7-1

did, however, not hold long, as in 1592, he was appointed a Gentleman of the Chapel Royal. In 1598 he was granted the licence, which had previously been held by Tallis and Byrd, for the exclusive right of printing and selling Books of Music and Ruled Paper, and many of the musical works which were published at that time were issued by Este, Peter Short, William Barley, and others, as the assigns of Thomas Morley

sacred and secular; and, in addition to his work in the various branches of composition, much of his fame rests upon h

ialogue between Master and Pupil, it contains many quaint discourses, and it is in the early chapters of this work that the story is told of the unfortunate gent

of his works was translated into German (e.g., the Canzonets or Little Short Songs to Three Voyces, published here first in 1593, was transla

Elizabeth, whose title of "Gloriana" is well known. In this portly volume he includes no fewer than twenty-six Madrigals, contributed by many of the most famous living English composers. The work helped to mak

ted by editors, sometimes by the introduction of unwarranted "accidentals" and also by actual curtailment. I have, however, had the opportunity of referring to one of the few copies in existence of the original publication (formerly in the Halliwell-Phillip's collection), and have so been enabled to issue it in its correct form. Various a

Two

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pitting or s

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hind the other, the two pages should sing, not in unison, but one after the other. Hence the effort to arrang

so a collection called First Book of Consort Lessons for Six Instruments, Lute, Pandora, Cittern, Bass Viol, Flute and Treble Viol. Writing on this collection Dr Burney does not take a very high estimate of its musical value: "they seem to have been intended for Civic Feasts" (he says), "and Master Morley, supposing perhaps that the harmony which was to

in the Bodleian Library, and, later still, a part for the Pandora has been found in the Christ Church Library. We still want the parts for Lute and Bass Viol, but with these four we get a very good representation of the original, and at the Exhibition initiated by the Worshipful Company of Musicians we had one of these little tunes played by the six instruments, under the direction of the Rev. W. Galpin. We had to supply parts for Lute and

's collection. There are also examples, in MS. amongst the Harleian MSS., in the Christ Church Library at Oxford, and the Fitzwilliam and Peterhouse Librarie

n compositions include examples of his talent in many directions. As a theoretical writer he is really distinguished above

aries. One of the most touching testimonies is a beautiful Lament for Six Voices by Thomas Wee

f my friend Mr.

rived me of my

end is dead an

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end, as end must

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itten in his life-time, and may be given he

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1, and his name appears in two Rolls of Assessments for Subsidies. In the earlier of these documents is the name of William Shakespeare, his goods being valued at th