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Lady Byron Vindicated by Harriet Beecher Stowe
Lady Byron Vindicated by Harriet Beecher Stowe
The interval since my publication of 'The True Story of Lady Byron's Life' has been one of stormy discussion and of much invective.
I have not thought it necessary to disturb my spirit and confuse my sense of right by even an attempt at reading the many abusive articles that both here and in England have followed that disclosure. Friends have undertaken the task for me, giving me from time to time the substance of anything really worthy of attention which came to view in the tumult.
It appeared to me essential that this first excitement should in a measure spend itself before there would be a possibility of speaking to any purpose. Now, when all would seem to have spoken who can speak, and, it is to be hoped, have said the utmost they can say, there seems a propriety in listening calmly, if that be possible, to what I have to say in reply.
And, first, why have I made this disclosure at all?
To this I answer briefly, Because I considered it my duty to make it.
I made it in defence of a beloved, revered friend, whose memory stood forth in the eyes of the civilised world charged with most repulsive crimes, of which I certainly knew her innocent.
I claim, and shall prove, that Lady Byron's reputation has been the victim of a concerted attack, begun by her husband during her lifetime, and coming to its climax over her grave. I claim, and shall prove, that it was not I who stirred up this controversy in this year 1869. I shall show who did do it, and who is responsible for bringing on me that hard duty of making these disclosures, which it appears to me ought to have been made by others.
I claim that these facts were given to me unguarded by any promise or seal of secrecy, expressed or implied; that they were lodged with me as one sister rests her story with another for sympathy, for counsel, for defence. Never did I suppose the day would come that I should be subjected to so cruel an anguish as this use of them has been to me. Never did I suppose that,-when those kind hands, that had shed nothing but blessings, were lying in the helplessness of death, when that gentle heart, so sorely tried and to the last so full of love, was lying cold in the tomb,-a countryman in England could be found to cast the foulest slanders on her grave, and not one in all England to raise an effective voice in her defence.
I admit the feebleness of my plea, in point of execution. It was written in a state of exhausted health, when no labour of the kind was safe for me,-when my hand had not strength to hold the pen, and I was forced to dictate to another.
I have been told that I have no reason to congratulate myself on it as a literary effort. O my brothers and sisters! is there then nothing in the world to think of but literary efforts? I ask any man with a heart in his bosom, if he had been obliged to tell a story so cruel, because his mother's grave gave no rest from slander,-I ask any woman who had been forced to such a disclosure to free a dead sister's name from grossest insults, whether she would have thought of making this work of bitterness a literary success?
Are the cries of the oppressed, the gasps of the dying, the last prayers of mothers,-are any words wrung like drops of blood from the human heart to be judged as literary efforts?
My fellow-countrymen of America, men of the press, I have done you one act of justice,-of all your bitter articles, I have read not one. I shall never be troubled in the future time by the remembrance of any unkind word you have said of me, for at this moment I recollect not one. I had such faith in you, such pride in my countrymen, as men with whom, above all others, the cause of woman was safe and sacred, that I was at first astonished and incredulous at what I heard of the course of the American press, and was silent, not merely from the impossibility of being heard, but from grief and shame. But reflection convinces me that you were, in many cases, acting from a misunderstanding of facts and through misguided honourable feeling; and I still feel courage, therefore, to ask from you a fair hearing. Now, as I have done you this justice, will you also do me the justice to hear me seriously and candidly?
What interest have you or I, my brother and my sister, in this short life of ours, to utter anything but the truth? Is not truth between man and man and between man and woman the foundation on which all things rest? Have you not, every individual of you, who must hereafter give an account yourself alone to God, an interest to know the exact truth in this matter, and a duty to perform as respects that truth? Hear me, then, while I tell you the position in which I stood, and what was my course in relation to it.
A shameless attack on my friend's memory had appeared in the 'Blackwood' of July 1869, branding Lady Byron as the vilest of criminals, and recommending the Guiccioli book to a Christian public as interesting from the very fact that it was the avowed production of Lord Byron's mistress. No efficient protest was made against this outrage in England, and Littell's 'Living Age' reprinted the 'Blackwood' article, and the Harpers, the largest publishing house in America, perhaps in the world, re-published the book.
Its statements-with those of the 'Blackwood,' 'Pall Mall Gazette,' and other English periodicals-were being propagated through all the young reading and writing world of America. I was meeting them advertised in dailies, and made up into articles in magazines, and thus the generation of to-day, who had no means of judging Lady Byron but by these fables of her slanderers, were being foully deceived. The friends who knew her personally were a small select circle in England, whom death is every day reducing. They were few in number compared with the great world, and were silent. I saw these foul slanders crystallising into history uncontradicted by friends who knew her personally, who, firm in their own knowledge of her virtues and limited in view as aristocratic circles generally are, had no idea of the width of the world they were living in, and the exigency of the crisis. When time passed on and no voice was raised, I spoke. I gave at first a simple story, for I knew instinctively that whoever put the first steel point of truth into this dark cloud of slander must wait for the storm to spend itself. I must say the storm exceeded my expectations, and has raged loud and long. But now that there is a comparative stillness I shall proceed, first, to prove what I have just been asserting, and, second, to add to my true story such facts and incidents as I did not think proper at first to state.
Christmas is the setting of this 1876 short, heartwarming novel for children by the author of Uncle Tom's Cabin. Young Elsie, aided and abetted by unseen "Shining Ones," conspires to earn forgiveness, charity, and redemption for John Morley, the family gardener dismissed for drinking, and his poverty-stricken family.
It seems but fitting, that I should preface this story of my life with a few notes of instruction. The desire to leave behind me some recollections of my life, has been cherished by me, for many years past; but failing strength or increasing infirmities have prevented its accomplishment. At my suggestion and with what assistance I have been able to render, my son, Ross Charles Edward Stowe, has compiled from my letters and journals, this biography. It is this true story of my life, told for the most part, in my own words and has therefore all the force of an autobiography. It is perhaps much more accurate as to detail & impression than is possible with any autobiography, written later in life. If these pages, shall help those who read them to a firmer trust in God & a deeper sense of His fatherly goodness throughout the days of our earthly pilgrimage I can say with Valiant for Truth in the Pilgrim's Progress! I am going to my Father's & tho with great difficulty, I am got thither, get now, I do not repent me of all the troubles I have been at, to arrive where I am. My sword I give to him that shall succeed me in my pilgrimage & my courage & skill to him that can get it. Hartford Sept 30 1889 Harriet Beecher Stowe
Uncle Tom's Cabin; or, Life Among the Lowly is an anti-slavery novel by American author Harriet Beecher Stowe. Published in 1852, the novel "helped lay the groundwork for the Civil War", according to Will Kaufman. Stowe, a Connecticut-born teacher at the Hartford Female Academy and an active abolitionist, focused the novel on the character of Uncle Tom, a long-suffering black slave around whom the stories of other characters—both fellow slaves and slave owners—revolve. The sentimental novel depicts the reality of slavery while also asserting that Christian love can overcome something as destructive as enslavement of fellow human beings. Uncle Tom's Cabin was the best-selling novel of the 19th century,and the second best-selling book of that century, following the Bible.It is credited with helping fuel the abolitionist cause in the 1850s. In the first year after it was published, 300,000 copies of the book were sold in the United States alone. In 1855, three years after it was published, it was called "the most popular novel of our day."The impact attributed to the book is great, reinforced by a story that when Abraham Lincoln met Stowe at the start of the Civil War, Lincoln declared, "So this is the little lady who started this great war."The quote is apocryphal; it did not appear in print until 1896, and it has been argued that "The long-term durability of Lincoln's greeting as an anecdote in literary studies and Stowe scholarship can perhaps be explained in part by the desire among many contemporary intellectuals ... to affirm the role of literature as an agent of social change." The book, and even more the plays it inspired, also helped popularize a number of stereotypes about black people,many of which endure to this day. These include the affectionate, dark-skinned "mammy"; the "pickaninny" stereotype of black children; and the Uncle Tom, or dutiful, long-suffering servant faithful to his white master or mistress. In recent years, the negative associations with Uncle Tom's Cabin have, to an extent, overshadowed the historical impact of the book as a "vital antislavery tool."
"I heard you're going to marry Marcelo. Is this perhaps your revenge against me? It's very laughable, Renee. That man can barely function." Her foster family, her cheating ex, everyone thought Renee was going to live in pure hell after getting married to a disabled and cruel man. She didn't know if anything good would ever come out of it after all, she had always thought it would be hard for anyone to love her but this cruel man with dark secrets is never going to grant her a divorce because she makes him forget how to breathe.
Rachel used to think that her devotion would win Brian over one day, but she was proven wrong when his true love returned. Rachel had endured it all-from standing alone at the altar to dragging herself to the hospital for an emergency treatment. Everyone thought she was crazy to give up so much of herself for someone who didn't return her feelings. But when Brian received news of Rachel's terminal illness and realized she didn't have long to live, he completely broke down. "I forbid you to die!" Rachel just smiled. She no longer needed him. "I will finally be free."
On her wedding day, Khloe’s sister connived with her groom, framing her for a crime she didn’t commit. She was sentenced to three years in prison, where she endured much suffering. When Khloe was finally released, her evil sister used their mother to coerce Khloe into an indecent liaison with an elderly man. As fate would have it, Khloe crossed paths with Henrik, the dashing yet ruthless mobster who sought to alter the course of her life. Despite Henrik’s cold exterior, he cherished Khloe like no other. He helped her take retribution from her tormentors and kept her from being bullied again.
Isabelle Everett's perfect life crumbles when her billionaire husband, Damion Ryder, serves her divorce papers on their anniversary. Betrayal, heartbreak, and deceit propel her into a six-year journey of self-discovery. Now, with secrets exposed and old flames rekindled, Isabelle must choose between the man who broke her heart or her high school sweetheart, the one who's always loved her but has an ulterior motive. Will forgiveness transform their lives, or will the past destroy their future?
It was a big day for Camilla. She looked forward to marrying her handsome groom. Unfortunately, he abandoned her at the altar. He never showed up throughout the wedding. She was made a laughingstock in front of all the guests. In a fit of rage, she went and slept with a strange man on her wedding night. It was supposed to be a one-night stand. To her dismay, the man refused to let her be. He pestered her like she had stolen his heart on that night. Camilla didn't know what to do. Should she give him a chance? Or just stay away from men?
Five years into marriage, Hannah caught Vincent slipping into a hotel with his first love-the woman he never forgot. The sight told her everything-he'd married her only for her resemblance to his true love. Hurt, she conned him into signing the divorce papers and, a month later, said, "Vincent, I'm done. May you two stay chained together." Red-eyed, he hugged her. "You came after me first." Her firm soon rocketed toward an IPO. At the launch, Vincent watched her clasp another man's hand. In the fitting room, he cornered her, tears burning in his eyes. "Is he really that perfect? Hannah, I'm sorry... marry me again."
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