n up by Mr Holmes in his book 'What Is, and What Might Be,' of the things that

des

alk and

the dramatic se

aw, paint

dance a

w the why

onstruct

this catalogue bri

y rate with his chosen ones-his parents, brothers, sisters, nurse, governess, gardener, boot-boy (if he possess these last)-with other c

obviously all these are what Aristotle would call 'mimetic' instincts: 'imitative' (in a sense I shall presently explain); even as No. (2)-acting-like No. (1)-talking and listen

uble to parents, parsons, governesses, conventional schoolmasters-to all grown-up persons who pretend t

come,' the

of many

storks an

n

Evangelists' Window

er cows h

rn, and 'in the negative': in tolerant moments

instinct and discussed

s-the 'constructive instinc

uvoir: induire pour déduire, afin de construire. The desire to make things, to build things up, to control ways and means, to master the resources of nature, to put his knowledge of her laws and facts to practical use, is strong in his

ers into the art of making mud-pies and has also been applied in the past to great poetry. If you don't kee