Comrades of the Saddle; Or, The Young Rough Riders of the Plains by Frank V. Webster
Comrades of the Saddle; Or, The Young Rough Riders of the Plains by Frank V. Webster
Twilight was settling on the land. The forms of trees and houses loomed big and black, their sharp outlines suggesting fanciful forms to the minds of two boys hurrying along the road which like a ribbon wound In and out among the low hills surrounding the town of Bramley, in south-western Ohio.
As the darkness increased lights began to twinkle from the windows of the distant farmhouses.
"We're later than usual, Tom," said the larger of the two boys. "I hope we'll get home before father does."
"Then let's hurry. The last time we kept supper waiting he said we'd have to give up playing ball after school if we couldn't get home before meal time."
"And that means that we won't make the team and will only get a chance to substitute," returned the first speaker.
As though such a misfortune were too great to be borne, the two young ball players broke into a dog trot.
The boys were brothers, Tom and Larry Alden. Larry, the larger, was sixteen and Tom was a year younger. Both were healthy and strong and would have been thought older, so large were they.
The only children of Theodore Alden, a wealthy farmer who lived about three miles from Bramley, unlike many brothers, they were chums. They were prime favorites, and their popularity, together with their natural ability and cool-headedness at critical moments, made them leaders in all sports.
As it grew darker and darker, the brothers quickened their pace. Talking was out of the question, so fast were they going. But as they rounded a turn in the road, which enabled them to see the lights in their home, a quarter of a mile away, Larry gasped:
"There's no light in the dining-room yet. Father hasn't gotten home!"
"Come on then for a final spurt," returned Tom.
Willingly Larry responded, and the boys dashed forward as though they were just starting out instead of ending a two-mile run.
On the right-hand side of the road a fringe of bushes hedged a swamp.
The patter of the boys' feet on the hard clay road was the only sound that broke the stillness.
Their goal, with the bright lights shining from the windows, was only about three hundred yards away when suddenly from the direction of the swamp sounded a sullen snarl.
"Did you hear anything?" asked Larry.
"I thought so."
As though to settle all doubt, the growl rang out again. This time it was nearer and sounded more ominous.
For a moment the boys looked at each other, then, as with one accord, turned their heads and looked in the direction whence the startling noise had come.
Just as they did so there came another howl, and an instant later a big black form, for all the world like a large dog, leaped from the bushes into the road.
"Quick, quick!" cried Larry, seizing his brother's arm and pulling him along, for Tom had slackened his speed, as though fascinated by the sight of the strange animal. "It must be that wolf father read about, the one that got away when the circus train was passing through Husted."
And, Larry was right. The animal was indeed a wolf that had escaped from its cage through the door, the fastener on which had been jarred out of place by the motion of the train, and had leaped to liberty.
The circus people had reported the loss as soon as it had been discovered and it had been duly announced in the papers.
Mr. Alden had read about it, but all had laughed at the thought of a wolf in placid Ohio and dismissed the story as a circus man's joke.
Rejoicing in its freedom, the beast had wandered about till it struck the swamp and now the air brought to its keen nose the scent of the boys passing. Ravenously hungry, the wolf hastened toward the lads.
As it bounded into the road the glare from the lights of the farmhouse momentarily blinded it and it stood blinking.
But only for an instant. Instinctively realizing that it must catch them before they reached the lights, the wolf uttered a savage snarl and bounded forward.
Larry's words to his brother had roused the boy, and together they were racing toward the welcome lights of their home.
But the wolf with its leaps covered three yards to their one, and as the older of the boys looked over his shoulder he saw that the beast was gaining on them.
Fifty yards ahead was the house and thirty yards behind them was the wolf.
Well did the boys know they could not win the race. But they did not lose their heads.
"Father! Harry!" yelled Larry. "Joe! The wolf! the wolf! Get the rifle!"
"The wolf! the wolf!" added Tom. "Shoot the wolf!"
The yells, breaking the stillness of the night, startled Mrs. Alden and the hired men, who were awaiting the coming of Mr. Alden and the boys.
Unable to distinguish the words, the hired men rushed to the door and threw it open. Peering along the path of the light, they saw the forms of the boys.
"Quick! The rifle! The wolf's after us!" shouted Tom.
Fortunately Mr. Alden always kept a loaded rifle on a rack on the kitchen wall with which to shoot foxes that attempted to raid his hen-roost.
Hastily the hired man named Joe sprang for the weapon, seized it and dashed from the door, shouting:
"Where is it? Where is it?"
Before the boys could answer, however, his keen eyes espied the black form.
Joe had often amused himself shooting at a target with Larry and Tom and was able to make four bull's-eyes out of five, but never before had the opportunity to aim at a live mark come to him, and as he raised the rifle his hands trembled.
"Shoot! shoot!" yelled Larry. "No matter if you don't hit it, shoot!"
Bang! went the gun, and as the report of the firearm died away the wolf was seen to stagger and fall. Soon the beast arose again, but by that time the hired man was ready for another shot. This finished the beast, and with a yelp it rolled over and breathed its last.
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This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.
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She spent ten years chasing after the right brother, only to fall for the wrong one in one weekend. ~~~ Sloane Mercer has been hopelessly in love with her best friend, Finn Hartley, since college. For ten long years, she's stood by him, stitching him back together every time Delilah Crestfield-his toxic on-and-off girlfriend-shattered his heart. But when Delilah gets engaged to another man, Sloane thinks this might finally be her chance to have Finn for herself. She couldn't be more wrong. Heartbroken and desperate, Finn decides to crash Delilah's wedding and fight for her one last time. And he wants Sloane by his side. Reluctantly, Sloane follows him to Asheville, hoping that being close to Finn will somehow make him see her the way she's always seen him. Everything changes when she meets Knox Hartley, Finn's older brother-a man who couldn't be more different from Finn. He's dangerously magnetic. Knox sees right through Sloane and makes it his mission to pull her into his world. What starts as a game-a twisted bet between them-soon turns into something deeper. Sloane is trapped between two brothers: one who's always broken her heart and another who seems hell-bent on claiming it... no matter the cost. CONTENT WARNING: This story is strongly 18+. It delves into dark romance themes such as obsession and lust with morally complex characters. While this is a love story, reader discretion is advised.
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."
I sat on the cold tile floor of our Upper East Side penthouse, staring at the two pink lines until my vision blurred. After ten years of loving Julian Sterling and three years of a hollow marriage, I finally had the one thing that could bridge the distance between us. I was pregnant. But Julian didn't come home with flowers for our anniversary. He tossed a thick manila envelope onto the marble coffee table with a heavy thud. Fiona, the woman he'd truly loved for years, was back in New York, and he told me our "business deal" was officially over. "Sign it," He said, his voice flat and devoid of emotion. He looked at me with the cold detachment of a man selling a piece of unwanted furniture. When I hesitated, he told me to add a zero to the alimony if the money wasn't enough. I realized in that moment that if he knew about the baby, he wouldn't love me; he would simply take my child and give it to Fiona to raise. I shoved the pregnancy test into my pocket, signed the papers with a shaking hand, and lied through my teeth. When my morning sickness hit, I slumped to the floor to hide the truth. "It's just cramps," I gasped, watching him recoil as if I were contagious. To make him stay away, I invented a man named Jack-a fake boyfriend who supposedly gave me the kindness Julian never could. Suddenly, the man who wanted me gone became a monster of possessiveness. He threatened to "bury" a man who didn't exist while leaving me humiliated at his family's dinner to rush to Fiona's side. I was so broken that I even ate a cake I was deathly allergic to, then had to refuse life-saving steroids at the hospital because they would harm the fetus. Julian thinks he's stalling the divorce for two months to protect the family's reputation for his father's Jubilee. He thinks he's keeping his "property" on a short leash until the press dies down. He has no idea I'm using those sixty days to build a fortress for my child. By the time he realizes the truth, I'll be gone, and the Sterling heir will be far beyond his reach.
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
My marriage to Joshua Caldwell was a prison sentence. I was a Hartman trophy, sold to the powerful family who had destroyed mine. Then I discovered he was cheating. His mistress was pregnant with the child he denied me, and he was stealing my secret song lyrics to build her career. When I confronted him, he called me a spineless liability and threatened to destroy what was left of my family. To make matters worse, a one-night stand with a stranger turned out to be with my husband's brother, Anthony Caldwell-the Don of the city. He knew all of Joshua's secrets and used them to trap me in a twisted game, seeing me as nothing more than an asset. They both thought I was a broken doll they could control. I wrote a song for his mistress, a beautiful execution with a single, impossible note I knew would destroy her voice. She sang it, and now her career is over. Now the Don has summoned me to Chicago, not knowing the woman he thinks is his asset is the one who just burned his brother's world to the ground.
I was sitting in the Presidential Suite of The Pierre, wearing a Vera Wang gown worth more than most people earn in a decade. It was supposed to be the wedding of the century, the final move to merge two of Manhattan's most powerful empires. Then my phone buzzed. It was an Instagram Story from my fiancé, Jameson. He was at Charles de Gaulle Airport in Paris with a caption that read: "Fuck the chains. Chasing freedom." He hadn't just gotten cold feet; he had abandoned me at the altar to run across the world. My father didn't come in to comfort me. He burst through the door roaring about a lost acquisition deal, telling me the Holland Group would strip our family for parts if the ceremony didn't happen by noon. My stepmother wailed about us becoming the laughingstock of the Upper East Side. The Holland PR director even suggested I fake a "panic attack" to make myself look weak and sympathetic to save their stock price. Then Jameson’s sleazy cousin, Pierce, walked in with a lopsided grin, offering to "step in" and marry me just to get his hands on my assets. I looked at them and realized I wasn't a daughter or a bride to anyone in that room. I was a failed asset, a bouncing check, a girl whose own father told her to go to Paris and "beg" the man who had just publicly humiliated her. The girl who wanted to be loved died in that mirror. I realized that if I was going to be sold to save a merger, I was going to sell myself to the one who actually controlled the money. I marched past my parents and walked straight into the VIP holding room. I looked the most powerful man in the room—Jameson’s cold, ruthless uncle, Fletcher Holland—dead in the eye and threw the iPad on the table. "Jameson is gone," I said, my voice as hard as stone. "Marry me instead."
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