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Chapter 5 Sorrow on the

Word Count: 998    |    Released on: 15/03/2024

s in her tone: "Brown, what drove you to rescue me ba

into every strand, Rachel. My history is knotted with its secrets, and it was in the darkness that our liv

"But what's the reason behind Alex's attack on my pa

el. It's about the curse that ensnares us all. Eldenwood is a breeding groun

need the whole truth, Brown. Why does thi

n the distant past, and you, Rachel, are pivotal in loosening its hold over Eldenw

hel sought out Mara, the sagacious witch

"Mara, can you explain my family's fate? Why did Ale

Eldenwood's supernatural narrative. Alex's hostility is born out of a warped desire for dominance and control. The cu

wn her face: "And Brown, what binds him so clo

His ancestors were custodians of Eldenwood's lore. He shoulders the legacy of their com

o break free from the grove's confines. The moonlit mountain stood

ve a murmur: "I need isolati

ssage through her inner turmoil. At the peak, the moonlight outlined her

estling with the magnitude of her fate and her family's tragedies. Eldenwood,

th a quiet resolve. He found Rachel, exposed in her sorrow, and held her wordle

chel. Eldenwood might be filled with shadows, but it's within

must it be so, Brown? Why do we

means navigating through our darkest realms. The curse of Eldenwood is a

e path forward was filled with uncertainty, but amidst the resonance of weeping and the quiet union of two spirits, th

rgeoning abilities but also the fragile equilibrium between

termined return to the moon-bathed clearing. There, Mara, the sagac

f grief: "Mara, it's time I mastered these powe

t, Rachel. I'll be your mentor as you unravel the secrets of

ants that Mara revealed. The grove hummed with the murmurs of arcane lore, and Rachel, surrou

in quest of game. The nocturnal symphony of the forest filled the air as the m

scent of potential quarry. His survival skills, sharpened by ye

epped out from the gloom, their eyes reflecting a hunter's focus. Brown, cognizant of the loo

bow at Brown: "We're tracking a

l of faces that merge with the night. I can't

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