The Corner House Girls' Odd Find / Where they made it, and What the Strange Discovery led to
The Corner House Girls' Odd Find / Where they made it, and What the Strange Discovery led to by Grace Brooks Hill
The Corner House Girls' Odd Find / Where they made it, and What the Strange Discovery led to by Grace Brooks Hill
The fireboard before the great chimney-place in the spacious dining room of the old Corner House in Milton had been removed by Uncle Rufus, and in the dusk of the winter's afternoon the black pit of it yawned, ogre-like, upon the festive room.
The shadows were black under the big tree, the tip of which touched the very high ceiling and which had just been set up in the far corner and not yet festooned. The girls were all busy bringing tinsel and glittering balls and cheery red bells and strings of pink and white popcorn, while yards and yards of evergreen "rope," with which to trim the room itself, were heaped in a corner.
It was the day but one before Christmas, and without the gaslight-or even the usual gas-log fire on the hearth-the dining room was gloomy even at mid-afternoon. Whenever Dot Kenway passed the black opening under the high and ornate mantel, she shuddered.
It was a creepy, delicious shudder that the smallest Corner House girl experienced, for she said to Tess, her confidant and the next oldest of the four sisters:
"Of course, I know it's the only way Santa Claus ever comes. But-but I should think he'd be afraid of-of rats or things. I don't see why he can't come in at the door; it'd be more respecterful."
"I s'pose you mean respectable," sighed Tess. "But where would he hitch his reindeer? You know he has to tie them to the chimney on the roof."
"Why does he?" demanded the inquisitive Dot. "There's a perfectly good hitching post by our side gate on Willow Street."
"Who ever heard of such a thing!" exclaimed Tess, with exasperation. "Do you s'pose Santa Claus would come to the side door and knock like the old clo's man? You are the most ridiculous child, Dot Kenway," concluded Tess, with her most grown-up air.
"Say," said the quite unabashed Dot, reflectively, "do you know what Sammy Pinkney says?"
"Nothing very good, I am sure," rejoined her sister, tartly, for just at this time Sammy Pinkney, almost their next-door neighbor, was very much in Tess Kenway's bad books. "What can you expect of a boy who wants to be a pirate?"
"Well," Dot proclaimed, "Sammy says he doesn't believe there is such a person as Santa Claus."
"Oh!" gasped Tess, startled by this heresy. Then, after reflection, she added: "Well, when you come to think of it, I don't suppose there is any Santa for Sammy Pinkney."
"Oh, Tess!" almost groaned the smaller girl.
"No, I don't," repeated Tess, with greater confidence. "Ruthie says if we don't 'really and truly' believe in Santa, there isn't any-for us! And he only comes to good children, anyway. How could you expect Sammy Pinkney to have a Santa Claus?"
"He says," said Dot, eagerly, "that they are only make believe. Why, there is one in Blachstein & Mapes', where Ruth trades; and another in Millikin's; and there's the Salvation Army Santa Clauses on the streets-"
"Pooh!" exclaimed Tess, tossing her head. "They are only representations of Santa Claus. They're men dressed up. Why! little boys have Santa Claus suits to play in, just as they have Indian suits and cowboy suits."
"But-but is there really and truly a Santa Claus?" questioned Dot, in an awed tone. "And does he keep a book with your name in it? And if you don't get too many black marks through the year do you get presents? And if you do behave too badly will he leave a whip, or something nasty, in your stocking? Say, Tess, do you s'pose 'tis so?"
That was a stiff one-even for Tess Kenway's abounding faith. She was silent for a moment.
"Say! do you?" repeated the smallest Corner House girl.
"I tell you, Dot," Tess said, finally, "I want to believe it. I just do. It's like fairies and elfs. We want to believe in them, don't we? It's just like your Alice-doll being alive."
"Well!" exclaimed Dot, stoutly, "she's just as good as alive!"
"Of course she is, Dottie," said Tess, eagerly. "And so's Santa Claus. And-and when we stop believing in him, we won't have near so much fun at Christmas!"
Just then Agnes came in from the kitchen with a heaping pan of warm popcorn.
"Here, you kiddies," she cried, "run and get your needles and thread. We haven't near enough popcorn strung. I believe Neale O'Neil ate more than he strung last night, I never did see such a hungry boy!"
"Mrs. MacCall say it's 'cause he's growning," said Dot, solemnly.
"He, he!" chuckled Agnes. "He should be 'groaning' after all he gobbled down last night. And I burned my finger and roasted my face, popping it."
She set down the dish of flaky white puff-balls on a stool, so it would be handy for the little girls. Both brought their sewing boxes and squatted down on the floor in the light from a long window. Tess was soon busily threading the popcorn.
"What's the matter with you, Dot Kenway?" she demanded, as the smallest Corner House girl seemed still to be fussing with her thread and needle, her face puckered up and a frown on her small brow. "You're the slowest thing!"
"I-I believe this needle's asleep, Tess," wailed Dot, finally.
"Asleep?" gasped the other. "What nonsense!"
"Yes, 'tis-so now!" ejaculated Dot. "Anyway, I can't get its eye open."
A low laugh sounded behind them, and a tall girl swooped down on the floor and put her arms around the smallest Corner House girl.
"Let sister do it for you, honeybee," said the newcomer. "Won't the eye open? Well! we'll make it-there!"
This was Ruth, the oldest of the four Kenway sisters. She was dark, not particularly pretty, but, as Tess often said, awfully good! Ruth had a smile that illuminated her rather plain face and won her friends everywhere. Moreover, she had a beautiful, low, sweet voice-a "mother voice," Agnes said.
Ruth had been mothering her three younger sisters for a long time now-ever since their real mother had died, leaving Agnes and Tess and Dot, to say nothing of Aunt Sarah Maltby, in the older girl's care. And faithfully had Ruth Kenway performed her duty.
Agnes was the pretty sister (although Tess, with all her gravity, promised to equal the fly-away in time) for she had beautiful light hair, a rosy complexion, and large blue eyes, of an expression most innocent but in the depths of which lurked the Imps of Mischief.
Little Dot was dark, like Ruth; only she was most lovely-her hair wavy and silky, her little limbs round, her eyes bright, and her lips as red as an ox-heart cherry!
The little girls went on stringing the popcorn, and Ruth and Agnes began to trim the tree, commencing at the very top. Nestling among the pointed branches of the fir was a winged cupid, with bow and arrow.
"That's so much better than a bell. Everybody has bells," said Agnes, from the step-ladder, as she viewed the cupid with satisfaction.
"It's an awfully cunning little fat, white baby," agreed Dot, from the floor. "But I should be afraid, if I were his mother, to let him play with bows-an'-arrows. Maybe he'll prick himself."
"We'll speak to Venus about that," chuckled Agnes. "Don't believe anybody ever mentioned it to her."
"'Venus'?" repeated Dot, gravely. "Why, that's the name of the lady that lives next to Uncle Rufus' Petunia. She couldn't be that little baby's mother for she's-oh!-awful black!"
"Aggie was speaking of another Venus, Dot," laughed Ruth. "Fasten those little candle-holders securely, Aggie."
"Sure!" agreed the second, and slangy, sister.
"I really wish we could light the whole room with candles, and not have the gas at all," Ruth said. "It would be much nicer. Don't you think so?"
"It would be scrumptious!" Aggie cried. "And you've got such a lot of those nice, fat, bayberry candles. Let's do it!"
"But there are not enough candlesticks."
"You can get 'em at the five-and-ten-cent store," proposed Tess, who favored that busy emporium, "because you can get such a lot for your money!"
"Goosey!" exclaimed Agnes. "We don't want cheap ones. How would they look beside those lovely old silver ones of Uncle Peter Stower's?" and she turned to look at the great candelabra on the highboy.
Just then the door from the butler's pantry opened slowly and a grizzled, kinky head, with a shiny, brown, bald spot on top, was thrust into the room.
"I say, missie!" drawled the voice belonging to the ancient head, "is yo' done seen anyt'ing ob dat denim bag I has fo' de soiled napkins? Pechunia, she done comin' fo' de wash, an' I got t' collect togeddah all I kin fin' dis week. Dat fool brack woman," Uncle Rufus added with disgust, "won't do but dis one wash twill happen New Years-naw'm! She jes' got t' cel'brate, she say. Ma' soul! what's a po', miserble nigger woman got t' cel'brate fo' Ah asks ye?"
"Why, Uncle Rufus!" cried Agnes. "Christmas is a birthday that everybody ought to celebrate. And I'm sure Petunia has many things to make her happy."
"Just look at all her children!" put in Tess.
"Alfredia, and Jackson Montgomery Simms, and little Burne-Jones Whistler and Louise Annette," Dot began to intone, naming the roll of Petunia Blossom's piccaninnies.
"Don't! Stop!" begged Agnes, with her hands over her ears and sitting down on the top step of the ladder.
"Ma soul!" chuckled Uncle Rufus, "if chillens come lak' Chris'mus presents, all de rich w'ite folks would hab 'em an' de po' nigger folks would be habbin' wot de paper calls 'race sooincide'-sho' would!"
"I haven't seen the laundry bag, Unc' Rufus," said Ruth, deep in thought.
Here Dot spoke up. "I 'spect I know where it is, Unc' Rufus," she said.
"Wal! I 'spected some ob yo' chillen done had it."
"You know," said Dot, seriously, "my Alice-doll is real weakly. The doctors don't give me much 'couragement about her. Her lungs are weak-they have been, you know, ever since that awful Trouble girl buried her with the dried apples."
"Dat Lillie Treble. Ah 'members hit-sho!" chuckled Uncle Rufus, the Corner House girls' chief factotum, who was a tall, thin, brown old negro, round shouldered with age, but "spry and pert," as he said himself.
"And the doctors," went on Dot, waxing serious, and her imagination "working over time," as Neale O'Neil would have said, "say it's best for folks with weak lungs to sleep out of doors. So Neale's built her a sleeping porch outside one of the windows in our bedroom-Tess' and mine-and-and I used your napkin bag, Unc' Rufus, for a sleeping-bag for my Alice-doll! I couldn't find anything else that fitted her," confessed the smallest Corner House girl.
"Well! of all the children!" cried Agnes, having taken her hands down from her ears to hear this.
"You shouldn't have taken the bag without permission," Ruth gravely told Dot.
But Uncle Rufus chuckled over it to a great extent. "Nebber did see de beat of dese young-uns!" he gasped finally. "If yo' Uncle Peter was alive he sartain sho' would ha' laffed hisself up out'n hes sick-bed. Ma soul an' body! W'y didn't he know enough t' hab yo'uns yere in de ol' Corner House w'ile he was alive, 'stid o' waitin' till he was daid t' gib it t' yo'?"
He would have gone out chuckling, only Ruth called after him: "Unc' Rufus! Do you know if there are any more candlesticks around the house? Nice, heavy ones, I mean-good enough to put in the dining room here, and for company to see."
"Candlesticks, missie? I 'spect dere is," said the old negro man.
"Do you know where?" Ruth asked quickly.
"Bress yo', honey! I 'speck dey is up in de attic," he said. "I don' jes' know whar-"
"Oh, I know! I know!" cried Agnes, suddenly. "Over in that corner of the garret that we never cleaned, Ruth."
"Did we fail to clear up any part of the garret?" asked the older girl, doubtfully.
"The place Tommy Rooney hid in when he was the attic goat," Dot said solemnly.
"Ghost!" admonished Tess. "I do wish you'd get your words right, Dot Kenway."
"I remember seeing some old brass candlesticks there," Agnes went on to explain to Ruth. "They can be polished, I should think. They're all green now."
"Of course," said Ruth, cheerfully. "Let's go and look for them."
"Oh, I want to go!" cried Dot, at once.
"May we all go, sister?" asked Tess.
"Of course you may come, kiddies," said Agnes, hopping down from her perch.
They all trooped up the three flights of stairs to the huge garret, Dot leaving her "sleeping" needle sticking in a puff-ball of popcorn.
The front hall of the old Corner House, as Milton folk called the Stower homestead on the corner of Willow Street, opposite the Parade Ground, was two stories high.
Broad stairs, dividing when half way up into two separate flights, rose out of the middle of the reception hall, lined with its old-fashioned, walnut, haircloth furniture. A gallery ran all around the stair-well, off which opened the guest chambers of the house. Only one of these was in use. Aunt Sarah Maltby had it. Aunt Sarah was determined to have the best there was of everything.
The girls slept in rooms in one of the two ells, on this second floor. Above, in the third story of the same ell, slept Mrs. MacCall, their good Scotch housekeeper, and Linda, the Finnish girl. Uncle Rufus was stowed away in the other ell, in a little room he had occupied for almost twenty-six years. Uncle Rufus had been Uncle Peter Stower's only retainer for many, many years before the Kenway girls came to live at the old Corner House.
Up another flight of stairs, the girls trooped to the garret, that extended the entire length and breadth of the main portion of the house. This was their playroom on rainy days, and a storeroom of wonderful things. The Kenways had never entirely exhausted the wonders of this place.
Agnes led the way to the far corner, lamp in hand. There some Revolutionary uniforms hung from the low rafters. On a broken-legged chest of drawers, held up by a brick in place of the missing leg, stood a row of heavy brass candlesticks.
"And see here!" cried Agnes, snatching up a faded, fat, plush-covered volume, moth-eaten and shabby, from which Ruth had just removed two of the candlesticks. "What can this be? The family album, I declare!"
She flirted several of the leaves. Others stuck together. There seemed to be some kind of illustrations, or pictures, between the pages.
"Throw that dusty old thing down, Aggie," said Ruth, "and help me carry these heavy candlesticks. They are just the things."
"I'll help carry them," agreed her sister. "Here, Dottums. You can just about lug this old book. I want to look at it. I shouldn't wonder if it held daguerreotypes and silhouettes of all the Stowers since Adam."
"What are da-da-gert-o-tops and-and silly-hats, Aggie?" demanded Dot, toiling along at the end of the procession with the big book, as the four girls started down stairs again. "Are-are they those awful animals Ruth was reading about that used to in-infest the earth so long ago?"
"Oh, mercy me!" gasped Agnes, laughing. "Pterodactyls and the giant sloth! See what it means to tell these kids about the Paleozoic age and 'sich,' Ruthie! Yes, child. Maybe you'll find pictures in that old book of those 'critters,' as Mrs. Mac calls them."
Dot sat right down on the upper flight and spread the book out upon her small lap. She had heard just enough about the creatures of the ancient world to be vitally curious.
But there were no pictures of animals. Dot hurriedly turned the pages. In the back were engravings on green paper, stuck into the old book. The green slips of paper had pictures on them, but nothing that interested Dot.
"Pooh!" she thought to herself, did the smallest Corner House girl, "old money-that's all it is. Just like the money Mr. Howbridge gives Ruth every month to pay bills with. I s'pose it's money that's no good any more."
She shut the book, disappointed, and clattered down stairs after her sisters. Nobody else had time to look at the family album just then. Agnes tossed her "find" into a corner until some more convenient occasion for looking at it. She and Ruth got the metal cleaning paste and rags and a chamois, and began to polish the candlesticks. The smaller girls returned to the stringing of popcorn.
Suddenly they all stopped work. With upraised hands and astonished looks, the four listened for a repetition of the sound that had startled them.
It came again, immediately. It was in the chimney. There was a muffled shout, then a scratching and a scraping, coming rapidly down the brick-and-mortar tunnel.
"Oh! Oh! OH!" squealed Dot, in crescendo. "Santa Claus has come ahead of time!"
"If that's Santa Claus," declared Agnes, jumping up to run to the open fireplace, "he's missed his footing and is falling down the chimney!"
The Corner House Girls on a Houseboat by Grace Brooks Hill
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The Corner House Girls at School by Grace Brooks Hill
The Corner House Girls Under Canvas / How they reached Pleasant Cove and what happened afterward by Grace Brooks Hill
"Stella once savored Marc's devotion, yet his covert cruelty cut deep. She torched their wedding portrait at his feet while he sent flirty messages to his mistress. With her chest tight and eyes blazing, Stella delivered a sharp slap. Then she deleted her identity, signed onto a classified research mission, vanished without a trace, and left him a hidden bombshell. On launch day she vanished; that same dawn Marc's empire crumbled. All he unearthed was her death certificate, and he shattered. When they met again, a gala spotlighted Stella beside a tycoon. Marc begged. With a smirk, she said, ""Out of your league, darling."
Aurora woke up to the sterile chill of her king-sized bed in Sterling Thorne's penthouse. Today was the day her husband would finally throw her out like garbage. Sterling walked in, tossed divorce papers at her, and demanded her signature, eager to announce his "eligible bachelor" status to the world. In her past life, the sight of those papers had broken her, leaving her begging for a second chance. Sterling's sneering voice, calling her a "trailer park girl" undeserving of his name, had once cut deeper than any blade. He had always used her humble beginnings to keep her small, to make her grateful for the crumbs of his attention. She had lived a gilded cage, believing she was nothing without him, until her life flatlined in a hospital bed, watching him give a press conference about his "grief." But this time, she felt no sting, no tears. Only a cold, clear understanding of the mediocre man who stood on a pedestal she had painstakingly built with her own genius. Aurora signed the papers, her name a declaration of independence. She grabbed her old, phoenix-stickered laptop, ready to walk out. Sterling Thorne was about to find out exactly how expensive "free" could be.
I was dying at the banquet, coughing up black blood while the pack celebrated my step-sister Lydia’s promotion. Across the room, Caleb, the Alpha and my Fated Mate, didn't look concerned. He looked annoyed. "Stop it, Elena," his voice boomed in my head. "Don't ruin this night with your attention-seeking lies." I begged him, telling him it was poison, but he just ordered me to leave his Pack House so I wouldn't dirty the floor. Heartbroken, I publicly demanded the Severing Ceremony to break our bond and left to die alone in a cheap motel. Only after I took my last breath did the truth come out. I sent Caleb the medical records proving Lydia had been poisoning my tea with wolfsbane for ten years. He went mad with grief, realizing he had protected the murderer and rejected his true mate. He tortured Lydia, but his regret couldn't bring me back. Or so he thought. In the afterlife, the Moon Goddess showed me my reflection. I wasn't a wolfless weakling. I was a White Wolf, the rarest and most powerful of all, suppressed by poison. "You can stay here in peace," the Goddess said. "Or you can go back." I looked at the life they stole from me. I looked at the power I never got to use. "I want to go back," I said. "Not for his love. But for revenge." I opened my eyes, and for the first time in my life, my wolf roared.
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
In their previous lives, Gracie married Theo. Outwardly, they were the perfect academic couple, but privately, she became nothing more than a stepping stone for his ambition, and met a tragic end. Her younger sister Ellie wed Brayden, only to be abandoned for his true love, left alone and disgraced. This time, both sisters were reborn. Ellie rushed to marry Theo, chasing the success Gracie once had-unaware she was repeating the same heartbreak. Gracie instead entered a contract marriage with Brayden. But when danger struck, he defended her fiercely. Could fate finally rewrite their tragic endings?
I was sitting in the Presidential Suite of The Pierre, wearing a Vera Wang gown worth more than most people earn in a decade. It was supposed to be the wedding of the century, the final move to merge two of Manhattan's most powerful empires. Then my phone buzzed. It was an Instagram Story from my fiancé, Jameson. He was at Charles de Gaulle Airport in Paris with a caption that read: "Fuck the chains. Chasing freedom." He hadn't just gotten cold feet; he had abandoned me at the altar to run across the world. My father didn't come in to comfort me. He burst through the door roaring about a lost acquisition deal, telling me the Holland Group would strip our family for parts if the ceremony didn't happen by noon. My stepmother wailed about us becoming the laughingstock of the Upper East Side. The Holland PR director even suggested I fake a "panic attack" to make myself look weak and sympathetic to save their stock price. Then Jameson’s sleazy cousin, Pierce, walked in with a lopsided grin, offering to "step in" and marry me just to get his hands on my assets. I looked at them and realized I wasn't a daughter or a bride to anyone in that room. I was a failed asset, a bouncing check, a girl whose own father told her to go to Paris and "beg" the man who had just publicly humiliated her. The girl who wanted to be loved died in that mirror. I realized that if I was going to be sold to save a merger, I was going to sell myself to the one who actually controlled the money. I marched past my parents and walked straight into the VIP holding room. I looked the most powerful man in the room—Jameson’s cold, ruthless uncle, Fletcher Holland—dead in the eye and threw the iPad on the table. "Jameson is gone," I said, my voice as hard as stone. "Marry me instead."
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