Little Lost Girl

work of

house was like the cottage described in this book. We bought it

e interested, the factual information behind this story is in the Appendix at the end of the book. More information on Balmain and adja

ation is painted. Parts of the canvas are known facts from my early family history, or the history of the area. These are like occasional dots of paint giving reference points and shadowed outlines. All the intervening layered detail t

n a writing class, I was shown an ornate perfume bottle, and asked to imagine a story based on it. I pictured it as the treasured possession of the girl whose photo we had found and jotted down h