/1/113406/coverbig.jpg?v=7b41f1c4df96d1b9b6043bfd74c20abb)
with a weight that spoke of
the warmth that had gathered there. Gemma Valdez stepped over the threshold, her stil
ows near the coatroom, her s
take your coat. The
lid from her arms and hit the floor
hands remained suspended wh
la
epped forward from the alcove where she'd been waiting, a re
a's fingers closed around it,
le. Half an inch. An unconscious movement, the body
he folder onto
aulted space. Every servant wi
ly, taking positions at the room's only exit. Their hands hung naturally
the door. Then the sta
ored. "You called Carmela Bronte from the kitchen landline at 9:47
. Closed it. A wet clic
name. The same day, you photographed the guest list for my father's private dinner with the chairma
ma, I can
e meeting with Dr. Alistair Finch. The meeting about my brother's trust. That meeting led to a fals
t herself on the entry table, her
t have access to my personal calendar. You don't know about my meetings with the
e to keep her informed, she wa
rough three intermediary accounts. Final destination: your son's construction company account in Jac
second-floor landing, searching for the woman who
ding wa
hing came fast and shallow, sm
ctive immediately. All access revoked. Your personal effects will be sear
, fingers grasping for Gemma's w
renda's upper arm, wrenching her away from Gemma wi
igh and desperate, the sound of
ith detached interest. "Federal charges. The FBI has a particular interest in cases involving attempts to influence orga
out as a gasp. "You can't
head. "Did you think we couldn't trace the beneficial owner of the shell company? D
thrashed in the soldier's gri
. Let me-she promised-she s
onte is
enda's other arm. They began to move her toward the side door, the serv
e, leaving black scuffs. Then something
ldier-he'd been careless, overconfident, and she had thirty years of
e
Toward the second floor. Toward the woman who had
more steps to the first landing. Her
shoe caught on the ed
disaster. Her body tilted backward, arms windmilling, f
flat on t
wet crack, like a melon droppe
nts turn away and retch. Dark liquid spread beneath her head, seeping into the white ma
en, his hands still in the position
ked towar
gone glassy, staring up at the chandelier. Close enough to sm
et pocket. Her phone came o
ental fall. I want the family's doctor here before any emergency services. I want the scene secured. I
g each face in turn. The maids. The gardeners. The u
eld her gaze for
the space, calm and absolute. "This hal
hand. Gemma took one, wiped her fingers methodically, a
stretched hand, close enough to notice the chipped nail polish, the calluses from
d not lo
udy, where the real work of manag
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