Aunt Madge's Story by Sophie May
Aunt Madge's Story by Sophie May
Here you sit, Horace, Prudy, Dotty, and Flyaway, all waiting for a story. How shall I begin? I cannot remember the events of my life in right order, so I shall have to tell them as they come into my mind. Let us see. To go back to the long, long summer, when I was a child:
There once lived and moved a little try-patience, called Margaret Parlin; no more nor less a personage than myself, your affectionate auntie, and very humble servant. I was as restless a baby as ever sat on a papa's knee and was trotted to "Boston." When I cried, my womanly sister 'Ria, seven years old, thought I was very silly; and my brother Ned, aged four, said, "Div her a pill; I would!"
He thought pills would cure naughtiness. If so, I ought to have swallowed some. Pity they didn't "div" me a whole box full before I began to creep; for I crept straight into mischief. Aunt Persis, a very proper woman, with glittering black eyes, was more shocked by me than words can tell. She said your grandma "spoiled me by baby-talk; it was very wrong to let little ones hear baby-talk. If she had had the care of me she would have taught me grammar from the cradle." No doubt of it; but unfortunately I had to grow up with my own father and mother, and ever so many other folks, who were not half as wise as Aunt Persis.
They called me Marg'et, Maggie, Marjie, Madge; and your grandpa's pet name was Totty-wax; only, if I joggled the floor when he shaved, it was full-length "Mar-ga-ret."
I was a sad little minx, so everybody kindly informed me, and so I fully believed. My motto in my little days seems to have been, "Speak twice before you think once;" and you will see what troubles it led me into. I never failed to "speak twice," but often forgot the thinking altogether. Margaret means Daisy; but if I was like any flower at all, I should say it was "the lady in the bower." You know it, Prudy, how it peeps out from a tangle of little tendrils? Just so I peeped out, and was dimly seen, through a wild, flying head of hair. Your grandma was ashamed of me, for if she cut off my hair I was taken for a boy, and if she let it grow, there was danger of my getting a squint in my eye. Sometimes I ran into the house very much grieved, and said,-
"O, mamma, I wasn't doin' noffin, only sitting top o' the gate, and a man said, 'Who's that funny little fellow?'-Please, mamma, won't you not cut my hair no more?"
I was only a wee bit of a Totty-wax when she stopped cutting my yellow hair, and braided it in two little tails behind. The other girls had braids as well as I; but, alas! mine were not straight like theirs; they quirled over at the end. I hated that curly kink; if it didn't go off it would bring my gray hairs with sorrow to the grave.
But, children, I fear some of the stories I told were crookeder than even my braids. In the first place, I didn't know any better. I told lies, to hear how funny they would sound. My imagination was large, and my common sense small. I lived in a little world of my own, and had very queer thoughts. Perhaps all children do; what think, Fly? When I was lying in the cradle I found my hands one day, and I shouldn't wonder if I thought they were two weeny babies come visiting; what do you suppose? Of course I didn't know they belonged to me, but I stared at them, and tried to talk. And from that time until I was a great girl, as much as five years old, I was always supposing things were "diffunt" from what they really were. I thought our andirons were made of gold, just like the stars, only the andirons had enough gold in them to sprinkle the whole sky, and leave a good slice to make a new sun. When I saw a rainbow, I asked if it was "a side-yalk for angels to yalk on?"
I thought the cat heard what I said when I talked to her, and if I picked a flower I kissed it, for "mebbe" the flower liked to be kissed.
I had a great deal of fun "making believe," all to myself. I made believe my mamma had said I might go somewhere, and off I would go, thinking, as I crept along by the fence, bent almost double for fear of being seen, "Prehaps she'll tie me to the bed-post for it."
And she always did.
I was the youngest of the family then, but I made believe I had once had a sister Marjie, no bigger than my doll, and a naughty woman in a green cloak came and carried her off in her pocket. I told my little friend Ruphelle so much about this other Marjie that she believed in her, and after a while I believed in her myself. We used to sit on the hay and talk about her, and wonder if the naughty woman would ever bring her back. We thought it would be nice to have her to play with.
This was not very wicked; it was only a fairy story. But the mischief was, my dear mother did not know where to draw the line between fairy stories and lies. Once I ran away, and Mrs. Gray told her she had seen me playing on the meeting-house steps with Ann Smiley.
"No, mamma," said I, catching my breath, "'twasn't me Mis' Gray saw; I know who 'twas. There's a little girl in this town looks jus' like me; has hair jus' the same; same kind o' dress; lives right under the meeting-house. Folks think it's me!"
Your grandma was distressed to have me look her straight in the face and tell such a lie; but the more she said, "Why, Margaret!" the deeper I went into particulars.
"Name's Jane Smif. Eats acorns; sleeps in a big hole. Didn't you never hear about her, mamma?"
As I spoke, I could almost see Jane Smif creeping slyly out of the big hole with mud on her apron. She was as real to me as some of the little girls I met on the street; not the little girls I played with, but those who "came from over the river."
My dear mother did not know what to do with a child that had such a habit of making up stories; but my father said,-
"Totty-wax doesn't know any better."
Mother sighed, and answered, "But Maria always knew better."
I knew there was "sumpin bad" about me, but thought it was like the black on a negro's face, that wouldn't wash off. The idea of trying to stop lying never entered my head. When mother took me out of the closet, and asked, "Would I be a better girl?" I generally said, "Yes um," very promptly, and cried behind my yellow hair; but that was only because I was touched by the trembling of her voice, and vaguely wished, for half a minute, that I hadn't made her so sorry; that was all.
But when I told that amazing story about Jane Smif, in addition to running away, mother whipped me for the first time in my life with a birch switch.
"Margaret," said she, "if you ever tell another wrong story, I shall whip you harder than this, you may depend upon it."
I was frightened into awful silence for a while, but soon forgot the threat. I was careful to avoid the name of Jane Smif, but I very soon went and told Ruphelle that my mamma had silk dresses, spangled with stars; "kep' 'em locked into a trunk; did her mamma have stars on her dresses?" Ruphelle looked as meek as a lamb, but her brother Gust snapped his fingers, and said,-
"O, what a whopper!"
That is why I remember it, for Ruth heard him, and asked what kind of a whopper I had been telling now, and reported it to mother.
Mother rose very sorrowfully from her chair, and bade me follow her into the attic. I went with fear and trembling, for she had that dreadful switch in her hand. Poor woman! She wished she had not promised to use it again, for she began to think it was all in vain. But she must not break her word; so she struck me across the wrists and ankles several times; not very hard, but hard enough to make me hop about and cry.
When she had finished she turned to go down stairs, but I said something so strange that she stopped short with surprise.
"I can't 'pend upon it, mamma," said I, looking out through my hair, with the tears all dried off. "You said you'd whip me harder, but you whipped me softer. I can't 'pend upon it, mamma. You've telled a lie yourse'f."
What could mother say? I have often heard her describe the scene with a droll smile. She gave me a few more tingles across the neck, to satisfy my ideas of justice; but that was the last time she used the switch for many a long day. Not that I stopped telling marvellous stories; but she thought she would wait till she saw some faint sign in me that I knew the "diffunce" between truth and falsehood.
* * *
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?
She spent ten years chasing after the right brother, only to fall for the wrong one in one weekend. ~~~ Sloane Mercer has been hopelessly in love with her best friend, Finn Hartley, since college. For ten long years, she's stood by him, stitching him back together every time Delilah Crestfield-his toxic on-and-off girlfriend-shattered his heart. But when Delilah gets engaged to another man, Sloane thinks this might finally be her chance to have Finn for herself. She couldn't be more wrong. Heartbroken and desperate, Finn decides to crash Delilah's wedding and fight for her one last time. And he wants Sloane by his side. Reluctantly, Sloane follows him to Asheville, hoping that being close to Finn will somehow make him see her the way she's always seen him. Everything changes when she meets Knox Hartley, Finn's older brother-a man who couldn't be more different from Finn. He's dangerously magnetic. Knox sees right through Sloane and makes it his mission to pull her into his world. What starts as a game-a twisted bet between them-soon turns into something deeper. Sloane is trapped between two brothers: one who's always broken her heart and another who seems hell-bent on claiming it... no matter the cost. CONTENT WARNING: This story is strongly 18+. It delves into dark romance themes such as obsession and lust with morally complex characters. While this is a love story, reader discretion is advised.
Vesper's marriage to Julian Sterling was a gilded cage. One morning, she woke naked beside Damon Sterling, Julian's terrifying brother, then found a text: Julian's mistress was pregnant. Her world shattered, but the real nightmare had just begun. Julian's abuse escalated, gaslighting Vesper, funding his secret life. Damon, a germaphobic billionaire, became her unsettling anchor amidst his chaos. As "Iris," Vesper exposed Julian's mistress, Serena Sharp, sparking brutal war: poisoned drinks, a broken leg, and the horrifying truth-Julian murdered her parents, trapping Vesper in marriage. The man she married was a killer. Broken and betrayed, Vesper was caught between monstrous brothers, burning with injustice. Refusing victimhood, Vesper reclaimed her identity. Fueled by vengeance, she allied with Damon, who vowed to burn his empire for her. Julian faced justice, but matriarch Eleanor's counterattack forced Vesper's choice as a hitman aimed for her.
Elena, once a pampered heiress, suddenly lost everything when the real daughter framed her, her fiancé ridiculed her, and her adoptive parents threw her out. They all wanted to see her fall. But Elena unveiled her true identity: the heiress of a massive fortune, famed hacker, top jewelry designer, secret author, and gifted doctor. Horrified by her glorious comeback, her adoptive parents demanded half her newfound wealth. Elena exposed their cruelty and refused. Her ex pleaded for a second chance, but she scoffed, "Do you think you deserve it?" Then a powerful magnate gently proposed, "Marry me?"
I woke up on silk sheets that smelled of expensive cedar and cold sandalwood, a world away from my cramped apartment in Brooklyn. Beside me lay Ezra Gardner—my boss, the billionaire CEO of Gardner Holdings, and the man who could end my career with a snap of his fingers. He didn’t offer an apology for the night before; instead, he looked at me with terrifying clarity and proposed a cold, calculated business arrangement. "Marriage. It stabilizes the board and solves the PR crisis before it begins." He dressed me in archival Chanel and sent me home in his Maybach, but my life was already falling apart. My boyfriend, Irving, claimed he had passed out early, yet his location data placed him at my best friend’s apartment until three in the morning. When I tried to run, I realized Ezra was already ten steps ahead, tracking my movements and uncovering the secret I’d spent twenty years hiding: my connection to the powerful Senator Grimes. I was trapped between a CEO who treated me like a line item on a quarterly report and a boyfriend who had been using me while sleeping with my closest friend. I felt like a pawn in a game I didn't understand, wondering why a man like Ezra would walk up forty flights of stairs on a broken leg just to make sure I was safe. "Showtime, Mrs. Gardner." Standing on the red carpet in a gown that cost more than my life, I watched my cheating ex-boyfriend’s face turn pale as Ezra claimed me in front of the world. I wasn't just an assistant anymore; I was a weapon, and it was time to burn their world down.
Everyone in town knew Amelia had chased Jaxton for years, even etching his initials on her skin. When malicious rumors swarmed, he merely straightened his cuff links and ordered her to kneel before the woman he truly loved. Seething with realization, she slammed her engagement ring down on his desk and walked away. Not long after, she whispered "I do" to a billionaire, their wedding post crashing every feed. Panic cracked Jaxton. "She's using you to spite me," he spat. The billionaire just smiled. "Being her sword is my honor."
© 2018-now CHANGDU (HK) TECHNOLOGY LIMITED
6/F MANULIFE PLACE 348 KWUN TONG ROAD KL
TOP
GOOGLE PLAY