now."
"Let's have it then."
"Do you remember what used to be, and what is still called by some, the Turn Hall, on Spruce Street?"
"I do, very well," said Stricket. "The property belongs to old Mother Ernst, and she keeps a saloon-a fearfully low place-in the basement."
"You're right in one particular, Seth; it's low enough, in all conscience-clean under ground."
"I've heard of the woman," said Old Spicer. "She lives and sleeps in that low basement; in fact, it is said, she hardly ever shows herself above ground nowadays."
"That's true," affirmed Stricket; "she's seventy-two or -three years old, and she's lived in that damp basement so long, she's got the rheumatism the worst way, so that she can hardly waddle-has to use a cane."
"Well," continued George, "a milk-wagon was standing in front of the house, and just as I arrived abreast of the place, the milkman, Julius Smith, of East Haven, came rushing up the outside basement steps, his face as white as a sheet, his eyes bulging from their sockets, and his hair, so far as I could see it, fairly standing on end.
"'I say, my man, what's the matter with you?' I demanded, seizing him by the arm, and giving him a shake to start up his ideas a little.
"'Matter? matter?' he gasped; 'matter enough-murder's the matter!'
"'What's that?' I demanded, sternly; 'what's that you say, sir?'
"'I say the old woman lies murdered on a lounge, in her saloon down there,' and he pointed down the stone steps.
"'What! Mrs. Ernst murdered?' exclaimed a voice at my side.
"I looked round, and saw that we had been joined by Henry M. Cohen, the watchmaker; and in less than a minute more there were at least a dozen people about us."
"You went into the house, of course, George?" said Old Spicer, inquiringly.
"Yes; the milkman, Cohen, and I entered the room where the dead body was stretched on the sofa."
"You got a good look at it, then, before it was disturbed?"
"Yes, when we first entered the old woman was lying on her left side, with her face to the wall."
"Had she been dead long, do you think?"
"Some hours, I should say-five or six, at least."
"Why do you think so?"
"I felt of her limbs; they were as cold as a stone."
"Had she been shot or stabbed?"
"Neither. Suffocated or chloroformed, it seemed to me."
"Was she bound and gagged?"
"Yes, sir; her hands were tied together at the wrists with an ordinary pocket handkerchief. Her heavy woolen-stockinged feet were also tied together; another handkerchief encircled her shins. Around her throat and head was wrapped a sheet. That part of it which encircled the neck made a bandage so tight that it must have stopped her breathing soon after it was put into use. Her mouth was partially filled with another handkerchief."
"Hum," mused Old Spicer, "the murderers were well supplied with handkerchiefs, it seems."
"Yes, sir; and of this last one-the gag-I shall have more to say by and by. The ends of it so fell across her breast that, I should think, in her desperate struggle to breathe, she had probably forced the larger part of the handkerchief from her mouth."
"Were there no signs of blood?"
"There were a few drops on this very handkerchief, evidently from her nose; and I thought I discovered a bruise and a little blood on the back of her head."
"Then there had been something of a scuffle?"
"Well, as to that I can't exactly say. A superficial examination of the hands and head of the dead woman revealed no other signs indicative of a struggle or blows. Even at her throat, where generally, you know, finger-nail imprints are to be found on a person who has been strangled to death, there were no such confirmatory evidences of a struggle."
"How was she dressed, George?" asked Stricket.
"The clothes she had on," Cohen said, "were those she usually appeared in when at home."
"Were they disarranged in any way?"
"That portion of her attire that covered her breast had been torn apart, and a search made presumably for a pocket-book or a roll of bank bills which was believed to be secreted there."
"Ah-ha!" exclaimed Stricket, "the job must have been done by some one who knew the old woman, for there's where she always carried a good share of her money."
"That's not conclusive," said Old Spicer, with a shake of the head. "It's a well-known fact that many women carry their purses under the bosom of their dress."
"Yes," said George, "I've had occasion to notice that myself."
"Well," said Stricket, who was very much interested, "go on. What else did you notice?"
"I saw one of her great heavy black slippers on the floor at the foot of the sofa; the mate was on the right foot. On the sofa, alongside the dead body, was a black walking-stick."
"Ah!" said Stricket, "that has been her constant companion for the past fifteen years. Without it she couldn't have hobbled across her saloon."
"Were the rooms themselves very much disturbed?" asked Old Spicer.
"If the whole basement and its contents had been lifted right up and then scattered by a cyclone it could not have been in a more confused condition. I tell you, gentlemen, a house and its contents were never more thoroughly ransacked. Why, the solitary bedroom, where Cohen said Mrs. Ernst had slept for the past quarter of a century, was actually turned inside out. The bedtick was ripped open, and what it inclosed had been very industriously examined.
"The murderer or murderers made pretty thorough work of it, eh?" said Stricket, inquiringly.
"Of the bed?"
"Yes."
"From the way they went through it, Seth, I have precious little doubt they had good reason to believe the old woman had a big pile of money hid in the stuffing of that ticking."
"Oh-ho! and do you think they found it?"
"They may have found some, but not enough to satisfy them."
"How do you know that?"
"From the way they went at the rest of the furniture. For instance, one of those queer, old-fashioned bureaus, such as the hunter for the antique delights to discover, stood in the bedroom. Every drawer of it had been rifled, and the various articles, none of which appeared to be very valuable, strewed the floor.
"Any other piece of furniture that seemed to be a receptacle for hidden wealth of the occupant of the basement was completely overhauled. In the front room not a box, or a bundle, or a drawer, or a pail, or a corner was overlooked by the greedy eyes of the criminals. They meant business, I can tell you."
"Were any of the regular authorities on the ground before you came away?" asked Old Spicer, suddenly.
"Yes, the coroner, a police captain, and two or three detectives were there."
"Have they any idea who did the deed?"
"Not the slightest; they are completely at sea."
"Have you formed any theory yourself, George?"
"Well, to confess the truth, I have, sir."
"Let's hear it."
"I beg your pardon, sir, but I should like to hear your opinion before I venture to express mine."
Old Spicer was silent for a moment, then he abruptly exclaimed:
"I should like to visit the scene of this tragedy. Suppose we go to Spruce Street at once, gentlemen."
"What! and give up the Stony Creek affair?" exclaimed Stricket, in astonishment.
"Not necessarily," was the reply.
"But I don't understand, Mark."
"I have an idea," rejoined Old Spicer, quietly, "that in this instance, the shortest road to Stony Creek lies through Spruce Street."
"Thunder!" ejaculated George Morgan, "I believe you are right."
"Come, then, let us be off at once," and a moment later the three detectives left the house.
* * *
Dodo Collections brings you another classic from Irvin Shrewsbury Cobb, 'Europe Revised.' Mr. Cobb's commentary on traveling in Europe as an American around the turn of the previous century gives an interesting sense of the era, and is always at least mildly amusing. But the real joy of this book is that Cobb is forever side-swiping you with startlingly funny, burst-out-laughing descriptions and observations. This book is amazingly valuable for a very simple reason. It was written and published almost immediately prior to the outbreak of the first world war, and details a Europe that just a few months later would no longer exist. Cobb is remembered best for his humorous stories of Kentucky and is part of the American literary regionalism school. These stories were collected first in the book Old Judge Priest (1915), whose title character was based on a prominent West Kentucky judge named William Pitman Bishop. Writer Joel Harris wrote of these tales, "Cobb created a South peopled with honorable citizens, charming eccentrics, and loyal, subservient blacks, but at their best the Judge Priest stories are dramatic and compelling, using a wealth of precisely rendered detail to evoke a powerful mood."Among his other books are the humorous Speaking of Operations (1916), and anti-prohibition ode to bourbon, Red Likker (1929).
Linsey was stood up by her groom to run off with another woman. Furious, she grabbed a random stranger and declared, "Let's get married!" She had acted on impulse, realizing too late that her new husband was the notorious rascal, Collin. The public laughed at her, and even her runaway ex offered to reconcile. But Linsey scoffed at him. "My husband and I are very much in love!" Everyone thought she was delusional. Then Collin was revealed to be the richest man in the world. In front of everyone, he got down on one knee and held up a stunning diamond ring. "I look forward to our forever, honey."
Vivian clutched her Hermès bag, her doctor's words echoing: "Extremely high-risk pregnancy." She hoped the baby would save her cold marriage, but Julian wasn't in London as his schedule claimed. Instead, a paparazzi photo revealed his early return-with a blonde woman, not his wife, at the private airport exit. The next morning, Julian served divorce papers, callously ending their "duty" marriage for his ex, Serena. A horrifying contract clause gave him the right to terminate her pregnancy or seize their child. Humiliated, demoted, and forced to fake an ulcer, Vivian watched him parade his affair, openly discarding her while celebrating Serena. This was a calculated erasure, not heartbreak. He cared only for his image, confirming he would "handle" the baby himself. A primal rage ignited her. "Just us," she whispered to her stomach, vowing to sign the divorce on her terms, keep her secret safe, and walk away from Sterling Corp for good, ready to protect her child alone.
I watched my husband sign the papers that would end our marriage while he was busy texting the woman he actually loved. He didn't even glance at the header. He just scribbled the sharp, jagged signature that had signed death warrants for half of New York, tossed the file onto the passenger seat, and tapped his screen again. "Done," he said, his voice devoid of emotion. That was Dante Moretti. The Underboss. A man who could smell a lie from a mile away but couldn't see that his wife had just handed him an annulment decree disguised beneath a stack of mundane logistics reports. For three years, I scrubbed his blood out of his shirts. I saved his family's alliance when his ex, Sofia, ran off with a civilian. In return, he treated me like furniture. He left me in the rain to save Sofia from a broken nail. He left me alone on my birthday to drink champagne on a yacht with her. He even handed me a glass of whiskey—her favorite drink—forgetting that I despised the taste. I was merely a placeholder. A ghost in my own home. So, I stopped waiting. I burned our wedding portrait in the fireplace, left my platinum ring in the ashes, and boarded a one-way flight to San Francisco. I thought I was finally free. I thought I had escaped the cage. But I underestimated Dante. When he finally opened that file weeks later and realized he had signed away his wife without looking, the Reaper didn't accept defeat. He burned down the world to find me, obsessed with reclaiming the woman he had already thrown away.
I was at my own engagement party at the Sterling estate when the world started tilting. Victoria Sterling, my future mother-in-law, smiled coldly as she watched me struggle with a cup of tea that had been drugged to ruin me. Before I could find my fiancé, Ryan, a waiter dragged me into the forbidden West Wing and locked me in a room with Julian Sterling, the family’s "fallen titan" who had been confined to a wheelchair for years. The door burst open to a frenzy of camera flashes and theatrical screams. Victoria framed me as a seductress caught in the act, and Ryan didn't even try to listen to my pleas, calling me "cheap leftovers" before walking away with his pregnant mistress. When I turned to my own family for help, my father signed a document severing our relationship for a five-million-dollar payout from Julian. They traded me like a commodity without a second thought. I didn't understand why my own parents were so eager to sell me, or how Ryan could look at me with such disgust after promising me forever. I was a sacrifice, a pawn used to protect the family's offshore accounts, and I couldn't fathom how every person I loved had a price tag for my destruction. With nowhere left to go, I married Julian in a bleak ceremony at City Hall. He slid a heavy diamond onto my finger and whispered, "We have a war to start." That night, inside his secret penthouse, I watched the paralyzed man stand up from his wheelchair and activate a screen filled with the Sterling family's darkest secrets. The execution had officially begun.
I had been a wife for exactly six hours when I woke up to the sound of my husband’s heavy breathing. In the dim moonlight of our bridal suite, I watched Hardin, the man I had adored for years, intertwined with my sister Carissa on the chaise lounge. The betrayal didn't come with an apology. Hardin stood up, unashamed, and sneered at me. "You're awake? Get out, you frumpy mute." Carissa huddled under a throw, her fake tears already welling up as she played the victim. They didn't just want me gone; they wanted me erased to protect their reputations. When I refused to move, my world collapsed. My father didn't offer a shoulder to cry on; he threatened to have me committed to a mental asylum to save his business merger. "You're a disgrace," he bellowed, while the guards stood ready to drag me away. They had spent my life treating me like a stuttering, submissive pawn, and now they were done with me. I felt a blinding pain in my skull, a fracture that should have broken me. But instead of tears, something dormant and lethal flickered to life. The terrified girl who walked down the aisle earlier that day simply ceased to exist. In her place, a clinical system—the Valkyrie Protocol—booted up. My racing heart plummeted to a steady sixty beats per minute. I didn't scream. I stood up, my spine straightening for the first time in twenty years, and looked at Hardin with the detachment of a surgeon looking at a tumor. "Correction," I said, my voice stripped of its stutter. "You're in my light." By dawn, I had drained my father's accounts, vanished into a storm, and found a bleeding Crown Prince in a hidden safehouse. They thought they had broken a mute girl. They didn't realize they had just activated their own destruction.
Aurora woke up to the sterile chill of her king-sized bed in Sterling Thorne's penthouse. Today was the day her husband would finally throw her out like garbage. Sterling walked in, tossed divorce papers at her, and demanded her signature, eager to announce his "eligible bachelor" status to the world. In her past life, the sight of those papers had broken her, leaving her begging for a second chance. Sterling's sneering voice, calling her a "trailer park girl" undeserving of his name, had once cut deeper than any blade. He had always used her humble beginnings to keep her small, to make her grateful for the crumbs of his attention. She had lived a gilded cage, believing she was nothing without him, until her life flatlined in a hospital bed, watching him give a press conference about his "grief." But this time, she felt no sting, no tears. Only a cold, clear understanding of the mediocre man who stood on a pedestal she had painstakingly built with her own genius. Aurora signed the papers, her name a declaration of independence. She grabbed her old, phoenix-stickered laptop, ready to walk out. Sterling Thorne was about to find out exactly how expensive "free" could be.
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