All-Hallow Eve; or, The Test of Futurity. by Robert Curtis
All-Hallow Eve; or, The Test of Futurity. by Robert Curtis
I could have wished that the incidents which I am about to describe in the following tale had taken place in some locality with a less Celtic, and to English tongues a more pronounceable, name than Boher-na-Milthiogue. I had at first commenced the tale with the word itself, thus: "Boher-na-Milthiogue, though in a wild and remote part of Ireland," etc.
But I was afraid that, should an English reader take up and open the book, he would at the very first word slap it together again between the palms of his hands, saying, "Oh, that is quite enough for me!" Now, as my English readers have done me vastly good service on former occasions, I should be sorry to frighten them at the outset of this new tale; and I have therefore endeavored to lead them quietly into it. With my Irish friends no such circumlocution would have been necessary. Perhaps, if I dissever and explain the word, it may enable even my English readers in some degree to approach a successful attempt at its pronunciation. I am aware, however, of the difficulty they experience in this respect, and that their attempts at some of our easiest names of Irish places are really laughable-laughable, at least, to our Celtic familiarity with the correct sound.
Boher is the Irish for "bridge," and milthiogue for a "midge;" Boher-na-Milthiogue, "the midge's bridge."
There now, if my English friends cannot yet pronounce the word properly, which I still doubt, they can at least understand what it means. It were idle, I fear to hope, that they can see any beauty in it; and yet that it is beautiful there can be no Celtic doubt whatever.
Perhaps it might have been well to have written thus far in the shape of a preface; but as nobody nowadays reads prefaces, the matter would have been as bad as ever. I shall therefore continue now as I had intended to have commenced at first.
Boher-na-Milthiogue, though in a wild and remote part of Ireland, is not without a certain degree of natural and romantic beauty, suiting well the features of the scene in which it lies.
Towering above a fertile and well-cultivated plain frown and smile the brother and sister mountains of Slieve-dhu and Slieve-bawn, the solid masonry of whose massive and perpendicular precipices was built by no human architect. The ponderous and scowling rocks of Slieve-dhu, the brother, are dark and indistinct; while, separated from it by a narrow and abrupt ravine, those of Slieve-bawn, the sister, are of a whitish spotted gray, contrasting cheerfully with those of her gloomy brother.
There is generally a story in Ireland about mountains or rivers or old ruins which present any peculiarity of shape or feature. Now it is an undoubted fact, which any tourist can satisfy himself of, that although from sixty to a hundred yards asunder, there are huge bumps upon the side of Slieve-bawn, corresponding to which in every respect as to size and shape are cavities precisely opposite them in the side of Slieve-dhu. The story in this case is, that although formerly the mountains were, like a loving brother and sister, clasped in each other's arms, they quarrelled one dark night (I believe about the cause of thunder), when Slieve-dhu in a passion struck his sister a blow in the face, and staggered her back to where she now stands, too far for the possibility of reconciliation; and that she, knowing the superiority of her personal appearance, stands her ground, as a proud contrast to her savage and unfeeling relative.
Deep straight gullies, worn by the winter floods, mark the sides of both mountains into compartments, the proportion and regularity of which might almost be a matter of surprise, looking like huge stripes down the white dress of Slieve-bawn, while down that of Slieve-dhu they might be compared to black and purple plaid.
"Far to the north," in the bosom of the minor hills, lies a glittering lake-glittering when the sun shines; dark, sombre, and almost imperceptible when the clouds prevail.
The origin of the beautiful name in which the spot itself rejoices I believe to be this; but why do I say "believe?" It is a self-evident and well-known fact.
Along the base of Slieve-bawn there runs a narrow roadeen, turning almost at right angles through the ravine already mentioned, and leading to the flat and populous portion of the country on the other side of the mountains, and cutting the journey, for any person requiring to go there, into the sixteenth of the distance by the main road. In this instance the proverb would not be fulfilled, that "the longest way round was the shortest way home." Across one of the winter-torrent beds which runs down the mountain side, almost at the entrance of the ravine, is a rough-built rustic bridge, at a considerable elevation from the road below. To those approaching it from the lower level, it forms a conspicuous and exceedingly picturesque object, looking not unlike a sort of castellated defence to the mouth of the narrow pass between the mountains.
This bridge, toward sunset upon a summer's evening, presents a very curious and (except in that spot) an unusual sight. Whether it arises from any peculiarity of the herbage in the vicinity, or the fissures in the mountains, or the crevices in the bridge itself, as calculated to engender them, it would be hard to say; but it would be impossible for any arithmetician to compute at the roughest guess the millions, the billions of small midges which dance in the sunbeams immediately above and around the bridge, but in no other spot for miles within view. The singularity of their movements, and the peculiarity of their distribution in the air, cannot fail to attract the observation of the most careless beholder. In separate and distinct batches of some hundreds of millions each, they rise in almost solid masses until they are lost sight of, as they attain the level of the heathered brow of the mountain behind them, becoming visible again as they descend into the bright sunshine that lies upon the white rocks of Slieve-bawn. In no instance can you perceive individual or scattered midges; each batch is connected and distinct in itself, sometimes oval, sometimes almost square, but most frequently in a perfectly round ball. No two of these batches rise or fall at the same moment. I was fortunate enough to see them myself upon more than one occasion in high perfection. They reminded me of large balls thrown up and caught successively by some distinguished acrobat. During the performance, a tiny little sharp whir of music fills the atmosphere, which would almost set you to sleep as you sit on the battlement of the bridge watching and wondering.
By what law of creation, or what instinct of nature, or, if by neither, by what union of sympathy the movements of these milthiogues are governed-for I am certain there are millions of them at the same work in the same spot this fine summer's evening-would be a curious and proper study for an entomologist; but I have no time here to do more than describe the facts, were I even competent to enter into the inquiry. Fancy say fifty millions of midges in a round ball, so arranged that, under no suddenness or intricacy of movement, any one touches another. There is no saying amongst them, "Keep out of my way, and don't be pushin' me," as Larry Doolan says.
So far, the thing in itself appears miraculous; but when we come to consider that their motions, upward to a certain point, and downward to another, are simultaneous, that the slightest turn of their wings is collectively instantaneous, rendering them at one moment like a black target, and another turn rendering them almost invisible, all their movements being as if guided by a single will-we are not only lost in wonder, but we are perfectly unable to account for or comprehend it. I have often been surprised, and so, no doubt, may many of my readers have been, at the regularity of the evolutions of a flock of stares in the air, where every twist and turn of a few thousand pairs of wings seemed as if moved by some connecting wire; but even this fact, surprising as it is, sinks into insignificance when compared with the movements of these milthiogues.
But putting all these inquiries and considerations aside, the simple facts recorded have been the origin of the name with which this tale commences.
A year into the marriage, Thea rushed home with radiant happiness-she was pregnant. Jerred barely glanced up. "She's back." The woman he'd never let go had returned, and he forgot he was a husband, spending every night at her hospital bed. Thea forced a smile. "Let's divorce." He snapped, "You're jealous of someone who's dying?" Because the woman was terminal, he excused every jab and made Thea endure. When love went cold, she left the papers and stormed off. He locked down the city and caught her at the airport, eyes red, dropping to his knees. "Honey, where are you going with our child?"
Corinne devoted three years of her life to her boyfriend, only for it to all go to waste. He saw her as nothing more than a country bumpkin and left her at the altar to be with his true love. After getting jilted, Corinne reclaimed her identity as the granddaughter of the town's richest man, inherited a billion-dollar fortune, and ultimately rose to the top. But her success attracted the envy of others, and people constantly tried to bring her down. As she dealt with these troublemakers one by one, Mr. Hopkins, notorious for his ruthlessness, stood by and cheered her on. "Way to go, honey!"
She came to survive. He was born to rule. Fate made them mates. And that's where the nightmare began. Evangeline has spent her whole life on the edge, unwanted, unclaimed, and surviving in the shadows of Crescent Moon Pack. A omega by blood and an outcast by choice, she's learned to keep her head down and her scars hidden. But when her dying uncle asks her to enroll at Blackclaw Academy, a school built on bloodlines, brutality, and unforgiving rules..... she agrees. For him, not for herself. She expected whispers. Glares. Even cruelty. What she didn't expect was Ronan Nightbane. The future Alpha. Cold. Untouchable. Worshipped. Feared. And the one the Moon Goddess bound her soul to. Being his mate should've meant protection. Belonging. Destiny. But Ronan wants none of it. He rejects her in front of the entire academy. Mocks her. Marks her as nothing more than a mistake. A threat. A girl born of nothing, who means even less. But Evangeline? She doesn't break. Not for him. Not for anyone. Because the power buried inside her was never meant to be found. The truth behind her blood could burn the entire pack system to the ground. And Ronan, no matter how hard he fights it.... can't stay away. Their bond is poisonous. Addictive. Dangerous. And when war creeps closer and secrets claw their way into the light, he'll have to make a brutal choice: Reject her... or ruin them both.
It was supposed to be a marriage of convenience, but Carrie made the mistake of falling in love with Kristopher. When the time came that she needed him the most, her husband was in the company of another woman. Enough was enough. Carrie chose to divorce Kristopher and move on with her life. Only when she left did Kristopher realize how important she was to him. In the face of his ex-wife’s countless admirers, Kristopher offered her 20 million dollars and proposed a new deal. “Let’s get married again.”
Everyone was shocked to the bones when the news of Rupert Benton's engagement broke out. It was surprising because the lucky girl was said to be a plain Jane, who grew up in the countryside and had nothing to her name. One evening, she showed up at a banquet, stunning everyone present. "Wow, she's so beautiful!" All the men drooled, and the women got so jealous. What they didn't know was that this so-called country girl was actually an heiress to a billion-dollar empire. It wasn't long before her secrets came to light one after the other. The elites couldn't stop talking about her. "Holy smokes! So, her father is the richest man in the world?" "She's also that excellent, but mysterious designer who many people adore! Who would have guessed?" Nonetheless, people thought that Rupert didn't love her. But they were in for another surprise. Rupert released a statement, silencing all the naysayers. "I'm very much in love with my beautiful fiancee. We will be getting married soon." Two questions were on everyone's minds: "Why did she hide her identity? And why was Rupert in love with her all of a sudden?"
Mira found herself sold to her greatest enemies, who turned out to be her mates. She never expected to feel so much desire toward them, battling the bond while uncovering secrets that would shatter her world. The Lycan brothers-Rowan, Damien, Lucian, and Kai-are cursed, and the only cure lies in Mira's death. But how can they sacrifice the one woman they're bound to love?
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