y causerie inspired in part by the reading of Alexandrian criticism, but in larger part by experience. In it the author's uppermost themes, as in char

that it has been at times exalted into a court of appeal hardly less authori

re for France in the sixteenth and seventeenth. Literary Spain of the latter fifteenth and early sixteenth centuries was under the same influence. The Spanish peninsula, according to Menéndez y Pelayo, has produced no fewer than forty-seven translations of the Ars Poetica. Even in England, always less tractable in the matter of rules than the Latin countries, Ben Jonson and his friends are in some sort another Pleiad, and the treatise possesses immense authority throughout the centuries. We turn the pages of Cowl's The Theory of Poetry in England, a book of critical extracts illustrating the development of poetry "in doctrines and ideas from the sixteenth century to the nineteenth 133 century," and note Ben Jonson and Wordsworth referring to or quoting Horace in the section o

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