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Chapter 7 FOOTWEAR

Word Count: 864    |    Released on: 30/11/2017

ostume; every child

fashion's greatest artist counts for naught if his costume may not include hat, glove

s man or woman not merely your raiment; go farther, and grasp as far as you are able the principles underlying his or her creations. Common sense tells

slender means may rival her friends with munition incomes, if only she will go to an expert with open mind, and through the thoughtful purchase of a completed costume,-hat, gown and all accessories,-learn an artist-modiste's point of view. Then, and we would put it in italics; take seriously, with conviction, all his or her instructions as to the way to wear your clothes. Anyone

AT

e England in the eighteenth century, when picturesque

allet with His Lady. Painted by Thomas Gainsborough and

n & Co., New Yor

th Centu

y Thomas G

ther your heavy ankles will not look more trim in b

te slippers or low shoes might be worn with black or coloured stockings.

ntinue and accentuate line. There are fashions in buckles and bows, but unless you bend the f

; the women you have in mind always continue the line of their gowns with their feet. You can see with your mind's eye how the slender black satin slippers, one of which always protrudes from the black evening gown, carr

line, can you see how you defeat your purpose

r roses, continued the colour scheme of her designer with silver slippers, tapering as Cinderella's, but spoiled the picture she might have made by breaking her lin

absolutely match your costume. It is not enough that in the figure of brocade is the colour of the dress

r of colours used in gowns be but few, getting the desired variety by varying shades of a

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Contents

Woman as Decoration
Chapter 1 A FEW HINTS FOR THE NOVICE WHO WOULD PLAN HER COSTUMES
30/11/2017
Woman as Decoration
Chapter 2 THE LAWS UNDERLYING ALL COSTUMING OF WOMAN
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Woman as Decoration
Chapter 3 HOW TO DRESS YOUR TYPE
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Woman as Decoration
Chapter 4 THE PSYCHOLOGY OF CLOTHES
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Woman as Decoration
Chapter 5 ESTABLISH HABITS OF CARRIAGE WHICH CREATE GOOD LINE
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Woman as Decoration
Chapter 6 COLOUR IN WOMAN'S COSTUME
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Woman as Decoration
Chapter 7 FOOTWEAR
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Woman as Decoration
Chapter 8 JEWELRY AS DECORATION
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Woman as Decoration
Chapter 9 WOMAN DECORATIVE IN HER BOUDOIR
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Woman as Decoration
Chapter 10 WOMAN DECORATIVE IN HER SUN-ROOM
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Woman as Decoration
Chapter 11 I. WOMAN DECORATIVE IN HER GARDEN
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Woman as Decoration
Chapter 12 WOMAN AS DECORATION WHEN SKATING
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Woman as Decoration
Chapter 13 WOMAN DECORATIVE IN HER MOTOR CAR
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Woman as Decoration
Chapter 14 HOW TO GO ABOUT PLANNING A PERIOD COSTUME
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Woman as Decoration
Chapter 15 I. THE STORY OF PERIOD COSTUMES
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Woman as Decoration
Chapter 16 DEVELOPMENT OF GOTHIC COSTUME
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Woman as Decoration
Chapter 17 THE RENAISSANCE
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Woman as Decoration
Chapter 18 EIGHTEENTH CENTURY
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Woman as Decoration
Chapter 19 WOMAN IN THE VICTORIAN PERIOD
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Woman as Decoration
Chapter 20 SEX IN COSTUMING
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Woman as Decoration
Chapter 21 LINE AND COLOUR OF COSTUMES IN HUNGARY
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Woman as Decoration
Chapter 22 STUDYING LINE AND COLOUR IN RUSSIA
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Woman as Decoration
Chapter 23 MARK TWAIN'S LOVE OF COLOUR IN ALL COSTUMING
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Woman as Decoration
Chapter 24 THE ARTIST AND HIS COSTUME
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Woman as Decoration
Chapter 25 IDIOSYNCRASIES IN COSTUME
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Woman as Decoration
Chapter 26 NATIONALITY IN COSTUME
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Woman as Decoration
Chapter 27 MODELS
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Woman as Decoration
Chapter 28 WOMAN COSTUMED FOR HER WAR JOB
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