la Musique et de ses Effets," but they cannot offer us any satisfactory substitute in its place, and without troubling to give their merely destructive

p accompaniments. He occupies a position in musical history of some importance. The following story of his adventures is no more improbable than many a story we read in the da

f Rome, named Hortensia, who, notwithstanding her illustrious descent, submitted to live in a criminal intimacy with a Venetian nobleman. The frequent access of Stradella to this lady, and the many opportunities he had of being alone

ing them a sum of money in hand, and a promise of a larger if they succeeded in the attempt. Being arrived at Naples, the assassins received intelligence that those whom they were in pursuit of were at Rome, where the lady passed as the wife of Strad

ent at the performance, and had concerted to follow Stradella and his mistress out of the church, and, seizing a convenient opportunity, to make the blow. The performance was now begun, and these men had nothing to do but to watch the motions of Stradella, and attend to the music, w

or the pleasure they had received at hearing his music, and informed them both of the errand they had been sent upon; expatiating upon the irresistible charms, which of savages had made them men, and had rendered it impossible for them to effect their execrable purpose; and concluded wi

sinated, and, for their own parts, notwithstanding their engagements, declined the enterprise. This disappointment, instead of allaying, served to sharpen the resentment of the Venetian: he had found means to attach to his interest the father of Hortensia, and, by various arguments, to inspire him with a resolution to become the murderer of his own daughter. With this old man, no less malevolent and vindictive than himself, the Venetian associated two ruffians, and dispatched them all three to T

retained Stradella in her palace as her principal musician. In a situation of such security as this seemed to be, Stradella's fears for the safety of himself and his mistress began to abate, till one evening, walking for the air upon the ramparts of the city, h

search to be made for the three assassins; and being informed that they had taken refuge in the house of the French embassador, she went to demand them. The embassador insisting on the privileges which those of his function claimed from

adella. A year was elapsed after the cure of his wounds; no fresh disturbance had been given to him, and he thought himself secure from any further attempts on his life. The duchess regent, who was concerned

ure, followed them close at their heels. Stradella and his wife, it is true, reached Genoa, but the morning after their arrival these three execrable villains rushed into their chamber, a

ted his fate exceedingly; and, in regard of his great merit as a musician, said he could have forgiven him any injury in that kind; which, adds the relater, '