Complete Project Gutenberg John Galsworthy Works by John Galsworthy
Complete Project Gutenberg John Galsworthy Works by John Galsworthy
At three o'clock in the afternoon of the nineteenth of July little Ann Shropton commenced the ascent of the main staircase of Valleys House, London. She climbed slowly, in the very middle, an extremely small white figure on those wide and shining stairs, counting them aloud. Their number was never alike two days running, which made them attractive to one for whom novelty was the salt of life.
Coming to that spot where they branched, she paused to consider which of the two flights she had used last, and unable to remember, sat down. She was the bearer of a message. It had been new when she started, but was already comparatively old, and likely to become older, in view of a design now conceived by her of travelling the whole length of the picture gallery. And while she sat maturing this plan, sunlight flooding through a large window drove a white refulgence down into the heart of the wide polished space of wood and marble, whence she had come. The nature of little Ann habitually rejected fairies and all fantastic things, finding them quite too much in the air, and devoid of sufficient reality and 'go'; and this refulgence, almost unearthly in its travelling glory, passed over her small head and played strangely with the pillars in the hall, without exciting in her any fancies or any sentiment. The intention of discovering what was at the end of the picture gallery absorbed the whole of her essentially practical and active mind. Deciding on the left-hand flight of stairs, she entered that immensely long, narrow, and-with blinds drawn-rather dark saloon. She walked carefully, because the floor was very slippery here, and with a kind of seriousness due partly to the darkness and partly to the pictures. They were indeed, in this light, rather formidable, those old Caradocs black, armoured creatures, some of them, who seemed to eye with a sort of burning, grim, defensive greed the small white figure of their descendant passing along between them. But little Ann, who knew they were only pictures, maintained her course steadily, and every now and then, as she passed one who seemed to her rather uglier than the others, wrinkled her sudden little nose. At the end, as she had thought; appeared a door. She opened it, and passed on to a landing. There was a stone staircase in the corner, and there were two doors. It would be nice to go up the staircase, but it would also be nice to open the doors. Going towards the first door, with a little thrill, she turned the handle. It was one of those rooms, necessary in houses, for which she had no great liking; and closing this door rather loudly she opened the other one, finding herself in a chamber not resembling the rooms downstairs, which were all high and nicely gilded, but more like where she had lessons, low, and filled with books and leather chairs. From the end of the room which she could not see, she heard a sound as of someone kissing something, and instinct had almost made her turn to go away when the word: "Hallo!" suddenly opened her lips. And almost directly she saw that Granny and Grandpapa were standing by the fireplace. Not knowing quite whether they were glad to see her, she went forward and began at once:
"Is this where you sit, Grandpapa?"
"It is."
"It's nice, isn't it, Granny? Where does the stone staircase go to?"
"To the roof of the tower, Ann."
"Oh! I have to give a message, so I must go now."
"Sorry to lose you."
"Yes; good-bye!"
Hearing the door shut behind her, Lord and Lady Valleys looked at each other with a dubious smile.
The little interview which she had interrupted, had arisen in this way.
Accustomed to retire to this quiet and homely room, which was not his official study where he was always liable to the attacks of secretaries, Lord Valleys had come up here after lunch to smoke and chew the cud of a worry.
The matter was one in connection with his Pendridny estate, in Cornwall. It had long agitated both his agent and himself, and had now come to him for final decision. The question affected two villages to the north of the property, whose inhabitants were solely dependent on the working of a large quarry, which had for some time been losing money.
A kindly man, he was extremely averse to any measure which would plunge his tenants into distress, and especially in cases where there had been no question of opposition between himself and them. But, reduced to its essentials, the matter stood thus: Apart from that particular quarry the Pendridny estate was not only a going, but even a profitable concern, supporting itself and supplying some of the sinews of war towards Valleys House and the racing establishment at Newmarket and other general expenses; with this quarry still running, allowing for the upkeep of Pendridny, and the provision of pensions to superannuated servants, it was rather the other way.
Sitting there, that afternoon, smoking his favourite pipe, he had at last come to the conclusion that there was nothing for it but to close down. He had not made this resolution lightly; though, to do him justice, the knowledge that the decision would be bound to cause an outcry in the local, and perhaps the National Press, had secretly rather spurred him on to the resolve than deterred him from it. He felt as if he were being dictated to in advance, and he did not like dictation. To have to deprive these poor people of their immediate living was, he knew, a good deal more irksome to him than to those who would certainly make a fuss about it, his conscience was clear, and he could discount that future outcry as mere Party spite. He had very honestly tried to examine the thing all round; and had reasoned thus: If I keep this quarry open, I am really admitting the principle of pauperization, since I naturally look to each of my estates to support its own house, grounds, shooting, and to contribute towards the support of this house, and my family, and racing stable, and all the people employed about them both.
To allow any business to be run on my estates which does not contribute to the general upkeep, is to protect and really pauperize a portion of my tenants at the expense of the rest; it must therefore be false economics and a secret sort of socialism. Further, if logically followed out, it might end in my ruin, and to allow that, though I might not personally object, would be to imply that I do not believe that I am by virtue of my traditions and training, the best machinery through which the State can work to secure the welfare of the people....
When he had reached that point in his consideration of the question, his mind, or rather perhaps, his essential self, had not unnaturally risen up and said: Which is absurd!
Impersonality was in fashion, and as a rule he believed in thinking impersonally. There was a point, however, where the possibility of doing so ceased, without treachery to oneself, one's order, and the country. And to the argument which he was quite shrewd enough to put to himself, sooner than have it put by anyone else, that it was disproportionate for a single man by a stroke of the pen to be able to dispose of the livelihood of hundreds whose senses and feelings were similar to his own-he had answered: "If I didn't, some plutocrat or company would-or, worse still, the State!" Cooperative enterprise being, in his opinion, foreign to the spirit of the country, there was, so far as he could see, no other alternative. Facts were facts and not to be got over!
Notwithstanding all this, the necessity for the decision made him sorry, for if he had no great sense of proportion, he was at least humane.
He was still smoking his pipe and staring at a sheet of paper covered with small figures when his wife entered. Though she had come to ask his advice on a very different subject, she saw at once that he was vexed, and said:
"What's the matter, Geoff?"
Lord Valleys rose, went to the hearth, deliberately tapped out his pipe, then held out to her the sheet of paper.
"That quarry! Nothing for it-must go!"
Lady Valleys' face changed.
"Oh, no! It will mean such dreadful distress."
Lord Valleys stared at his nails. "It's putting a drag on the whole estate," he said.
"I know, but how could we face the people-I should never be able to go down there. And most of them have such enormous families."
Since Lord Valleys continued to bend on his nails that slow, thought-forming stare, she went on earnestly:
"Rather than that I'd make sacrifices. I'd sooner Pendridny were let than throw all those people out of work. I suppose it would let."
"Let? Best woodcock shooting in the world."
Lady Valleys, pursuing her thoughts, went on:
"In time we might get the people drafted into other things. Have you consulted Miltoun?"
"No," said Lord Valleys shortly, "and don't mean to-he's too unpractical."
"He always seems to know what he wants very well."
"I tell you," repeated Lord Valleys, "Miltoun's no good in a matter of this sort-he and his ideas throw back to the Middle Ages."
Lady Valleys went closer, and took him by the lapels of his collar.
"Geoff-really, to please me; some other way!"
Lord Valleys frowned, staring at her for some time; and at last answered:
"To please you-I'll leave it over another year."
"You think that's better than letting?"
"I don't like the thought of some outsider there. Time enough to come to that if we must. Take it as my Christmas present."
Lady Valleys, rather flushed, bent forward and kissed his ear.
It was at this moment that little Ann had entered.
When she was gone, and they had exchanged that dubious look, Lady Valleys said:
"I came about Babs. I don't know what to make of her since we came up.
She's not putting her heart into things."
Lord Valleys answered almost sulkily:
"It's the heat probably-or Claud Harbinger." In spite of his easy-going parentalism, he disliked the thought of losing the child whom he so affectionately admired.
"Ah!" said Lady Valleys slowly, "I'm not so sure."
"How do you mean?"
"There's something queer about her. I'm by no means certain she hasn't got some sort of feeling for that Mr. Courtier."
"What!" said Lord Valleys, growing most unphilosophically red.
"Exactly!"
"Confound it, Gertrude, Miltoun's business was quite enough for one year."
"For twenty," murmured Lady Valleys. "I'm watching her. He's going to
Persia, they say."
"And leaving his bones there, I hope," muttered Lord Valleys. "Really, it's too much. I should think you're all wrong, though."
Lady Valleys raised her eyebrows. Men were very queer about such things!
Very queer and worse than helpless!
"Well," she said, "I must go to my meeting. I'll take her, and see if I can get at something," and she went away.
It was the inaugural meeting of the Society for the Promotion of the Birth Rate, over which she had promised to preside. The scheme was one in which she had been prominent from the start, appealing as it did to her large and full-blooded nature. Many movements, to which she found it impossible to refuse her name, had in themselves but small attraction; and it was a real comfort to feel something approaching enthusiasm for one branch of her public work. Not that there was any academic consistency about her in the matter, for in private life amongst her friends she was not narrowly dogmatic on the duty of wives to multiply exceedingly. She thought imperially on the subject, without bigotry. Large, healthy families, in all cases save individual ones! The prime idea at the back of her mind was-National Expansion! Her motto, and she intended if possible to make it the motto of the League, was: 'De l'audace, et encore de l'audace!' It was a question of the full realization of the nation. She had a true, and in a sense touching belief in 'the flag,' apart from what it might cover. It was her idealism. "You may talk," she would say, "as much as you like about directing national life in accordance with social justice! What does the nation care about social justice? The thing is much bigger than that. It's a matter of sentiment. We must expand!"
On the way to the meeting, occupied with her speech, she made no attempt to draw Barbara into conversation. That must wait. The child, though languid, and pale, was looking so beautiful that it was a pleasure to have her support in such a movement.
In a little dark room behind the hall the Committee were already assembled, and they went at once on to the platform.
To Let, the final volume of the Forsyte trilogy, chronicles the continuing feuds of the two factions within the troubled Forsyte family. The shadow of the past returns to haunt the lives of a new generation, as Irene's son Jon falls in love with Soames's daughter Fleur with tragic consequences.
The Complete Project Gutenberg Works of Galsworthy by John Galsworthy
This carefully crafted ebook: "The Forsyte Saga (The Man of Property, Indian Summer of a Forsyte, In Chancery, Awakening, To Let)" is formatted for your eReader with a functional and detailed table of contents. The Forsyte Saga is a series of three novels and two interludes published between 1906 and 1921 by Nobel Prize-winning English author John Galsworthy. They chronicle the vicissitudes of the leading members of a large commercial upper middle-class English family, similar to Galsworthy's own. The Man of Property is the first novel of the The Forsyte Saga. Soames Forsyte, a solicitor and "man of property," is married to the beautiful, penniless Irene, who rebels against his values. In a short interlude Indian Summer of a Forsyte, Galsworthy delves into the newfound friendship between Irene and Old Jolyon Forsyte. In Chancery is the second novel of the Forsyte Saga trilogy, the subject is the marital discord of both Soames and his sister Winifred. The subject of the second interlude The Awakening is the naive and exuberant lifestyle of eight-year-old Jon Forsyte. To Let, the final novel of the Forsyte Saga, chronicles the continuing feuds of the two factions within the troubled Forsyte family. John Galsworthy (1867-1933) was an English novelist and playwright. He won the Nobel Prize in Literature in 1932. Table of Contents: Book 1: The Man of Property Interlude: Indian Summer of a Forsyte Book 2: In Chancery Interlude: Awakening Book 3: To Let
British novelist John Galsworthy is regarded as a literary figure of key importance because his work reflects the transition from the strict social mores of the Victorian era to the more modern sensibility that began to emerge in the Edwardian period. This engaging collection of essays, vignettes and observations spans topics ranging from social justice issues to censorship.
Well-known as a playwright and novelist, John Galsworthy was also a passionate patriot and supporter of Britain during World War I. Although he himself was too old to engage in active combat, he volunteered the use of his family estate to be used as a convalescent home for wounded soldiers, and he helped the war effort by penning an array of stories and essays with pro-British themes. Another Sheaf is the second of two such collections of Galsworthy's wartime work.
Her ex-husband declared, "The person I admired most was that legendary racer." She smiled thinly. "Hate to break it to you-that was me." He said, "Jealous I blew a fortune on a world-famous jeweler for Violet?" She let out a cool laugh. "Funny, that designer trained under me." He scoffed, "Buying a dying firm won't put you in my league. Snap out of it." She shrugged. "Weird-I just steered your company off a cliff." Stunned, he blurted out, "Baby, come back. I'll love you forever." She wrinkled her nose. "Hard pass. Keep your cheap love." Then she took a mogul's arm and never looked back.
"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?
Abandoned as a child and orphaned by murder, Kathryn swore she'd reclaim every shred of her stolen birthright. When she returned, society called her an unpolished love-child, scoffing that Evan had lost his mind to marry her. Only Evan knew the truth: the quiet woman he cradled like porcelain hid secrets enough to set the city trembling. She doubled as a legendary healer, an elusive hacker, and the royal court's favorite perfumer. At meetings, the directors groaned at the lovey-dovey couple, "Does she really have to be here?" Evan shrugged. "Happy wife, happy life." Soon her masks fell, and those who sneered bowed in awe.
Serena Vance, an unloved wife, clutched a custom-made red velvet cake to her chest, enduring the cold rain outside an exclusive Upper East Side club. She hoped this small gesture for her husband, Julian, would bridge the growing chasm between them on their third anniversary. But as she neared the VIP suite, her world shattered. Julian's cold, detached voice sliced through the laughter, revealing he considered her nothing more than a "signature on a piece of paper" for a trust fund, mocking her changed appearance and respecting only another woman, Elena. The indifference in his tone was a physical blow, a brutal severance, not heartbreak. She gently placed the forgotten cake on the floor, leaving her wedding ring and a diamond necklace as she prepared to abandon a marriage built on lies. Her old life, once a prison of quiet suffering and constant humiliation, now lay in ruins around her. Three years of trying to be seen, to be loved, were erased by a few cruel words. Why had she clung to a man who saw her as a clause in a will, a "creature," not a wife? The shame and rage hardened her heart, freezing her tears. Returning to an empty penthouse, she packed a single battered suitcase, leaving behind every symbol of her failed marriage. With a burner phone, she dialed a number she hadn't touched in a decade, whispering, "Godfather, I'm ready to come home."
I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him-my father, Giovanni Vitiello, the Don of the Chicago Outfit-watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London-an exile disguised as a severance package-I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.
The acrid smell of smoke still clung to Evelyn in the ambulance, her lungs raw from the penthouse fire. She was alive, but the world around her felt utterly destroyed, a feeling deepened by the small TV flickering to life. On it, her husband, Julian Vance, thousands of miles away, publicly comforted his mistress, Serena Holloway, shielding her from paparazzi after *her* "panic attack." Julian's phone went straight to voicemail. Alone in the hospital with second-degree burns, Evelyn watched news replays, her heart rate spiking. He protected Serena from camera flashes while Evelyn burned. When he finally called, he demanded she handle insurance, dismissing the fire; Serena's voice faintly heard. The shallow family ties and pretense of marriage evaporated. A searing injustice and cold anger replaced pain; Evelyn knew Julian had chosen to let her burn. "Evelyn Vance died in that fire," she declared, ripping out her IV. Armed with a secret fortune as "The Architect," Hollywood's top ghostwriter, she walked out. She would divorce Julian, reclaim her name, and finally step into the spotlight as an actress.
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