The Dead Boxer / The Works of William Carleton, Volume Two
The Dead Boxer / The Works of William Carleton, Volume Two by William Carleton
The Dead Boxer / The Works of William Carleton, Volume Two by William Carleton
One evening in the beginning of the eighteenth century-as nearly as we can conjecture, the year might be that of 1720-some time about the end of April, a young man named Lamh Laudher O'Rorke, or Strong-handed O'Eorke, was proceeding from his father's house, with a stout oaken cudgel in his hand, towards an orchard that stood at the skirt of a country town, in a part of the kingdom which, for the present, shall be nameless.
Though known by the epithet of Lamh Laudher, his Christian name was John; but in those time(s) Irish families of the same name were distinguished from each other by some indicative of their natural position, physical power, complexion, or figure. One, for instance, was called Parra Ghastha, or swift Paddy, from his fleetness of foot; another, Shaun Buie, or yellow Jack, from his bilious look; a third, Micaul More, or big Michael, from his uncommon size; and a fourth, Sheemus Ruah, or red James, from the color of his hair. These epithets, to be sure, still occur in Ireland, but far less frequently now than in the times of which we write, when Irish was almost the vernacular language of the country. It was for a reason similar to those just alleged, that John O'Rorke was known as Lamh Laudher O'Rorke; he, as well as his forefathers for two or three generations, having been remarkable for prodigious bodily strength and courage. The evening was far advanced as O'Rorke bent his steps to the orchard. The pale, but cloudless sun hung over the western hills, and sun upon the quiet gray fields that kind of tranquil radiance which, in the opening of summer, causes many a silent impulse of delight to steal into the heart. Lamh Laudher felt this; his step was slow, like that of a man who, without being capable of tracing those sources of enjoyment which the spirit absorbs from the beauties of external nature, has yet enough of uneducated taste and feeling within him, to partake of the varied feast which she presents.
As he sauntered thus leisurely along he was met by a woman rather advanced in years, but still unusually stout and muscular, considering her age. She was habited in a red woollen petticoat that reached but a short distance below the knee, leaving visible two stout legs, from which dangled a pair of red garters that bound up her coarse blue hose. Her gown of blue worsted was pinned up, for it did not meet around her person, though it sat closely about her neck. Her grizzly red hair, turned up in front, was bound by a dowd cap without any border, a circumstance which, in addition to a red kerchief, tied over it, and streaming about nine inches down the back, gave to her tout ensemble a wild and striking expression. A short oaken staff, hooked under the hand, completed the description of her costume. Even on a first glance there appeared to be something repulsive in her features, which had evidently been much exposed to sun and storm. By a closer inspection one might detect upon their hard angular outline, a character of cruelty and intrepidity. Though her large cheek-bones stood widely asunder, yet her gray piercing eyes were very near each other; her nose was short and sadly disfigured by a scar that ran tranversely across it, and her chin, though pointed, was also deficient in length. Altogether, her whole person had something peculiar and marked about it-so much so, indeed, that it was impossible to meet her without feeling she was a female of no ordinary character and habits.
Lamh Laudher had been, as we have said, advancing slowly along the craggy road which led towards the town, when she issued from an adjoining cabin and approached him. The moment he noticed her he stood still, as if to let her pass and uttered one single exclamation of chagrin and anger.
"Ma shaughth milia mollach ort, a calliagh! My seven thousand curses on you for an old hag," said he, and haying thus given vent to his indignation at her appearance, he began to retrace his steps as if unwilling to meet her.
"The son of your father needn't lay the curse upon us so bitterly all out, Lamh Laudher!" she exclaimed, pacing at the same time with vigorous steps until she overtook him.
The young man looked at her maimed features, and as if struck by some sudden recollection, appeared to feel regret for the hasty malediction he had uttered against her. "Nell M'Collum," said he, "the word was rash; and the curse did not come from my heart. But, Nell, who is there that doesn't curse you when they meet you? Isn't it well known that to meet you is another name for falling in wid bad luck? For my part I'd go fifty miles about rather than cross you, if I was bent on any business that my heart 'ud be in, or that I cared any thing about."
"And who brought the bad luck upon me first?" asked the woman. "Wasn't it the husband of the mother that bore you? Wasn't it his hand that disfigured me as you see, when I was widin a week of bein' dacently married? Your father, Lamh Laudher was the man that blasted my name, and made it bitther upon tongue of them that mintions it."
"And that was because he wouldn't see one wid the blood of Lamh Laudher in his veins married to a woman that he had reason to think-I don't like to my it, Nelly-but you know it is said that there was darkness, and guilt, too, about the disappearin' of your child. You never cleared that up, but swore revenge night and day against my father, for only preventin' you from bein' the ruination of his cousin. Many a time, too, since that, has asked you in my own hearing what became of the boy."
The old woman stopped like one who had unexpectedly trod with bare foot upon something sharp enough to pierce the flesh to the bone, and even to grate against it. There was a strong, nay, a fearful force of anguish visible in what she felt. Her brows were wildly depressed from their natural position, her face became pale, her eyes glared upon O'Rorke as if he had planted a poisoned arrow in her breast, she seized him by the arm with a hard pinching grip, and looked for two or three minutes in his face, with an appearance of distraction. O'Rorke, who never feared man, shrunk from her touch, and shuddered under the influence of what had been, scarcely without an exception, called the "bad look." The crone held him tight, however, and there they stood, with their eyes fixed upon each other. From the gaze of intense anguish, the countenance of Nell M'Collum began to change gradually to one of unmingled exultation; her brows were raised to their proper curves, her color returned, the eye corruscated with a rapid and quivering sense of delight, the muscles of the mouth played for a little, as if she strove to suppress a laugh. At length O'Rorke heard a low gurgling sound proceed from her chest; it increased; she pressed his arm more tightly, and in a loud burst of ferocious mirth, which she immediately subdued into a condensed shriek that breathed the very luxury of revenge, she said-
"Lamh Laudher Oge, listen-ax the father of you, when you see him, what has become of his own child-of the first that ever God sent him; an' listen again-when he tells me what has become of mine, I'll tell him what has become of his, Now go to Ellen-but before you go, let me cuggher in your ear that I'll blast you both. I'll make the Lamh Laudhers, Lamh Lhugs. I'll make the strong arm the weak arm afore I've done wid 'em."
She struck the point of her stick against the pavement, until the iron ferrule with which it was bound dashed the fire from the stones, after which she passed on, muttering threats and imprecations as she left him.
O'Rorke stood and looked after her with sensations of fear and astonishment. The age was superstitious, and encouraged a belief in the influence of powers distinct from human agency. Every part of Ireland was filled at this time with characters, both male and female, precisely similar to old Nell M'Collum.. The darkness in which this woman walked, according to the opinions of a people but slightly advanced in knowledge and civilization, has been but feebly described to the reader. To meet her, was considered an omen of the most unhappy kind; a circumstance which occasioned the imprecation of Lamh Laudher. She was reported to have maintained an intercourse with the fairies, to be capable of communicating the blight of an evil eye, and to have carried on a traffic which is said to have been rather prevalent in Ireland at the time we speak of-namely, that of kidnapping. The speculations with reference to her object in perpetrating the crimes were strongly calculated to exhibit the degraded state of the people at that period. Some said that she disposed of the children to a certain class of persons in the metropolis, who subsequently sent them to the colonies, when grown, at an enormous profit. Others maintained that she never carried them to Dublin at all, but insisted that, having been herself connected with the fairies, she possessed the power of erasing, by some secret charm, the influence of baptismal protection, and that she consequently acted as agent for the "gentry" to whom she transferred them. Even to this day it is the opinion in Ireland, that the "good people" themselves cannot take away a child, except through the instrumentality of some mortal residing with them, who has been baptized; and it is also believed that no baptism can secure children from them, except that in which the priest has been desired to baptize them with an especial view to their protection against fairy power.
Such was the character which this woman bore; whether unjustly or not, matters little. For the present it is sufficient to say, that after having passed on, leaving Lamh Laudher to proceed in the direction he had originally intended, she bent her steps towards the head inn of the town. Her presence here produced some cautious and timid mirth of which they took care she should not be cognizant. The servants greeted her with an outward show of cordiality, which the unhappy creature easily distinguished from the warm kindness evinced to vagrants whose history had not been connected with evil suspicion and mystery. She accordingly tempered her manner and deportment towards them with consummate skill. Her replies to their inquiries for news were given with an appearance of good humor; but beneath the familiarity of her dialogue there lay an ambiguous meaning and a cutting sarcasm, both of which were tinged with a prophetic spirit, capable, from its equivocal drift, of being applied to each individual whom she addressed. Owing to her unsettled life, and her habit of passing from place to place, she was well acquainted with local history. There lived scarcely a family within a very wide circle about her, of whom she did not know every thing that could possibly be known; a fact of which she judiciously availed herself by allusions in general conversations that were understood only by those whom they concerned. These mysterious hints, oracularly thrown out, gained her the reputation of knowing more than mere human agency could acquire, and of course she was openly conciliated and secretly hated.
Her conversation with the menials of the inn was very short and decisive.
"Sheemus," said she to the person who acted in the capacity of waiter, "where's Meehaul Neil?"
"Troth, Nell, dacent woman," replied the other, "myself can't exactly say that. I'll be bound he's on the Esker, looking afther the sheep, poor crathurs, durin' Andy Connor's illness in the small-pock. Poor Andy's very ill, Nell, an' if God hasn't sed it, not expected; glory be to his name!"
"Is Andy ill?" inquired Nell; "and how long?"
"Bedad, going on ten days."
"Well," said the woman, "I knew nothin' about that; but I want to see Meehaul Neil, and I know he's in the house."
"Faix he's not, Nelly, an' you know I wouldn't tell you a lie about it."
"Did you get the linen that was stolen from your masther?" inquired Nell significantly, turning at the same time a piercing glance on the waiter; "an' tell me," she added, "how is Sally Lavery, and where is she?"
"It wasn't got," he replied, in a kind of stammer; "an' as to Sally, the nerra one o' me knows any thing about her, since she left this."
"Sheemus," replied Nell, "you know that Meehaul Neil is in the house; but I'll give you two choices, either to bring me to the speech of him, or else I'll give your masther the name of the thief that stole his linen; ay! the name of the thief that resaved it. I name nobody at present; an' for that matther, I know nothin'. Can't all the world tell you that Nell M'Cullum knows nothin'!"
"Ghe dhevin, Nelly," said the waiter, "maybe Meehaul is in the house unknownst to me. I'll try, any how, an' if he's to the fore, it won't be my fault or he'll see you."
Nell, while the waiter went to inform Meehaul, took two ribbons out of her pocket, one white and the other black, both of which she folded into what would appear to a bystander to be a simple kind of knot. When the innkeeper's son and the waiter returned to the hall, the former asked her what the nature of her business with him might be. To this she made no reply, except by uttering the word husht! and pulling the ends, first of the white ribbon, and afterwards of the black. The knot of the first slipped easily from the complication, but that of the black one, after gliding along from its respective ends, became hard and tight in the middle.
"Tha sha marrho! life passes and death stays," she exclaimed. "Andy Connor's dead, Meehaul Neil; an' you may tell your father that he must get some one else to look afther his sheep. Ay! he's dead!-But that's past. Meehaul, folly me; it's you I want, an' there's no time to be lost."
She passed out as she spoke, leaving the waiter in a state of wonder at the extent of her knowledge, and of the awful means by which, in his opinion, she must have acquired it.
Meehaul, without uttering a syllable, immediately walked after her. The pace at which she went was rapid and energetic, betokening a degree of agitation and interest on her part, for which he could not account. As she had no object in bringing him far from the house, she availed herself of the first retired spot that presented itself, in order to disclose the purport of her visit. "Meehaul Neil," said she, "we're now upon the Common, where no ear can hear what passes between us. I ax have you spirit to keep your sister Ellen from shame and sorrow?" The young man started, and became strongly excited at such a serious prelude to what she was about to utter.
"Millia diououl! woman, why do you talk about shame or disgrace comin' upon any sister of mine?" What villain dare injure her that regards his life? My sisther! Ellen Neil! No, no! the man that 'ud only think of that, I'd give this right hand a dip to the wrist in the best blood of his heart."
"Ay, ay! it's fine spakin': but you don't know the hand you talk of. It's one that you had better avoid than meet. It's the strong hand, an' the dangerous one when vexed. You know Lamh Laudher Oge?"
Meelmul started again, and the crone could perceive by his manner that the nature of the communication she was about to make had been already known to him, though not, she was confident, in so dark and diabolical a shape as that in which she determined to put it.
"Lamh Laudher Oge!" he exclaimed; "surely you don't mane to say that he has any bad design upon Ellen! It's not long since I gave him a caution to drop her, an' to look out for a girl fittin' for his station. Ellen herself knows what he'll get, if we ever catch him spakin' to her again. The day will never come that his faction and ours can be friends."
"You did do that, Meehaul," replied Nell, "an' I know it; but what 'ud you think if he was so cut to the heart by your turnin' round upon his poverty, that he swore an oath to them that I could name, bindin' himself to bring your sister to a state of shame, in order to punish you for your words? That 'ud be great glory over a faction that they hate."
"Tut, woman, he daren't swear such an oath; or, if he swore it fifty times over on his bare knees, he'd ate the stones off o' the pavement afore he'd dare to act upon it. In the first place, I'd prepare him for his coffin, if he did; an' in the next, do you think so inanely of Ellen, as to believe that she would bring disgrace an' sorrow upon herself and her family? No, no, Nell; the old dioul's in you, or you're beside yourself, to think of such a story. I've warned her against him, and so did we all; an' I'm sartin' this minute, that she'd not go a single foot to change words with him, unknownst to her friends."
The old woman's face changed from the expression of anxiety and importance that it bore, to one of coarse glee, under which, to those who had penetration sufficient to detect it, lurked a spirit of hardened and reckless ferocity.
"Well, well," she replied, "sure I'm proud to hear what you tell me. How is poor Nanse M'Collum doin' wid yez? for I hadn't time to see her a while agone. I hope she'll never be ashamed or afraid of her aunt, any how. I may say, I'm all that's left to the good of her name, poor girshah."
"What 'ud ail her?" replied Meehaul; "as long a' she's honest an' behaves herself, there's no fear of her. Had you nothing elsa to say to me, Nell?"
The same tumultuous expression of glee and malignity again lit up the features of the old woman, as she looked at him, and replied, with something like contemptuous hesitation, "Why, I don't know that. If you had more sharpness or sinse I might say-Meehaul Neil," she added, elevating her voice, "what do you think I could say, this sacred moment! Your sister! Why she's a good girl!-true enough that: but how long she may be so's another affair. Afeard! Be the ground we stand on, man dear, if you an' all belongin' to you, had eyes in your heads for every day in the year, you couldn't keep her from young Lamh Laudher. Did you hear anything?"
"I'd not believe a word of it," said Meehaul calmly, and he turned to depart.
"I tell you it's as true as the sun to the dial," replied Nell; "and I tell you more, he's wid her this minnit behind your father's orchard! Ay! an' if you wish you may see them together wid your own eyes, an' sure if you don't b'lieve me, you'll b'lieve them. But, Meehaul, take care of him; for he has his fire-arms; if you meet him don't go empty-handed, and I'd advise you to have the first shot."
"Behind the orchard," said Meehaul, astonished; "where there?"
"Ay, behind the orchard, where they often war afore. Where there? Why, if you want to know that, sittin' on one of the ledges in the Grassy Quarry. That's their sate whenever they meet; an' a snug one it is for them that don't like their neighbors' eyes to be upon them. Go now an' satisfy yourself, but watch them at a distance, an', as you expect to save your sister, don't breathe the name of Nell M'Collum to a livin' mortal."
Meehaul Neil's cheek flushed with deep resentment on hearing this disagreeable intelligence. For upwards of a century before there had subsisted a deadly feud between the Neils and Lamh Laudhers, without either party being able exactly to discover the original fact from which their enmity proceeded. This, however, in Ireland, makes little difference. It is quite sufficient to know that they meet and fight upon every possible opportunity, as hostile factions ought to do, without troubling themselves about the idle nonsense of inquiring why they hate and maltreat each other. For this reason alone, Meehaul Neil was bitterly opposed to the most distant notion of a marriage between his sister and young Lamh Laudher. There were other motives also which weighed, with nearly equal force, in the consideration of this subject. His sister Ellen was by far the most beautiful girl of her station in the whole country,-and many offers, highly advantageous, and far above what she otherwise could have expected, had been made to her. On the other hand, Lamh Laudher Oge was poor, and by no means qualified in point of worldly circumstances to propose for her, even were hereditary enmity out of the question. All things considered, the brother and friends of Ellen would rather have seen her laid in her grave, than allied to a comparatively poor young man, and their bitterest enemy.
Meehaul had but little doubt as to the truth of what Nell M'Collum told him. There was a saucy and malignant confidence in her manner, which, although it impressed him with a sense of her earnestness, left, nevertheless, an indefinite feeling of dislike against her on his mind. He knew that her motive for disclosure was not one of kindness or regard for him or for his family. Nell M'Collum had often declared that "the wide earth did not carry a bein' she liked or loved, but one-not even excepting herself, that she hated most of all." This however was not necessary to prove that she acted rather from the gratification of some secret malice, than from the principle of benevolence. The venomous leer of her eye, therefore, and an accurate knowledge of her character, induced him to connect some apprehension of approaching evil with the unpleasant information she had just given him.
"Well," said Meehaul, "if what you say is true, I'll make it a black business to Lamh Laudher. I'll go directly and keep my eye on them; an' I'll have my fire-arms, Nell; an' by the life that's in me, he'll taste them if he provokes me; an Ellen knows that." Having thus spoken he left her.
The old woman stood and looked after him with a fiendish complacency.
"A black business, will you?" she exclaimed, repeating his words in a soliloquy;-"do so-an' may all that's black assist you in it! Dher Chiernah, I'll do it or lose a fall-I'll make the Lamh Laudhers the Lamh Lhugs afore I've done wid 'em. I've put a thorn in their side this many a year, that'll never come out; I'll now put one in their marrow, an' let them see how they'll bear that. I've left one empty chair at their hearth, an' it 'll go hard wid me but I'll lave another."
Having thus expressed her hatred against a family to whom she attributed the calamities that had separated her from society, and marked her as a being to be avoided and detested, she also departed from the Common, striking her stick with peculiar bitterness into the ground as she went along.
Valentine M'Clutchy, The Irish Agent by William Carleton
The Black Prophet: A Tale Of Irish Famine by William Carleton
The Black Baronet; or, The Chronicles Of Ballytrain by William Carleton
Willy Reilly / The Works of William Carleton, Volume One by William Carleton
Excerpt: "The town of Castle Cumber it is not our intention to describe at more length than simply to say, that it consists of two long streets, intersecting each other, and two or three lanes of cabins—many of them mud ones—that stretch out of it on each side at right angles. This street, and these straggling appendages, together with a Church, a Prison, a Court-house, a Catholic chapel, a few shops, and half a dozen public houses, present to the spectator all the features that are generally necessary for the description of that class of remote country towns of which we write. Indeed, with the exception of an ancient Stone Cross, that stands in the middle of the street, and a Fair green, as it is termed, or common, where its two half-yearly fairs are held, and which lies at the west end of it, there is little or nothing else to be added. The fair I particularly mention, because on the day on which the circumstances I am about to describe occurred, a fair was held in the town, and upon the green in question. The month was December—the day stormy and unpropitious. There had been a deep snow and hard frost for nearly three weeks before; but now the aspect of the white earth contrasted wildly with the large masses of black clouds which hung motionless in the air, and cast a dark and gloomy spirit not only over the appearance of inanimate nature, but into the heart of man himself."
I was three days away from marrying the Underboss of the Fazio crime family when I unlocked his burner phone. The screen glowed toxic bright in the dark next to my sleeping fiancé. A message from a contact saved as 'Little Trouble' read: "She is just a statue, Dante. Come back to bed." Attached was a photo of a woman lying in the sheets of his private office, wearing his shirt. My heart didn't break; it simply stopped. For eight years, I believed Dante was the hero who pulled me from a burning opera house. I played the perfect, loyal Mafia Princess for him. But heroes don't give their mistresses rare pink diamonds while giving their fiancées cubic zirconia replicas. He didn't just cheat. He humiliated me. He defended his mistress over his own soldiers in public. He even abandoned me on the side of the road on my birthday because she faked a pregnancy emergency. He thought I was weak. He thought I would accept the fake ring and the disrespect because I was just a political pawn. He was wrong. I didn't cry. Tears are for women who have options. I had a strategy. I walked into the bathroom and dialed a number I hadn't dared to call in a decade. "Speak," a voice like gravel growled on the other end. Lorenzo Moretti. The Capo of the rival family. The man my father called the Devil. "The wedding is off," I whispered, staring at my reflection. "I want an alliance with you, Enzo. And I want the Fazio family burned to the ground."
My Luna became an alpha after I rejected her : she was my Luna. I rejected her. Now she's stronger than ever and she has my son. Amelia's world shattered the day her daughter died-and her mate, Alpha Aiden of the Red Moon Pack, divorced her to reunite with his ex-girlfriend. Cast out, disgraced, and accused of poisoning her own child, Amelia was stripped of her title and driven from her pack. The next morning, her lifeless body was found at the border.They all believed she was dead.But she wasn't. Far from the ashes of betrayal, Amelia rebuilt herself-rising from rejection and ruin to become the first female Alpha of Velaris, the most powerful and respected pack in the realm. She also carried a secret Aiden never discovered:She was pregnant-with his son.Years later, fate brings them face to face once more. A deadly disease is spreading through the packs, and the only one who can stop it is the renowned doctor they thought had died. When Aiden sees the boy at her side-his eyes, his blood-he realizes the truth.He didn't just lose his Luna. He destroyed the mother of his child.And now, she's everything he's not-stronger, wiser, untouchable. Will she heal the pack that betrayed her?Will she ever let him near her heart again?Or is his punishment simply living with the consequences?
I was at my own engagement party at the Sterling estate when the world started tilting. Victoria Sterling, my future mother-in-law, smiled coldly as she watched me struggle with a cup of tea that had been drugged to ruin me. Before I could find my fiancé, Ryan, a waiter dragged me into the forbidden West Wing and locked me in a room with Julian Sterling, the family’s "fallen titan" who had been confined to a wheelchair for years. The door burst open to a frenzy of camera flashes and theatrical screams. Victoria framed me as a seductress caught in the act, and Ryan didn't even try to listen to my pleas, calling me "cheap leftovers" before walking away with his pregnant mistress. When I turned to my own family for help, my father signed a document severing our relationship for a five-million-dollar payout from Julian. They traded me like a commodity without a second thought. I didn't understand why my own parents were so eager to sell me, or how Ryan could look at me with such disgust after promising me forever. I was a sacrifice, a pawn used to protect the family's offshore accounts, and I couldn't fathom how every person I loved had a price tag for my destruction. With nowhere left to go, I married Julian in a bleak ceremony at City Hall. He slid a heavy diamond onto my finger and whispered, "We have a war to start." That night, inside his secret penthouse, I watched the paralyzed man stand up from his wheelchair and activate a screen filled with the Sterling family's darkest secrets. The execution had officially begun.
She spent ten years chasing after the right brother, only to fall for the wrong one in one weekend. ~~~ Sloane Mercer has been hopelessly in love with her best friend, Finn Hartley, since college. For ten long years, she's stood by him, stitching him back together every time Delilah Crestfield-his toxic on-and-off girlfriend-shattered his heart. But when Delilah gets engaged to another man, Sloane thinks this might finally be her chance to have Finn for herself. She couldn't be more wrong. Heartbroken and desperate, Finn decides to crash Delilah's wedding and fight for her one last time. And he wants Sloane by his side. Reluctantly, Sloane follows him to Asheville, hoping that being close to Finn will somehow make him see her the way she's always seen him. Everything changes when she meets Knox Hartley, Finn's older brother-a man who couldn't be more different from Finn. He's dangerously magnetic. Knox sees right through Sloane and makes it his mission to pull her into his world. What starts as a game-a twisted bet between them-soon turns into something deeper. Sloane is trapped between two brothers: one who's always broken her heart and another who seems hell-bent on claiming it... no matter the cost. CONTENT WARNING: This story is strongly 18+. It delves into dark romance themes such as obsession and lust with morally complex characters. While this is a love story, reader discretion is advised. Â
My marriage to Joshua Caldwell was a prison sentence. I was a Hartman trophy, sold to the powerful family who had destroyed mine. Then I discovered he was cheating. His mistress was pregnant with the child he denied me, and he was stealing my secret song lyrics to build her career. When I confronted him, he called me a spineless liability and threatened to destroy what was left of my family. To make matters worse, a one-night stand with a stranger turned out to be with my husband's brother, Anthony Caldwell-the Don of the city. He knew all of Joshua's secrets and used them to trap me in a twisted game, seeing me as nothing more than an asset. They both thought I was a broken doll they could control. I wrote a song for his mistress, a beautiful execution with a single, impossible note I knew would destroy her voice. She sang it, and now her career is over. Now the Don has summoned me to Chicago, not knowing the woman he thinks is his asset is the one who just burned his brother's world to the ground.
I had been a wife for exactly six hours when I woke up to the sound of my husband’s heavy breathing. In the dim moonlight of our bridal suite, I watched Hardin, the man I had adored for years, intertwined with my sister Carissa on the chaise lounge. The betrayal didn't come with an apology. Hardin stood up, unashamed, and sneered at me. "You're awake? Get out, you frumpy mute." Carissa huddled under a throw, her fake tears already welling up as she played the victim. They didn't just want me gone; they wanted me erased to protect their reputations. When I refused to move, my world collapsed. My father didn't offer a shoulder to cry on; he threatened to have me committed to a mental asylum to save his business merger. "You're a disgrace," he bellowed, while the guards stood ready to drag me away. They had spent my life treating me like a stuttering, submissive pawn, and now they were done with me. I felt a blinding pain in my skull, a fracture that should have broken me. But instead of tears, something dormant and lethal flickered to life. The terrified girl who walked down the aisle earlier that day simply ceased to exist. In her place, a clinical system—the Valkyrie Protocol—booted up. My racing heart plummeted to a steady sixty beats per minute. I didn't scream. I stood up, my spine straightening for the first time in twenty years, and looked at Hardin with the detachment of a surgeon looking at a tumor. "Correction," I said, my voice stripped of its stutter. "You're in my light." By dawn, I had drained my father's accounts, vanished into a storm, and found a bleeding Crown Prince in a hidden safehouse. They thought they had broken a mute girl. They didn't realize they had just activated their own destruction.
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