/1/130512/coverbig.jpg?v=6d01cd8311b9b52d35ed6989829759a7)
find you. I'm not sure what my original sin was, but it
phone was flat, utterly neutral-a man who had san
llars of wet earth, three weeks of groceries if I was
's Financial Services division. I'm calling in reference
ferred to as Caitlin-an asset to be managed, a
March chill that gets into
ghosts. The figure emerging from the clay on my workbench had shaped itself without my permission. A body tearing i
ice came out rough, like an old mac
cks of his keyboard-he was reading from a script. "That said, the payment was not sufficient to alter the account's status. The cu
sculpture, its faceless head bowed. The gall
I said. My knuckles were whi
ds to co
f we don't receive a substantial payment to clear the ninety-days-past-due by the end of
go to die. Where patients go to die-just more
ubstan
ousand
f the eight thousand I'd given Liam for his startup-my biggest sale ever. "An investment in us," I'd said, full of stupid hope.
lied. The words
'll note that
ed the
at the surface while I'd been talking - I could feel it the moment I pressed my thumb back in, that slight resist
- three years of payments that had barely moved the balance, the yellow of Caitlin's skin last February before they adjusted the dosage, the sound she made in her
that sound sin
e this grimy warehouse the morning was continuing perfectly normally, pigeons arguing on the fire esc
said. The words
sculpture. Arm
ything vital offere
unpolished, transgressive"-the kind of art that made collectors uncomfortable and then made them reach for thei
king for arti
t, Nora. Those collectors-they don't just buy art. They buy access. Obsession. Some
. A body destroying itse
npolished, and transg
ped it for transport. From cold
scenting blood. The space was deliberately industrial-exposed pipes, concrete floors, lighting that made ev
ose to my sculpture. "The violence of sacrifi
-haired, impeccably dressed. He hadn't moved in twenty minutes.
ing, he smiled. Then h
uzzed. Unk
sed. Full asking price. Th
teen thousand dollars. Enough to cover the hospit
Tower. Tomorrow. 10
d to have the largest private art collection in the country. A collection no one had ev
ll shaking. Not f
ck: Who is
tely: Someone who sees ex
t Caitlin's face swam before me-thin, pale, asking
there,
a tower that touched the sky
lpture had been, the industrial lighting making my hands look like someone else's. The other collector
my phone an

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