Tommy Atkins at War: As Told in His Own Letters by James Alexander Kilpatrick
Tommy Atkins at War: As Told in His Own Letters by James Alexander Kilpatrick
"It is my Royal and Imperial Command that you concentrate your energies, for the immediate present upon one single purpose, and that is that you address all your skill and all the valor of my soldiers to exterminate first the treacherous English and walk over General French's contemptible little army."[A]
While this Imperial Command of the Kaiser was being written, Atkins, innocent of the fate decreed for him, was well on his way to the front, full of exuberant spirits, and singing as he went, "It's a long way to Tipperary." In his pocket was the message from Lord Kitchener which Atkins believes to be the whole duty of a soldier: "Be brave, be kind, courteous (but nothing more than courteous) to women, and look upon looting as a disgraceful act."
Troopship after troopship had crossed the Channel carrying Sir John French's little army to the Continent, while the boasted German fleet, impotent to menace the safety of our transports, lay helpless-bottled up, to quote Mr. Asquith's phrase, "in the inglorious seclusion of their own ports."
Never before had a British Expeditionary Force been organized, equipped and despatched so swiftly for service in the field. The energies of the War Office had long been applied to the creation of a small but highly efficient striking force ready for instant action. And now the time for action had come. The force was ready. From the harbors the troopships steamed away, their decks crowded with cheery soldiers, their flags waving a proud challenge to any disputant of Britain's command of the sea.
The expedition was carried out as if by magic. For a few brief days the nation endured with patience its self-imposed silence. In the newspapers were no brave columns of farewell scenes, no exultant send-off greetings, no stirring pictures of troopships passing out into the night. All was silence, the silence of a nation preparing for the "iron sacrifice," as Kipling calls it, of a devastating war. Then suddenly the silence was broken, and across the Channel was flashed the news that the troops had been safely landed, and were only waiting orders to throw themselves upon the German brigands who had broken the sacred peace of Europe.
And so the scene changes to France and Belgium. Tommy Atkins is on his way to the Front. He has already begun to send home some of those gallant letters that throb throughout the pages of this book. If he felt the absence of the stimulating send-off, necessitated by official caution and the exigencies of a European war, he at least had the new joy of a welcome on foreign soil. It is difficult to find words with the right quality in them to express the feelings aroused in our men by their reception, or the exquisite gratitude felt by the Franco-Belgian people. They welcomed the British troops as their deliverers.
"The first person to meet us in France," writes a British officer, "was the pilot, and the first intimation of his presence was a huge voice in the darkness, which roared out 'A bas Guillaume. Eep, eep, 'ooray!'" As transport after transport sailed into Boulogne, and regiment after regiment landed, the population went into ecstasies of delight. Through the narrow streets of the old town the soldiers marched, singing, whistling, and cheering, with a wave of their caps to the women and a kiss wafted to the children (but not only to the children!) on the route. As they swept along, their happy faces and gallant bearing struck deep into the emotions of the spectators. "What brave fellows, to go into battle laughing!" exclaimed one old woman, whose own sons had been called to the army of the Republic.
It was strange to hear the pipes of the Highlanders skirl shrilly through old Boulogne, and to catch the sound of English voices in the clarion notes of the "Marseillaise," but, strangest of all to French ears, to listen to that new battle-cry, "Are we down-hearted?" followed by the unanswerable "No-o-o!" of every regiment. And then the lilt of that new marching song to which Tommy Atkins has given immortality:-
"IT'S A LONG, LONG WAY TO TIPPERARY"[B]
Up to mighty London came an Irishman one day;
As the streets are paved with gold, sure ev'ry one was gay,
Singing songs of Piccadilly, Strand and Leicester Square,
Till Paddy got excited, then he shouted to them there:
CHORUS
It's a long way to Tipperary,
It's a long way to go;
It's a long way to Tipperary,
To the sweetest girl I know!
Good-by Piccadilly,
Farewell Leicester Square.
It's a long, long way to Tipperary,
But my heart's right there!
It's a' there!
Paddy wrote a letter to his Irish Molly O',
Saying, "Should you not receive it, write and let me know!
If I make mistakes in spelling, Molly dear," said he,
"Remember it's the pen that's bad, don't lay the blame on me."
(Chorus)
Molly wrote a neat reply to Irish Paddy O',
Saying, "Mike Maloney wants to marry me, and so
Leave the Strand and Piccadilly, or you'll be to blame,
For love has fairly drove me silly-hoping you're the same!"
(Chorus)
It may seem odd that the soldier should care so little for martial songs, or the songs that are ostensibly written for him; but that is not the fault of Tommy Atkins. Lyric poets don't give him what he calls "the stuff." He doesn't get it even from Kipling; Thomas Hardy's "Song of the Soldiers" leaves him cold. He wants no epic stanzas, no heroic periods. What he asks for is something simple and romantic, something about a girl, and home, and the lights of London-that goes with a swing in the march and awakens tender memories when the lilt of it is wafted at night along the trenches.
And so "Tipperary" has gone with the troops into the great European battlefields, and has echoed along the white roads and over the green fields of France and Belgium.
On the way to the front the progress of our soldiers was made one long fête: it was "roses, roses, all the way." In a letter published in The Times, an artillery officer thus describes it:
"As to the reception we have met with moving across country it has been simply wonderful and most affecting. We travel entirely by motor transport, and it has been flowers all the way. One long procession of acclamation. By the wayside and through the villages, men, women, and children cheer us on with the greatest enthusiasm, and every one wants to give us something. They strip the flower gardens, and the cars look like carnival carriages. They pelt us with fruit, cigarettes, chocolate, bread-anything and everything. It is simply impossible to convey an impression of it all. Yesterday my own car had to stop in a town for petrol. In a moment there must have been a couple of hundred people round clamoring; autograph albums were thrust in front of me; a perfect delirium. In another town I had to stop for an hour, and took the opportunity to do some shopping. I wanted some motor goggles, an eye-bath, some boracic, provisions, etc. They would not let me pay for a single thing-and there was lunch and drinks as well. The further we go the more enthusiastic is the greeting. What it will be like at the end of the war one cannot attempt to guess."
Similar tributes to the kindness of the French and Belgians are given by the men. A private in the Yorkshire Light Infantry-the first British regiment to go into action in this war-tells of the joy of the French people. "You ought to have seen them," he writes. "They were overcome with delight, and didn't half cheer us! The worst of it was we could not understand their talking. When we crossed the Franco-Belgian frontier, there was a vast crowd of Belgians waiting for us. Our first greeting was the big Union Jack, and on the other side was a huge canvas with the words 'Welcome to our British Comrades.' The Belgians would have given us anything; they even tore the sheets off their beds for us to wipe our faces with." Another Tommy tells of the eager crowds turning out to give our troops "cigars, cigarettes, sweets, fruits, wines, anything we want," and the girls "linking their arms in ours, and stripping us of our badges and buttons as souvenirs."
Then there is the other side of the picture, when the first battles had been fought and the strategic retreat had begun. No praise could be too high for the chivalry and humanity of our soldiers in these dark days. They were almost worshiped by the people wherever they went.
Some of the earliest letters from the soldiers present distressing pictures of the poor, driven refugees, fleeing from their homes at the approach of the Germans, who carry ruin and desolation wherever they go. "It is pitiful, pitiful," says one writer; "you simply can't hold back your tears." Others disclose our sympathetic soldier-men sharing their rations with the starving fugitives and carrying the children on their shoulders so that the weary mothers may not fall by the way. "Be invariably courteous, considerate, and kind" were Lord Kitchener's words to the Army, and these qualities no less than valor will always be linked with Tommy Atkins' name in the memories of the French and Belgian people.
They will never forget the happy spick-and-span soldiers who sang as they stepped ashore from the troopships at Boulogne and Havre, eager to reach the fighting line. These men have fought valiantly, desperately, since then, but their spirits are as high as ever, and their songs still ring down the depleted ranks as the war-stained regiments swing along from battle to battle on the dusty road to Victory.
* * *
Being second best is practically in my DNA. My sister got the love, the attention, the spotlight. And now, even her damn fiancé. Technically, Rhys Granger was my fiancé now-billionaire, devastatingly hot, and a walking Wall Street wet dream. My parents shoved me into the engagement after Catherine disappeared, and honestly? I didn't mind. I'd crushed on Rhys for years. This was my chance, right? My turn to be the chosen one? Wrong. One night, he slapped me. Over a mug. A stupid, chipped, ugly mug my sister gave him years ago. That's when it hit me-he didn't love me. He didn't even see me. I was just a warm-bodied placeholder for the woman he actually wanted. And apparently, I wasn't even worth as much as a glorified coffee cup. So I slapped him right back, dumped his ass, and prepared for disaster-my parents losing their minds, Rhys throwing a billionaire tantrum, his terrifying family plotting my untimely demise. Obviously, I needed alcohol. A lot of alcohol. Enter him. Tall, dangerous, unfairly hot. The kind of man who makes you want to sin just by existing. I'd met him only once before, and that night, he just happened to be at the same bar as my drunk, self-pitying self. So I did the only logical thing: I dragged him into a hotel room and ripped off his clothes. It was reckless. It was stupid. It was completely ill-advised. But it was also: Best. Sex. Of. My. Life. And, as it turned out, the best decision I'd ever made. Because my one-night stand isn't just some random guy. He's richer than Rhys, more powerful than my entire family, and definitely more dangerous than I should be playing with. And now, he's not letting me go.
Kathryn was the true daughter, but Jolene stole her life and set her up for ruin. After a brutal kidnapping scheme, Kathryn's loyalty to her brothers and fiancé was met with cruel betrayal. Narrowly escaping, she chose to cut all ties and never forgive them. Then she shocked the world: the miracle doctor for the elite, a top-tier hacker, a financial mastermind, and now the untouchable star her family could only watch from afar. Her brothers begged, her parents pleaded, her ex wanted her back-Kathryn exposed them all. The world gasped as the richest man confessed his love for her.
I watched my husband sign the papers that would end our marriage while he was busy texting the woman he actually loved. He didn't even glance at the header. He just scribbled the sharp, jagged signature that had signed death warrants for half of New York, tossed the file onto the passenger seat, and tapped his screen again. "Done," he said, his voice devoid of emotion. That was Dante Moretti. The Underboss. A man who could smell a lie from a mile away but couldn't see that his wife had just handed him an annulment decree disguised beneath a stack of mundane logistics reports. For three years, I scrubbed his blood out of his shirts. I saved his family's alliance when his ex, Sofia, ran off with a civilian. In return, he treated me like furniture. He left me in the rain to save Sofia from a broken nail. He left me alone on my birthday to drink champagne on a yacht with her. He even handed me a glass of whiskey—her favorite drink—forgetting that I despised the taste. I was merely a placeholder. A ghost in my own home. So, I stopped waiting. I burned our wedding portrait in the fireplace, left my platinum ring in the ashes, and boarded a one-way flight to San Francisco. I thought I was finally free. I thought I had escaped the cage. But I underestimated Dante. When he finally opened that file weeks later and realized he had signed away his wife without looking, the Reaper didn't accept defeat. He burned down the world to find me, obsessed with reclaiming the woman he had already thrown away.
"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?
After being kicked out of her home, Harlee learned she wasn't the biological daughter of her family. Rumors had it that her impoverished biological family favored sons and planned to profit from her return. Unexpectedly, her real father was a zillionaire, catapulting her into immense wealth and making her the most cherished member of the family. While they anticipated her disgrace, Harlee secretly held design patents worth billions. Celebrated for her brilliance, she was invited to mentor in a national astronomy group, drew interest from wealthy suitors, and caught the eye of a mysterious figure, ascending to legendary status.
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
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