Kenelm Chillingly, Complete by Edward Bulwer-Lytton
Kenelm Chillingly, Complete by Edward Bulwer-Lytton
IF there were a woman in the world who might be formed and fitted to reconcile Kenelm Chillingly to the sweet troubles of love and the pleasant bickerings of wedded life, one might reasonably suppose that that woman could be found in Cecilia Travers.
An only daughter and losing her mother in childhood, she had been raised to the mistress-ship of a household at an age in which most girls are still putting their dolls to bed; and thus had early acquired that sense of responsibility, accompanied with the habits of self-reliance, which seldom fails to give a certain nobility to character; though almost as often, in the case of women, it steals away the tender gentleness which constitutes the charm of their sex.
It had not done so in the instance of Cecilia Travers, because she was so womanlike that even the exercise of power could not make her manlike. There was in the depth of her nature such an instinct of sweetness that wherever her mind toiled and wandered it gathered and hoarded honey.
She had one advantage over most girls in the same rank of life,-she had not been taught to fritter away such capacities for culture as Providence gave her in the sterile nothingnesses which are called feminine accomplishments. She did not paint figures out of drawing in meagre water-colours; she had not devoted years of her life to the inflicting on polite audiences the boredom of Italian bravuras, which they could hear better sung by a third-rate professional singer in a metropolitan music-hall. I am afraid she had no other female accomplishments than those by which the sempstress or embroideress earns her daily bread. That sort of work she loved, and she did it deftly.
But if she had not been profitlessly plagued by masters, Cecilia Travers had been singularly favoured by her father's choice of a teacher: no great merit in him either. He had a prejudice against professional governesses, and it chanced that among his own family connections was a certain Mrs. Campion, a lady of some literary distinction, whose husband had held a high situation in one of our public offices, and living, much to his satisfaction, up to a very handsome income, had died, much to the astonishment of others, without leaving a farthing behind him.
Fortunately, there were no children to provide for. A small government pension was allotted to the widow; and as her husband's house had been made by her one of the pleasantest in London, she was popular enough to be invited by numerous friends to their country seats; among others, by Mr. Travers. She came intending to stay a fortnight. At the end of that time she had grown so attached to Cecilia, and Cecilia to her, and her presence had become so pleasant and so useful to her host, that the Squire entreated her to stay and undertake the education of his daughter. Mrs. Campion, after some hesitation, gratefully consented; and thus Cecilia, from the age of eight to her present age of nineteen, had the inestimable advantage of living in constant companionship with a woman of richly cultivated mind, accustomed to hear the best criticisms on the best books, and adding to no small accomplishment in literature the refinement of manners and that sort of prudent judgment which result from habitual intercourse with an intellectual and gracefully world-wise circle of society: so that Cecilia herself, without being at all blue or pedantic, became one of those rare young women with whom a well-educated man can converse on equal terms; from whom he gains as much as he can impart to her; while a man who, not caring much about books, is still gentleman enough to value good breeding, felt a relief in exchanging the forms of his native language without the shock of hearing that a bishop was "a swell" or a croquet-party "awfully jolly."
In a word, Cecilia was one of those women whom Heaven forms for man's helpmate; who, if he were born to rank and wealth, would, as his partner, reflect on them a new dignity, and add to their enjoyment by bringing forth their duties; who, not less if the husband she chose were poor and struggling, would encourage, sustain, and soothe him, take her own share of his burdens, and temper the bitterness of life with the all-recompensing sweetness of her smile.
Little, indeed, as yet had she ever thought of love or of lovers. She had not even formed to herself any of those ideals which float before the eyes of most girls when they enter their teens. But of two things she felt inly convinced: first, that she could never wed where she did not love; and secondly, that where she did love it would be for life.
And now I close this sketch with a picture of the girl herself. She has just come into her room from inspecting the preparations for the evening entertainment which her father is to give to his tenants and rural neighbours.
She has thrown aside her straw hat, and put down the large basket which she has emptied of flowers. She pauses before the glass, smoothing back the ruffled bands of her hair,-hair of a dark, soft chestnut, silky and luxuriant,-never polluted, and never, so long as she lives, to be polluted by auricomous cosmetics, far from that delicate darkness, every tint of the colours traditionally dedicated to the locks of Judas.
Her complexion, usually of that soft bloom which inclines to paleness, is now heightened into glow by exercise and sunlight. The features are small and feminine; the eyes dark with long lashes; the mouth singularly beautiful, with a dimple on either side, and parted now in a half-smile at some pleasant recollection, giving a glimpse of small teeth glistening as pearls. But the peculiar charm of her face is in an expression of serene happiness, that sort of happiness which seems as if it had never been interrupted by a sorrow, had never been troubled by a sin,-that holy kind of happiness which belongs to innocence, the light reflected from a heart and conscience alike at peace.
You must often have felt, gentlemen, -- each and all of you, -- especially when sitting alone at night, a strange and unaccountable sensation of coldness and awe creep over you; your blood curdles, and the heart stands still; the limbs shiver, the hair bristles; you are afraid to look up, to turn your eyes to the darker corners of the room; you have a horrible fancy that something unearthly is at hand. Presently the whole spell, if I may so call it, passes away and you are ready to laugh at your own weakness.
Edward Bulwer-Lytton was a well known English novelist in the 19th century, and he's been immortalized for coining famous phrases like "pursuit of the almighty dollar" and "the pen is mightier than the sword".
Edward Bulwer-Lytton was a well known English novelist in the 19th century, and he's been immortalized for coining famous phrases like "pursuit of the almighty dollar" and "the pen is mightier than the sword".
The night Claire Richards caught her husband cheating, she planned her revenge. She transferred billions in hidden assets, gathered undeniable proof of his affair, and destroyed the mistress's reputation. When Claire handed Lucas Bennett the divorce papers, he tore them to pieces. "Divorce? Not a chance!" Lucas snapped. But Claire only smiled. "The waiting period is over, Mr. Bennett. You're out." Sharp, stunning, and done playing nice, Claire steps into a world dominated by two powerful men: her furious ex-husband and the cold, mysterious CEO feared by all. But this time, she's calling the shots. Watch as a clear-headed woman takes control, turns heartbreak into strength, and brings the man who once cast her aside to his knees.
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
Eliana reunited with her family, now ruined by fate: Dad jailed, Mom deathly ill, six crushed brothers, and a fake daughter who'd fled for richer prey. Everyone sneered. But at her command, Eliana summoned the Onyx Syndicate. Bars opened, sickness vanished, and her brothers rose-one walking again, others soaring in business, tech, and art. When society mocked the "country girl," she unmasked herself: miracle doctor, famed painter, genius hacker, shadow queen. A powerful tycoon held her close. "Country girl? She's my fiancée!" Eliana glared at him. "Dream on." Resolutely, he vowed never to let go.
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