The Man Who Lost Himself by H. De Vere Stacpoole
The Man Who Lost Himself by H. De Vere Stacpoole
It was the first of June, and Victor Jones of Philadelphia was seated in the lounge of the Savoy Hotel, London, defeated in his first really great battle with the thing we call life.
Though of Philadelphia, Jones was not an American, nor had he anything of the American accent. Australian born, he had started life in a bank at Melbourne, gone to India for a trading house, started for himself, failed, and become a rolling stone. Philadelphia was his last halt.
With no financial foundation, Victor and a Philadelphia gentleman had competed for a contract to supply the British Government with Harveyised steel struts, bolts, and girders; he had come over to London to press the business; he had interviewed men in brass hats, slow moving men who had turned him over to slower moving men. The Stringer Company, for so he dubbed himself and Aaron Stringer, who had financed him for the journey, had wasted three weeks on the business, and this morning their tender had been rejected. Hardmans', the Pittsburg people, had got the order.
It was a nasty blow. If he and Stringer could have secured the contract, they could have carried it through all right, Stringer would have put the thing in the hands of Laurenson of Philadelphia, and their commission would have been enormous, a stroke of the British Government's pen would have filled their pockets; failing that they were bankrupt. At least Jones was.
And justifiably you will say, considering that the whole business was a gigantic piece of bluff-well, maybe, yet on behalf of this bluffer I would put it forward that he had risked everything on one deal, and that this was no little failure of his, but a disaster, naked and complete.
He had less than ten pounds in his pocket and he owed money at the Savoy. You see he had reckoned on doing all his business in a week, and if it failed-an idea which he scarcely entertained-on getting back third class to the States. He had not reckoned on the terrible expenses of London, or the three weeks delay.
Yesterday he had sent a cable to Stringer for funds, and had got as a reply: "Am waiting news of contract."
Stringer was that sort of man.
He was thinking about Stringer now, as he sat watching the guests of the Savoy, Americans and English, well to do people with no money worries, so he fancied. He was thinking about Stringer and his own position, with less than ten pounds in his pocket, an hotel bill unreceipted, and three thousand miles of deep water between himself and Philadelphia.
Jones was twenty-four years of age. He looked thirty. A serious faced, cadaverous individual, whom, given three guesses you would have judged to be a Scotch free kirk minister in mufti; an actor in the melodramatic line; a food crank. These being the three most serious occupations in the world.
In reality, he had started life, as before said, in a bank, educated himself in mathematics and higher commercial methods, by correspondence, and, aiming to be a millionaire, had left the bank and struck out for himself in the great tumbling ocean of business.
He had glimpsed the truth. Seen the fact that the art of life is not so much to work oneself as to make other people work for one, to convert by one's own mental energy, the bodily energy of others into products or actions. Had this Government contract come off, he would have, and to his own profit, set a thousand hammers swinging, a dozen steel mills rolling, twenty ships lading, hammers, mills and ships he had never seen, never would see.
That is the magic of business, and when you behold roaring towns and humming wharves, when you read of raging battles, you see and read of the work of a comparatively small number of men, gentlemen who wear frock coats, who have never handled a bale, or carried a gun, or steered a ship with their own hands. Magicians!
He ordered a whisky and soda from a passing attendant, to help him think some more about Stringer and his own awful position, and was taking the glass from the salver when a very well dressed man of his own age and build who had entered by the passage leading up from the American bar drew his attention.
This man's face seemed quite familiar to him, so much so that he started in his chair as though about to rise and greet him. The stranger, also, seemed for a second under the same obsession, but only for a second; he made a half pause and then passed on, becoming lost to sight beyond the palm trees at the entrance. Jones leaned back in his chair.
"Now, where did I see that guy before?" asked he of himself. "Where on earth have I met him? and he recognised me-where in the-where in the-where in the-?"
His memory vaguely and vainly searching for the name to go with that face was at fault. He finished his whisky and soda and rose, and then strolled off not heeding much in what direction, till he reached the book and newspaper stand where he paused to inspect the wares, turning over the pages of the latest best seller without imbibing a word of the text.
Then he found himself downstairs in the American bar, with a champagne cocktail before him.
Jones was an abstemious man, as a rule, but he had a highly strung nervous system and it had been worked up. The unaccustomed whiskey and soda had taken him in its charge, comforting him and conducting his steps, and now the bar keeper, a cheery person, combined with the champagne cocktail, the cheeriest of drinks, so raised his spirits and warmed his optimism, that, having finished his glass he pushed it across the counter and said, "Give me another."
At this moment a gentleman who had just entered the bar came up to the counter, placed half a crown upon it and was served by the assistant bar keeper with a glass of sherry.
Jones, turning, found himself face to face with the stranger whom he had seen in the lounge, the stranger whose face he knew but whose name he could not remember in the least.
Jones was a direct person, used to travel and the forming of chance acquaintanceships. He did not hang back.
"'Scuse me," said he. "I saw you in the lounge and I'm sure I've met you somewhere or another, but I can't place you."
* * *
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Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
He was an orphan blessed with a small competency. His income, to use his own formula, consisted of a hundred a year and an uncle. During the first four months or so of the year he spent the hundred pounds, during the rest of the year he squandered his uncle; that is to say he would have squandered him only for the fact that Mr James Hancock, of the firm of Hancock & Hancock, solicitors, was a person most difficult to "negotiate."
The sun was breaking above the sea line, and the Pacific, heaving to the swell, lay all to the eastward in meadows of gold.
The sea lay blue to the far horizon. Blue—Ah, blue is but a name till you have seen the sea that breaks around the Bahamas and gives anchorage to the tall ships at Port Royal; that great sheet of blue water stretching from Cape Catoche to the Windward Islands, and from Yucatan to beyond the Bahamas, studded with banks and keys and reefs, the old sea of the Buccaneers shot over with the doings of Kidd and Singleton and Horne.
"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
After the divorce, she became the dream woman everyone longed for. James Ferguson saved Zelda Liamson and always did whatever she asked, making sure she had everything she could ever want. Zelda thought it was true love. After five years of marriage, she realized she was nothing more than his favourite pet, while he was her whole world. Then, the woman James truly loved came back, and Zelda demanded a divorce. James mocked her, saying, " You can't survive without me. What will you do without the Ferguson's name? " But Zelda did run away and never looked back, receiving marriage proposals every day. James lost his mind and returned, begging Zelda, "Please, come back to me. Give me another chance." His eyes were full of love and desperation.
Emma had agreed to pretend to be her boss's girlfriend at an event where his ex-wife planned to show up with the guy she had cheated with. "We'll see how this turns out."
The acrid smell of smoke still clung to Evelyn in the ambulance, her lungs raw from the penthouse fire. She was alive, but the world around her felt utterly destroyed, a feeling deepened by the small TV flickering to life. On it, her husband, Julian Vance, thousands of miles away, publicly comforted his mistress, Serena Holloway, shielding her from paparazzi after *her* "panic attack." Julian's phone went straight to voicemail. Alone in the hospital with second-degree burns, Evelyn watched news replays, her heart rate spiking. He protected Serena from camera flashes while Evelyn burned. When he finally called, he demanded she handle insurance, dismissing the fire; Serena's voice faintly heard. The shallow family ties and pretense of marriage evaporated. A searing injustice and cold anger replaced pain; Evelyn knew Julian had chosen to let her burn. "Evelyn Vance died in that fire," she declared, ripping out her IV. Armed with a secret fortune as "The Architect," Hollywood's top ghostwriter, she walked out. She would divorce Julian, reclaim her name, and finally step into the spotlight as an actress.
Clara had to die once to see who truly surrounded her-traitors and opportunists everywhere. After her rebirth, she swore to make her enemies pay. Her fiancé mocked, "You think you deserve me?" She punched him and ended the engagement. Her stepsister played innocent, but Clara shut her down with a cold retort. "Stop pretending! I'm tired of your little act!" They called her a loser, but Clara didn't bother defending herself. Instead, she revealed her real power: superstar, racing champion, and secret mogul. When her masks fell, chaos erupted. Her ex begged, and the crime lord claimed her, but Clara had already conquered them all.
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