The Virgin in Judgment by Eden Phillpotts
The Virgin in Judgment by Eden Phillpotts
Night stirred behind the eastern hills and a desert place burnt with fading splendour in the hour before sunset. The rolling miles of Ringmoor Down lay clad at this season in a wan integument of dead grass. Colourless as water, it simulated that element and reflected the tone of dawn or evening, sky or cloud; now sulked; now shone; now marked the passage of the wind with waves of light.
Ringmoor extends near the west quarter of Dartmoor Forest like an ocean of alternate trough and mound, built by the breath of storms. This region, indeed, shares something with the restless resting-places of the sea; and one may figure it as finally frozen into its present austerity by action of western winds that aforetime laboured without ceasing here on the bosom of a plastic earth. Only the primary forces model with such splendid economy of design, or present achievements so unadorned, yet so complete. The marvel of Ringmoor demanded unnumbered centuries of elemental collaboration before it spread, consummate and accomplished, under men's eyes. Rage of solar flame and fury of floods; the systole and diastole of Earth's own mighty heart-beat; the blast of inner fires, the rigour of age-long ice-caps--all have gone to mould this incarnate simplicity. Nor can Nature's achievement yet be gauged, for man himself must ascend to subtler perception before he shall gather the meaning of this moor.
The expanse is magnificently naked, yet sufficing; it is absolutely featureless, but never poverty-stricken. To the confines of a river it extends, and ceases there; yet that sudden wild uplifting of broken hills beyond; their dark, rocky places full of story; their porphyry pinnacles and precipices haunted by the legends and the spirits of old strike not so deeply into human sense as Ringmoor's vast monochrome fading slowly at the edge of night; fading as a cloudless sky fades; as light fades on the eyes of the semi-blind; fading without one stock or stone or man or beast to break the inexorable tenor of its way.
Upon some souls this huge monotony, thus mingling with the universal at eventide, casts fear; to others it is a manifestation precious as the presence of a friend; and for those whose working life brings them here, the waste's immensities at noon or night are one; its highways are their highways, and indifferently they move upon its bosom with the other ephemeral existences that haunt it. Yet by none of these people is Ringmoor truly felt or truly seen. Cultured minds weave pathetic fallacies and so pass by; while for the native this spot is first a grazing ground and last a recurrent incident of stern spaces to be compassed and recompassed on his own pilgrimage--to the young a weariness and to the old a grief.
Now light suffered a change. There was no detail to die, but a general fleeting radiance failed swiftly to the thick pallor that precedes darkness. Each perished grass-stem, of many millions that clad the waste, reflected the sky and paled its little lamp as the heavens paled. Then sobriety of dusk eliminated even the sweep and billow of the heath, and reduced all to a spectacle of withered and waning grey, that stretched formless, vague, vast, toward boundaries unseen.
It was at this stage in the unfolding phenomenon of night that life moved upon the void; a black, amorphous smudge crawled out of the gloom and crept tardily along. At length its form, as a double star seen through a telescope, divided and revealed a brace of animals, one of which staggered slowly on four legs, while the other went on two. A man led a horse by a halter; and the horse was old and black, bent, broken-kneed and worn out; while the man was also bent and ancient of his kind. Neither could travel very fast, and one was at the end of his life's journey, while the other had a small measure of years still assured.
Death thus moved across Ringmoor and trod a familiar rut in the wilderness; because, under the darkness eastward, was a bourn for beasts that had ceased to possess any living value. Through extinction only they served their masters for the last time and made profitable this final funeral march. The horse stopped, turned and seemed to ask a question with his eyes.
"Get on!" said the man. "There ban't much further for you to go."
The brute dragged towards peace and his hind hoofs struck sometimes and sounded the dull and dreary note of his own death bell; the old man sighed because he was very weary. Then from the fringe of night sprang young life and met this forlorn procession. A tall girl appeared and three collie dogs galloped and circled about her. Noting the man, they ran up to him, barked and wagged their tails in greeting.
"Be that anybody from Ditsworthy?" asked the traveller of the female shadow.
"'Tis I--Rhoda Bowden. I thought as you might be pretty tired and came to shorten your journey--that is if you'm old Mr. Elford from Good-a-Meavy."
"I am the man, and never older than to-night."
He stopped and rubbed his leg. The girl stood over him by half a foot. She was tall and straight, but in the murk one could see no more than her outlines, her pale sun-bonnet and a pale face under it.
"Have you got the money?" said the man.
"Yes--ten shillings."
She spoke slowly, with a voice uncommon deep for a young woman.
"Not twelve?"
"No."
The ancient made a sound that indicated disappointment and annoyance.
"And the price of the halter?"
"We don't want that. One of my brothers will bring it back to you next time they be down-along."
He handed her the rope and took a coin from her. Then he brought a little leathern purse from his breeches pocket and put the money into it.
"You're sure your faither didn't say twelve?"
"No."
"He's a hard man. Good-night to you."
"'Tis the right price for a dead horse. Good-night."
The ancient had no farewell word for his beast, and the companions of twelve years parted for ever. The girl took her way with the old horse; the man turned in his tracks moodily, chattering to himself.
"Warrener did ought to have give twelve," he said again and again as he went homewards. By furze banks and waste places and the confines of woods he passed, and then he stopped where a star twinkled above the gloomy summits of spruce firs. Beneath them there peered out a thatched cottage, but no light shone from its face. The patriarch entered with his frosty news, and almost instantly a female voice, shrill and full of trouble, struck upon the night.
"It did ought to have been twelve!"
Owls cried to each other across the forest and seemed to echo the lamentation.
I remember the very evening he came to Merivale. “Nubby” Tomkins had a cold on his chest, so Mathers and I stopped in from the half-hour “kick-about” in the playground before tea, being chums of Nubby’s. Whenever he gets a cold on the chest he thinks he is going to die, and this evening, sitting by the fire in the Fifth’s class-room, he roasted chestnuts for Mathers and me, and took a very gloomy view of his future life.
Madisyn was stunned to discover that she was not her parents' biological child. Due to the real daughter's scheming, she was kicked out and became a laughingstock. Thought to be born to peasants, Madisyn was shocked to find that her real father was the richest man in the city, and her brothers were renowned figures in their respective fields. They showered her with love, only to learn that Madisyn had a thriving business of her own. "Stop pestering me!" said her ex-boyfriend. "My heart only belongs to Jenna." "How dare you think that my woman has feelings for you?" claimed a mysterious bigwig.
My husband Julian celebrated our five-year anniversary by sleeping with his mistress. He thought I was a clueless trophy wife, too dim to notice the vanilla and tuberose scent on his expensive suits. He was wrong. For years, I played Mrs. Vance, hiding my brilliance while Julian claimed my patents. An anonymous email confirmed his ultimate betrayal: photos of him and Scarlett Kensington in ecstasy. My heart didn't break; it solidified into ice at five years wasted. I activated "The Protocol" for a new identity and escape countdown. Playing the doting wife, I plotted his downfall, catching him with his mistress selling my work, and publicly snapping his credit card. His betrayals and stolen work ignited a cold, calculated fury. He had no idea the monster he'd created. I was dismantling his empire. I shredded his patent papers, stripping him of his ill-gotten gains. With a final tap, I initiated "Identity Erasure." Mrs. Vance was dead. Dr. Evelyn Thorne had just begun her counterattack.
Maia grew up a pampered heiress-until the real daughter returned and framed her, sending Maia to prison with help from her fiancé and family. Four years later, free and married to Chris, a notorious outcast, everyone assumed Maia was finished. They soon discovered she was secretly a famed jeweler, elite hacker, celebrity chef, and top game designer. As her former family begged for help, Chris smiled calmly. "Honey, let's go home." Only then did Maia realize her "useless" husband was a legendary tycoon who'd adored her from the start.
Yelena discovered that she wasn't her parents' biological child. After seeing through their ploy to trade her as a pawn in a business deal, she was sent away to her barren birthplace. There, she stumbled upon her true origins-a lineage of historic opulence. Her real family showered her with love and adoration. In the face of her so-called sister's envy, Yelena conquered every adversity and took her revenge, all while showcasing her talents. She soon caught the attention of the city's most eligible bachelor. He cornered Yelena and pinned her against the wall. "It's time to reveal your true identity, darling."
Five years into marriage, Hannah caught Vincent slipping into a hotel with his first love-the woman he never forgot. The sight told her everything-he'd married her only for her resemblance to his true love. Hurt, she conned him into signing the divorce papers and, a month later, said, "Vincent, I'm done. May you two stay chained together." Red-eyed, he hugged her. "You came after me first." Her firm soon rocketed toward an IPO. At the launch, Vincent watched her clasp another man's hand. In the fitting room, he cornered her, tears burning in his eyes. "Is he really that perfect? Hannah, I'm sorry... marry me again."
I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him-my father, Giovanni Vitiello, the Don of the Chicago Outfit-watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London-an exile disguised as a severance package-I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.
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