Blue-grass and Broadway by Maria Thompson Daviess
Blue-grass and Broadway by Maria Thompson Daviess
"We are all going to stand by, little girl"
* * *
BLUE-GRASS
AND
BROADWAY
BY
MARIA THOMPSON DAVIESS
Author of "The Melting of Molly," "The Golden Bird," "The Tinder Box," etc.
NEW YORK
THE CENTURY CO.
From the book:All love is a gas, and it takes either loneliness, strength of character, or religion to liquefy it into a condition to be ladled out of us, one to another. There is a certain dangerously volatile state of it; and occasionally people, especially of opposite sexes, try to administer it to each other in that form, with asphyxiation resulting to both hearts. And I'm willing to confess that it is generally a woman's fault when such an accident occurs. That is, it is a mistake of her nature, not one of intent. But she is learning! Also when a woman is created, the winds have wooed star-dust, rose-dew, peach-down, and a few flint-shavings into a whirlwind of deviltry, and the world at large looks on in wonder and sore amazement, as well as breathless interest. I know, because I am one, and have just been waked up by the gyrations of the cyclone; and I'm deeply confounded. I don't like it, and wish I could have slept longer, but Fate and Jane Mathers decreed otherwise. At least Jane decreed, and Fate seems so far helpless to controvert the decree.
From the book:A beautiful woman is intended to create a heaven on earth and she has no business wasting herself making imaginary excursions into any future paradise. The present is her time for action; and again, Charlotte, I ask you to name the day upon which you intend to marry me, said Nickols Powers, as he stood lounging in the broad window of Aunt Clara's music room and gazing down into the subdued traffic of upper Madison Avenue. "I wish you had never taken me across that ferry and into that room crowded with redolent humanity to hear an absurd little man string together vivid, gross words about religion, words that made me tingle all over," I answered as I threw my coat on a chair, lifted my hat from my head and sat down on the seat before the dark old piano. "I think religion is the most awful thing in the world and I am as afraid of it as I am of - of death. I'm going home to my father." "Oh, don't be afraid of it. Religion is the most potent form of intoxication known to the human race. That's why I took you over to hear the little baseball player. I wanted you to get a sip. But don't let it go to your head." And Nickols mocked me with soft tenderness in his smile.
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"Now, child, be sure and don't mix 'em with a heavy hand! Lightness is expected of riz biscuits and had oughter be dealt out to 'em by the mixer from the start. Just this way - " "Mother, oh, Mother," came a perturbed hail in Doctor Mayberry's voice from the barn door, "Spangles is off the nest again - better come quick!" "Can't you persuade her some, Tom?" Mother called back from the kitchen door as she peered anxiously across the garden fence and over to the gray barn where the Doctor stood holding the door half open, but ready for a quick close-up in case of an unexpected sally. "My hands is in the biscuits and I don't want to come now. Just try, Tom!" "I have tried and I can't do it! She's getting the whole convention agitated. You'd better come on, Mother!" "Dearie me," said Mrs. Mayberry, as she rinsed her hands in the wash-pan on the shelf under tin cedar bucket, "Tom is just as helpless with the chickens at setting time as a presiding elder is at a sewing circle; can't use a needle, too stiff to jine the talk and only good when it comes to the eating, from broilers to frying size. Just go on and mix the biscuits with faith, honey-bird, for I mistrust I won't be back for quite a spell."
Imprisoned at twenty and freed at twenty-three, she spent three years sharpening her skills-enough to crush her enemies. In her previous life, she was betrayed by her parents and brother, taking the fall for an impostor's crime. Tortured in prison while the impostor lived in luxury, she died with hatred in her heart-only to awaken at the start of her sentence. This time, innocence abandoned, she mastered finance, combat, and power behind bars. Three years later, she emerged as a force in business. Her revenge set in motion, a ruthless tycoon appeared. He cornered her against the wall, his fingers tracing her neck as his voice dropped to a low, dangerous whisper. "Let me join your quest for revenge."
He backed her against the wall, his voice a low growl. "Don't call me uncle." A teasing smirk touched her lips. "I gave you everything," she whispered. "But you said I was your partner's daughter. That it could never work. The choice was always yours." Prince Mathew's hand cradled her throat, his dominance a palpable force. "The age gap is nothing! only a few years. I am not your uncle." The fear of losing her shattered his control. His mouth crashed down on hers in a searing, desperate kiss. His mind screamed that she was forbidden, but his body craved her, and his wolf demanded to claim its mate. With a final surrender, he pressed his teeth to her neck, marking her forever. "You are mine," he vowed possessively. "Only mine." As a billionaire hiding his identity as the next Alpha King, control was his currency. He never expected to fall for his best friend's rebellious daughter. One night was a mistake. A second was a betrayal. But claiming her as his mate? That was a risk he was finally willing to take.
Since she was ten, Noreen had been by Caiden's side, watching him rise from a young boy into a respected CEO. After two years of marriage, though, his visits home grew rare. Gossip among the wealthy said he despised her. Even his beloved mocked her hopes, and his circle treated her with scorn. People forgot about her decade of loyalty. She clung to memories and became a figure of ridicule, worn out from trying. They thought he'd won his freedom, but he dropped to his knees and begged, "Noreen, you're the only one I love." Leaving behind the divorce papers, she walked away.
Nadine reunited with her family, convinced she'd been discarded, rage simmering-only to find collapse: her mother unstable, her father poisoned; a pianist brother trapped in a sham marriage, a detective brother framed and jailed, the youngest dragged into a gang. While the fake daughter mocked and colluded, Nadine moved in secret-healing her mother, curing her father, ending the union, clearing charges, and lifting the youngest to leader. Rumors said she rode coattails, unworthy of Rhys, the unmatched magnate. Few knew she was a renowned healer, legendary assassin, mysterious tycoon... Rhys knelt. "Marry me! The entire empire is yours for the taking!"
The whispers said that out of bitter jealousy, Hadley shoved Eric's beloved down the stairs, robbing the unborn child of life. To avenge, Eric forced Hadley abroad and completely cut her off. Years later, she reemerged, and they felt like strangers. When they met again, she was the nightclub's star, with men ready to pay fortunes just to glimpse her elusive performance. Unable to contain himself, Eric blocked her path, asking, "Is this truly how you earn a living now? Why not come back to me?" Hadley's lips curved faintly. "If you’re eager to see me, you’d better join the queue, darling."
Eliana reunited with her family, now ruined by fate: Dad jailed, Mom deathly ill, six crushed brothers, and a fake daughter who'd fled for richer prey. Everyone sneered. But at her command, Eliana summoned the Onyx Syndicate. Bars opened, sickness vanished, and her brothers rose-one walking again, others soaring in business, tech, and art. When society mocked the "country girl," she unmasked herself: miracle doctor, famed painter, genius hacker, shadow queen. A powerful tycoon held her close. "Country girl? She's my fiancée!" Eliana glared at him. "Dream on." Resolutely, he vowed never to let go.
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