s work in the last edition annotated by E. H. and E. W. Blashfield and A. A. Hopkins. Passing over the studies of the intervening critics, Julius Meyer's biography may be mention

e considered almost definitive. It is issued in a single large volume, profusely illustrated. The author is the director of the galle

ork are Kugler's "Handbook of the Italian Schools," revised by A. H. Layar

" by E. H. and E. W. Blashfield, a delightful chapter on Parma describes Correggio's works and analyzes his art methods. Morelli's "Italian Painters" contains in various places some exceedingly im

red through the pages of Ruskin's "Modern Painters" and Hazlitt's "Essays on the Fine Arts." The volume on Correggio in the series "

Study and Criticism of Italian Art" makes its appearanc