tensils; their high polish. Native jewellery; beautiful examples in villages. Incongruous pictures from Eur

na City, Built by one

old houses of wealthy people. Part of the beauty of many ancient dwellings in Poona City is to be found in their admirable proportions. Modern houses in India are often built

ts of the West. Sir Swinton Jacob has shown in the fairy-like palace which he built at Jeypore, but which internally you find exactly suited to the requirements of a modern museum, how possible it is to adapt Indian architecture to present-day needs. There is a good deal of carving, effectively placed and graceful in design and skilfully executed, both on the outside and inside of old houses in the City of Poona; a

d copper vessels in ordinary daily use are delightful examples of how much beauty can be got out of an artistic outline, even when there is an entire absence of ornamentation. In the midst of a vast amount of apparent disregard for cleanliness, there are certain matters about which a Hindu is excessively particular. The metal cups and pans must

preserve the old tarnish. It would be impossible in the English climate to keep the objects continually bright, without infinite labour; but

iful. Many of the chains and necklaces and bracelets worn by villagers, both male and female, are the best examples of unadulterated Indian art, because modern ideas and shapes have not yet reached them; or, if they see some of these new devices when they come to give their order to the goldsmi

es from England, interspersed with mirrors, form the chief decoration on the walls of many of these saloons. They are hung almost touching each other, very high up, like the "sky-ed" line of the Royal Academy, but with nothing on the walls below, and they often p

with us. Some are family portraits; some are scenes from the histories of the gods. The colours used are exceedingly brilliant, and the picture itself is often painted on a very br

o the country, and that they are blended with astonishing taste, considering the extreme difficulty of blending happily hues of such a pronounced character. If only the study of Western ex

ianity has been accepted, and incorporated into the lives of the people, the wide field for artistic and religious effect which will then open out w

of the headman of Yerandawana village, is a most comical reproduction of the garden front of Windsor Castle, taken from an Illustrated London News, but embellished with many Indian characteristics. The purely decorative part of these wall pictures is often graceful an

Parsee ladies, who boldly use colours of astonishing brilliancy in their dresses, seem to be able to do so without producing that