n being a ghost in my own opulent home. My architect husband, Mark, kept ou
with portraits of Emily, his childhood sweetheart, his "one true love
glect of me complete. He spent endless nights by her side, le
n who could only offer polite indifference? The pain wasn't just his bet
ture on a blank sheet of paper, and then the real work would begin. He wouldn't even know what hit him, consumed as