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The cheap paint fumes were the last thing I smelled, trapped in my icy attic room, a constant reminder of the art that had become my death. My body, ravaged by a cough, lay on a lumpy mattress, my vibrant, unsold canvases mocking me from the walls. My phone, clutched in a trembling hand, was my only window to the life I should have had, glowing with a live stream from a grand art gala. And there she was: Evelyn Hayes. My adoptive mother. My mentor. My destroyer. She stood on a brightly lit stage, elegant and poised. Behind her, a painting. My style. The style she' d once called "immature." Now, the art world called it "revolutionary," as the chyron flashed: "Evelyn Hayes's Masterpiece Sells for Record-Breaking $10 Million." A bitter, silent scream trapped in my chest, the phone slipped from my fingers. The world went dark. Then, a gasp for air. My body shot up, but the air was clean, fresh. The crippling cough gone. My hands smooth, strong. This wasn't my dying attic. It was my high school bedroom, six years in the past. I was alive. I was healthy. I was back. The realization hit me like a tidal wave. Evelyn hadn't just stolen my art; she had built her career on my destruction, leaving me to die alone. The pain, the betrayal, the memory of her smiling face on that stage - it all ignited a fierce, burning resolve. "Never again," I whispered, my voice trembling with a power I hadn't felt in years. "You will not destroy me again, Evelyn. This time, I will expose you for the fraud you are." The game had begun.