Through the Air to the North Pole / Or, The Wonderful Cruise of the Electric Monarch
Through the Air to the North Pole / Or, The Wonderful Cruise of the Electric Monarch by Roy Rockwood
Through the Air to the North Pole / Or, The Wonderful Cruise of the Electric Monarch by Roy Rockwood
"Come now, you boys git out of here! No tramps allowed in Freeport while Ezra Jenkins is constable! Move along, now, or I'll arrest ye! Here's my badge of authority!" And a crabbed old man, wearing a faded blue suit, with a big shining star of metal on his coat, tapped the emblem with his club.
Two boys, who had just joined each other, after having called at houses on the main street of the little New York village, where Constable Jenkins held sway as the entire police force, started at the sound of the harsh voice.
"Come; are ye goin' to move?" snapped the constable.
"I suppose we'll have to," answered the larger and stouter of the two lads, "but we haven't done anything."
"Ye're tramps, ain't ye?" inquired the constable. "Course ye are! Been beggin', ain't ye? Course ye have! I kin see the victuals stickin' out of yer pockets now! Move on an' git out of Freeport! We don't want any tramps here!"
"Come on, Mark," said the heavier of the two boys; "if our room is better than our company, they can have the room. I hope you'll get richer boarders than we are," the youth went on, turning to the constable. "We are going to shake the dust of Freeport from our feet. I think they ought to call this town Closedport instead of Freeport!"
"None of yer sass, now!" warned the constable, tapping his badge again.
"Jest you move on out of town!"
"I think we had better go," murmured the other boy, who was thin and small. "Don't make any trouble, Jack."
"All right," assented the other. "Ta-ta, Mr. Chief of Police! See you later!"
"Here, you young rascals!" cried the constable. "Come back here an' I'll lock ye up!"
But the boys started to run, and, as Mr. Jenkins was no longer young, and as his legs were rather stiff, he went only a little way before he had to stop. He shook his fist after the two lads.
"Do you suppose he would have locked us up?" asked the small boy, whom his companion addressed as Mark. His full name was Mark Sampson, but he was very unlike his strong ancestor who pulled over the pillars of the temple.
"He acted mean enough to do anything," replied Jack Darrow, who was quite a contrast in point of size and fleshiness to his companion.
"What shall we do now?" asked Mark.
"Keep on moving, I guess," was the reply, "At least until we get outside of Freeport."
"Well, I'm glad I've got company now. It was lonesome before I met you."
"Same here. We'll travel a way together, eh?"
The two boys had met under rather strange circumstances. Early that morning Jack Darrow, the stout one, had awakened from his sleep in a pile of hay in a farmer's field. Close to him was another youth, whose name he had inquired as soon as the owner of it awoke.
Then the two boys discovered that their conditions in life were very similar. Both were orphans, about the same age, Jack being sixteen and Mark fifteen years, and neither had a place he could call home.
"My folks have been dead for some years," said Jack, in telling his story to his companion. "I was hired out to a farmer in the upper part of New York, but he worked me so hard and treated me so mean that I ran away. I've been tramping ever since; don't my clothes show it? You see I was forced to go without taking my many trunks along," and he laughed, for he was of a jolly disposition.
"My people are dead also," said Mark. "I had a job with a man going around the country with a traction engine, threshing wheat and oats at different farms. But he used to beat me, so, one night, I ran away."
"And didn't bring any extra clothes with you, either," put in Jack.
"I never owned any to bring. I only had the one suit I wore."
And after that the boys had told something of their experiences and become very friendly.
The two boys walked on for a while in silence, kicking up the dust of the country road. Then Jack came to a halt, clapped his hand on his pocket, and said:
"I nearly forgot I had something to eat! Just think of it! And I haven't dined since yesterday! I wonder what the lady gave me. She looked good natured."
He sat down on a grassy bank along the highway, pulled the package of food out, and began to eat with every indication of satisfaction.
"Bread, meat, piece of pie and a piece of cake!" he announced, looking over his lunch. "What did you get, Mark?"
"I got the same as you, except I didn't get any pie or cake."
"I guess your lady hadn't baked this week. Never mind, you can have half my pie and half my cake."
"I'm sure I'm much obliged," said the thin youth.
"You needn't be," broke in Jack. "That's the law of the road. When two-well, I suppose I might as well say tramps, for that's what we are-when two tramps go off together, they whack up. And that's what we're going to do!"
It did not take long for the boys to finish their simple meal. Jack, true to his promise, shared his dessert with his companion.
"Well, I feel like going on now, and looking for a job," remarked the heavier weighted lad. "What do you say, Mark?"
"I guess we might as well get out of this town. They don't seem to care for us. But I wish I had a drink of water."
"Nothing easier," replied Jack. "There you are," and he pointed a short distance ahead, where a brook ran along the road. The boys got down on their faces near a little pool, the bottom of which was covered with white pebbles, and drank heartily. Then, refreshed by the water, their hunger appeased, and rested, they started on the tramp again.
"Any particular place you want to go to?" asked Mark.
"No, I'm not particular. East or west, the north pole or the south pole. I haven't any one to worry about me, no matter which way I go. I'd a little rather go north, though, as it is mighty warm to-day," and Jack laughed carelessly.
Little did he guess how soon his wish was to be gratified.
"Then we may as well keep on until we get to the next town," said Mark.
They walked on for some distance, their thoughts busy with their recent experiences, when they suddenly heard a noise at a distance.
"Sounds like a freight train," said Mark.
"So it is! Come on! Let's get aboard! Riding is easier than walking any day! Hurry up!"
And then the two boys broke into a run toward a slow moving freight on a track that crossed the country road a short distance away from them.
"Look out that you don't get under the wheels!" cautioned Jack to his companion.
"Oh, I'm used to jumping the cars," replied Mark, as he ran quickly up beside the rails.
The two boys reached the track along which the freight train was bumping and clicking. It was a long outfit, with many box, flat and gondola cars.
"Try for a gondola!" suggested Jack, indicating the cars with sides about five feet high, and open at the top.
The next instant he had swung up on a car, thrusting his foot in the iron step, and grasping the handle in a firm grip. Jack grabbed the next car, and landed safely aboard. Then, running forward, and clambering over to where his companion was, Jack pulled Mark down on the bottom of the gondola.
"No use letting a brakeman see you if you can help it," he explained.
Roy Rockwood was a house pseudonym used by the Stratemeyer Syndicate for boy's adventure books. The name is mostly well-remembered for the Bomba, the Jungle Boy (1926-1937) and Great Marvel series (1906- 1935). The Stratemeyer Syndicate was the producer of a number of series for children and adults including the Nancy Drew mysteries, the Hardy Boys, and others. The Stratemeyer Syndicate was the creation of Edward Stratemeyer, whose ambition was to be a writer a la Horatio Alger. He succeeded in this ambition (eventually even writing eleven books under the pseudonym "Horatio Alger"), turning out inspirational, up-by-the-bootstraps tales. In Stratemeyer's view, it was not the promise of sex or violence that made such reading attractive to boys; it was the thrill of feeling "grown-up" and the desire for a series of stories, an "I want some more" syndrome. Works written under that name include: Five Thousand Miles Underground; or, The Mystery of the Centre of the Earth (1908), Jack North's Treasure Hunt (1907) and Lost on the Moon; or, In Quest of the Field of Diamonds (1911).
Lost on the Moon or In Quest of the Field of Diamonds by Roy Rockwood
Under the Ocean to the South Pole; Or, the Strange Cruise of the Submarine Wonder by Roy Rockwood
Through Space to Mars; Or, the Longest Journey on Record by Roy Rockwood
On a Torn-Away World; Or, the Captives of the Great Earthquake by Roy Rockwood
Emma had agreed to pretend to be her boss's girlfriend at an event where his ex-wife planned to show up with the guy she had cheated with. "We'll see how this turns out."
Today is October 14th, my birthday. I returned to New York after months away, dragging my suitcase through the biting wind, but the VIP pickup zone where my husband’s Maybach usually idled was empty. When I finally let myself into our Upper East Side penthouse, I didn’t find a cake or a "welcome home" banner. Instead, I found my husband, Caden, kneeling on the floor, helping our five-year-old daughter wrap a massive gift for my half-sister, Adalynn. Caden didn’t even look up when I walked in; he was too busy laughing with the girl who had already stolen my father’s legacy and was now moving in on my family. "Auntie Addie is a million times better than Mommy," my daughter Elara chirped, clutching a plush toy Caden had once forbidden me from buying for her. "Mommy is mean," she whispered loudly, while Caden just smirked, calling me a "drill sergeant" before whisking her off to Adalynn’s party without a second glance. Later that night, I saw a video Adalynn posted online where my husband and child laughed while mocking my "sensitive" nature, treating me like an inconvenient ghost in my own home. I had spent five years researching nutrition for Elara’s health and managing every detail of Caden’s empire, only to be discarded the moment I wasn't in the room. How could the man who set his safe combination to my birthday completely forget I even existed? The realization didn't break me; it turned me into ice. I didn't scream or beg for an explanation. I simply walked into the study, pulled out the divorce papers I’d drafted months ago, and took a black marker to the terms. I crossed out the alimony, the mansion, and even the custody clause—if they wanted a life without me, I would give them exactly what they asked for. I left my four-carat diamond ring on the console table and walked out into the rain with nothing but a heavily encrypted hard drive. The submissive Mrs. Holloway was gone, and "Ghost," the most lethal architect in the tech world, was finally back online to take back everything they thought I’d forgotten.
The acrid smell of smoke still clung to Evelyn in the ambulance, her lungs raw from the penthouse fire. She was alive, but the world around her felt utterly destroyed, a feeling deepened by the small TV flickering to life. On it, her husband, Julian Vance, thousands of miles away, publicly comforted his mistress, Serena Holloway, shielding her from paparazzi after *her* "panic attack." Julian's phone went straight to voicemail. Alone in the hospital with second-degree burns, Evelyn watched news replays, her heart rate spiking. He protected Serena from camera flashes while Evelyn burned. When he finally called, he demanded she handle insurance, dismissing the fire; Serena's voice faintly heard. The shallow family ties and pretense of marriage evaporated. A searing injustice and cold anger replaced pain; Evelyn knew Julian had chosen to let her burn. "Evelyn Vance died in that fire," she declared, ripping out her IV. Armed with a secret fortune as "The Architect," Hollywood's top ghostwriter, she walked out. She would divorce Julian, reclaim her name, and finally step into the spotlight as an actress.
Two years of marriage left Brinley questioning everything, her supposed happiness revealed as nothing but sham. Abandoning her past for Colin, she discovered only betrayal and a counterfeit wedding. Accepting his heart would stay frozen, she called her estranged father, agreeing to the match he proposed. Laughter followed her, with whispers of Colin's power to toss her aside. Yet, she reinvented herself-legendary racer, casino mastermind, and acclaimed designer. When Colin tried to reclaim her, another man pulled Brinley close. "She's already carrying my child. You can't move on?"
For three years, Averie pushed herself through a secret marriage, waiting for the day she could finally wear a white dress and be seen as his wife. The night before she could finally walk down the aisle, he confessed without a hint of hesitation that he was marrying the woman who once rescued him instead. The "fake" divorce agreement she signed for him shattered into a real, icy breakup that finally freed her wounded heart. When he returned in remorse, begging for just one more chance, a ruthless business magnate pulled Averie close and muttered coldly, "You're too late. She's my woman now."
My husband Julian celebrated our five-year anniversary by sleeping with his mistress. He thought I was a clueless trophy wife, too dim to notice the vanilla and tuberose scent on his expensive suits. He was wrong. For years, I played Mrs. Vance, hiding my brilliance while Julian claimed my patents. An anonymous email confirmed his ultimate betrayal: photos of him and Scarlett Kensington in ecstasy. My heart didn't break; it solidified into ice at five years wasted. I activated "The Protocol" for a new identity and escape countdown. Playing the doting wife, I plotted his downfall, catching him with his mistress selling my work, and publicly snapping his credit card. His betrayals and stolen work ignited a cold, calculated fury. He had no idea the monster he'd created. I was dismantling his empire. I shredded his patent papers, stripping him of his ill-gotten gains. With a final tap, I initiated "Identity Erasure." Mrs. Vance was dead. Dr. Evelyn Thorne had just begun her counterattack.
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