Adeline Dutton Train Whitney was an American poet and prolific writer who published more than 20 books for girls. Her books expressed a traditional view of women's roles and were popular throughout her life.
Adeline Dutton Train Whitney was an American poet and prolific writer who published more than 20 books for girls. Her books expressed a traditional view of women's roles and were popular throughout her life.
Sylvie Argenter was driving about in her mother's little basket-ph?ton.
There was a story about this little basket-ph?ton, a story, and a bit of domestic diplomacy.
The story would branch away, back and forward; which I cannot, right here in this first page, let it do. It would tell-taking the little carriage for a text and key-ever so much about aims and ways and principles, and the drift of a household life, which was one of the busy little currents in the world that help to make up its great universal character and atmosphere, at this present age of things, as the drifts and sweeps of ocean make up the climates and atmospheres that wrap and influence the planet.
But the diplomacy had been this:-
"There is one thing, Argie, I should really like Sylvie to have. It is getting to be almost a necessity, living out of town as we do."
Mr. Argenter's other names were "Increase Muchmore;" but his wife passed over all that, and called him in the grace of conjugal intimacy, "Argie."
Increase Muchmore Argenter.
A curious combination; but you need not say it could not have happened. I have read half a dozen as funny combinations in a single advertising page of a newspaper, or in a single transit of the city in a horse-car.
It did not happen altogether without a purpose, either. Mr. Argenter's father had been fond of money; had made and saved a considerable sum himself; and always meant that his son should make and save a good deal more. So he signified this in his cradle and gave him what he called a lucky name, to begin with. The wife of the elder Mr. Argenter had been a Muchmore; her only brother had been named Increase, either out of oddity, such as influenced a certain Mr. Crabtree whom I have heard of, to call his son Agreen, or because the old Puritan name had been in the family, or with a like original inspiration of luck and thrift to that which influenced the later christening, if you can call it such; and now, therefore, resulted Increase Muchmore Argenter. The father hung, as it were, a charm around his son's neck, as Catholics do, giving saints' names to their children. But young Increase found it, in his earlier years, rather of the nature of a millstone. It was a good while, for instance, before Miss Maria Thorndike could make up her mind to take upon herself such a title. She did not much mind it now. "I.M. Argenter" was such a good signature at the bottom of a check; and the surname was quite musical and elegant. "Mrs. Argenter" was all she had put upon her cards. There was no other Mrs. Argenter to be confounded with. The name stood by itself in the Directory. All the rest of the Argenters were away down in Maine in Poggowantimoc.
"Living out of town as we do." Mrs. Argenter always put that in. It was the nut that fastened all her screws of argument.
"Away out here as we are, we must keep an expert cook, you know; we can't send out for bread and cake, and salads and soups, on an emergency, as we did in town." "We must have a seamstress in the house the year round; it is such a bother driving about a ten-mile circuit after one in a hurry;" and now,-"Sylvie ought to have a little vehicle of her own, she is so far away from all her friends; no running in and out and making little daily plans, as girls do in a neighborhood. All the girls of her class have their own pony-chaises now; it is a part of the plan of living."
"It isn't any part of my plan," said Mr. Argenter, who had his little spasms of returning to old-fashioned ideas he was brought up in, but had long ago practically deserted; and these spasms mostly took him, it must be said, in response to new propositions of Mrs. Argenter's. His own plans evolved gradually; he came to them by imperceptible steps of mental process, or outward constraint; Mrs. Argenter's "jumped" at him, took him at unawares, and by sudden impinging upon solid shield of permanent judgment struck out sparks of opposition. She could not very well help that. He never had time to share her little experiences, and interests, and perplexities, and so sympathize with her as she went along, and up to the agreeing and consenting point.
"I won't set her up with any such absurdities," said Mr. Argenter. "It's confounded ruinous shoddy nonsense. Makes little fools of them all. Sylvie's got airs enough now. It won't do for her to think she can have everything the Highfords do."
"It isn't that," said Mrs. Argenter, sweetly. Her position, and the soft "g" in her name, giving her a sense of something elegant and gentle-bred to be always sustained and acted up to, had really helped and strengthened Mrs. Argenter in very much of her established amiability. We don't know, always, where our ties and braces really are. We are graciously allowed many a little temporary stay whose hold cannot be quite directly raced to the everlasting foundations.
"It isn't that; I don't care for the Highfords, particularly. Though I do like to have Sylvie enjoy things as she sees them enjoyed all around her, in her own circle. But it's the convenience; and then, it's a real means of showing kindness. She can so often ask other girls, you know, to drive with her; girls who haven't pony-chaises."
"Showing kindness, yes; you've just hit it there. But it isn't always fun to the frogs, Mrs. A.!"
Now if Mrs. Argenter disliked one thing more than another, that her husband ever did, it was his calling her "Mrs. A.;" and I am very much afraid, I was going to say, that he knew it; but of course he did when she had mildly told him so, over and over,-I am afraid he recollected it, at this very moment, and others similar.
"I don't know what you mean, Mr. Argenter," she said, with some quiet coldness.
"I mean, I know how she takes other girls to ride; she sets them down at the small gray house,-the house without any piazza or bay window, Michael!" and Mr. Argenter laughed. That was the order he had heard Sylvie give one day when he had come up with his own carriage at the post-office in the village, whither he had walked over for exercise and the evening papers. Sylvie had Aggie Townsend with her, and she put her head out at the window on one side just as her father passed on the other, and directed Michael, with a very elegant nonchalance, to "set this little girl down" as aforesaid. Mr. Argenter had been half amused and half angry. The anger passed off, but he had kept up the joke.
"O, do let that old story alone," exclaimed Mrs. Argenter. "Sylvie will soon outgrow all that. If you want to make her a real lady, there is nothing like letting her get thoroughly used to having things."
"I don't intend her to get used to having a pony-chaise," Mr. Argenter said very quietly and shortly. "If she wants to 'show a kindness,' and take 'other' girls to ride, there's the slide-top buggy and old Scrub. She may have that as often as she pleases."
And Mrs. Argenter knew that this ended-or had better end-the conversation.
For that time. Sylvie Argenter did get used to having a pony-chaise, after all. Her mother waited six months, until the pleasant summer weather, when her friends began to come out from the city to spend days with her, or to take early teas, and Michael had to be sent continually to meet and leave them at the trains. Then she began again, and asked for a pony-chaise for herself. To "save the cost of it in Michael's time, and the wear and tear of the heavy carriages. Those little sunset drives would be such a pleasure to her, just when Michael had to be milking and putting up for the night." Mr. Argenter had forgotten all about the other talk, Sylvie's name now being not once mentioned; and the end of it was that a pretty little low ph?ton was added to the Argenter equipages, and that Sylvie's mother was always lending it to her.
So Sylvie was driving about in it this afternoon. She had been over to West Dorbury to see the Highfords, and was coming round by Ingraham's Corner, to stop there and buy one of his fresh big loaves of real brown bread for her father's tea. It was a little unspoken, politic understanding between Sylvie and her mother, that some small, acceptable errand like this was to be accomplished whenever the former had the basket-ph?ton of an afternoon. By quiet, unspoken demonstration, Mr. Argenter was made to feel in his own little comforts what a handy thing it was to have a daughter flitting about so easily with a pony-carriage.
But there was something else to be accomplished this time that Sylvie had not thought of, and that when it happened, she felt with some dismay might not be quite offset and compensated for by the Ingraham brown bread.
Rod Sherrett was out too, from Roxeter, Young-Americafying with his tandem; trying, to-day, one of his father's horses with his own Red Squirrel, to make out the team; for which, if he should come to any grief, Rodgers, the coachman, would have to bear responsibility for being persuaded to let Duke out in such manner.
Just as Sylvie Argenter drew up her pony at the baker's door, Rod Sherrett came spinning round the corner in grand style. But Duke was not used to tandem harness, and Red Squirrel, put ahead, took flying side-leaps now and then on his own account; and Duke, between his comrade's escapades and his driver's checks and admonitions, was to that degree perplexed in his mind and excited off his well-bred balance, that he was by this time becoming scarcely more reliable in the shafts. Rod found he had his hands full. He found this out, however, only just in time to realize it, as they were suddenly relieved and emptied of their charge; for, before his call and the touch of his long whip could bring back Red Squirrel into line at this turn, he had sprung so far to the left as to bring Duke and the "trap" down upon the little ph?ton. There was a lock and a crash; a wheel was off the ph?ton, the tandem was overturned, Sylvie Argenter, in the act of alighting, was thrown forward over the threshold of the open shop-door, Rod Sherrett was lying in the road, a man had seized the pony, and Duke and Red Squirrel were shattering away through the scared Corner Village, with the wreck at their heels.
Sylvie's arm was bruised, and her dress torn; that was all. She felt a little jarred and dizzy at first, when Mr. Ingraham lifted her up, and Rodney Sherrett, picking himself out of the dust with a shake and a stamp, found his own bones unbroken, and hurried over to ask anxiously-for he was a kind-hearted fellow-how much harm he had done, and to express his vehement regret at the "horrid spill."
Rod Sherrett and Sylvie Argenter had danced together at the Roxeter Assemblies, and the little Dorbury "Germans;" they had boated, and picknicked, and skated in company, but to be tumbled together into a baker's shop, torn and frightened, and dusty,-each feeling, also, in a great scrape,-this was an odd and startling partnership. Sylvie was pale; Rod was sorry; both were very much demolished as to dress: Sylvie's hat had got a queer crush, and a tip that was never intended over her eyes; Rodney's was lying in the street, and his hair was rumpled and curiously powdered. When they had stood and looked at each other an instant after the first inquiry and reply, they both laughed. Then Rodney shrugged his shoulders, and walked over and picked up his hat.
"It might have been worse," he said, coming back, as Mr. Ingraham and the man who had held Sylvie's pony took the latter out of the shafts and led him to a post to fasten him, and then proceeded together, as well as they could, to lift the disabled ph?ton and roll it over to the blacksmith's shop to be set right.
"You'll be all straight directly," he said, "and I'm only thankful you're not much hurt. But I am in a mess. Whew! What the old gentleman will say if Duke don't come out of it comfortable, is something I'd rather not look ahead to. I must go on and see. I'll be back again, and if there's anything-anything more," he added with a droll twinkle, "that I can do for you, I shall be happy, and will try to do it a little better."
The feminine Ingrahams were all around Sylvie by this time: Mrs. Ingraham, and Ray, and Dot. They bemoaned and exclaimed, and were "thankful she'd come off as she had;" and "she'd better step right in and come up-stairs." The village boys were crowding round,-all those who had not been in time to run after the "smash,"-and Sylvie gladly withdrew to the offered shelter. Rod Sherrett gave his hair a toss or two with his hands, struck the dust off his wide-awake, put it on, and walked off down the hill, through the staring and admiring crowd.
Adeline Dutton Train Whitney was an American poet and prolific writer who published more than 20 books for girls. Her books expressed a traditional view of women's roles and were popular throughout her life.
Adeline Dutton Train Whitney was an American poet and prolific writer who published more than 20 books for girls. Her books expressed a traditional view of women's roles and were popular throughout her life.
Adeline Dutton Train Whitney was an American poet and prolific writer who published more than 20 books for girls. Her books expressed a traditional view of women's roles and were popular throughout her life.
Adeline Dutton Train Whitney was an American poet and prolific writer who published more than 20 books for girls. Her books expressed a traditional view of women's roles and were popular throughout her life.
Elliana, the unfavored "ugly duckling" of her family, was humiliated by her stepsister, Paige, who everyone admired. Paige, engaged to the CEO Cole, was the perfect woman-until Cole married Elliana on the day of the wedding. Shocked, everyone wondered why he chose the "ugly" woman. As they waited for her to be cast aside, Elliana stunned everyone by revealing her true identity: a miracle healer, financial mogul, appraisal prodigy, and AI genius. When her mistreatment became known, Cole revealed Elliana's stunning, makeup-free photo, sending shockwaves through the media. "My wife doesn't need anyone's approval."
Her fiance and her best friend worked together and set her up. She lost everything and died in the street. However, she was reborn. The moment she opened her eyes, her husband was trying to strangle her. Luckily, she survived that. She signed the divorce agreement without hesitation and was ready for her miserable life. To her surprise, her mother in this life left her a great deal of money. She turned the tables and avenged herself. Everything went well in her career and love when her ex-husband came to her.
I was finally brought back to the billionaire Vance estate after years in the grimy foster system, but the luxury Lincoln felt more like a funeral procession. My biological family didn't welcome me with open arms; they looked at me like a stain on a silk shirt. They thought I was a "defective" mute with cognitive delays, a spare part to be traded away. Within hours of my arrival, my father decided to sell me to Julian Thorne, a bitter, paralyzed heir, just to secure a corporate merger. My sister Tiffany treated me like trash, whispering for me to "go back to the gutter" before pouring red wine over my dress in front of Manhattan's elite. When a drunk cousin tried to lay hands on me at the engagement gala, my grandmother didn't protect me-she raised her silver-topped cane to strike my face for "embarrassing the family." They called me a sacrificial lamb, laughing as they signed the prenuptial agreement that stripped me of my freedom. They had no idea I was E-11, the underground hacker-artist the world was obsessed with, or that I had already breached their private servers. I found the hidden medical records-blood types A, A, and B-a biological impossibility that proved my "parents" were harboring a scandal that could ruin them. Why bring me back just to discard me again? And why was Julian Thorne, the man supposedly bound to a wheelchair, secretly running miles at dawn on his private estate? Standing in the middle of the ballroom, I didn't plead for mercy. I used a text-to-speech app to broadcast a cold, synthetic threat: "I have the records, Richard. Do you want me to explain genetics to the press, or should we leave quietly?" With the "paralyzed" billionaire as my unexpected accomplice, I walked out of the Vance house and into a much more dangerous game.
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
Aurora woke up to the sterile chill of her king-sized bed in Sterling Thorne's penthouse. Today was the day her husband would finally throw her out like garbage. Sterling walked in, tossed divorce papers at her, and demanded her signature, eager to announce his "eligible bachelor" status to the world. In her past life, the sight of those papers had broken her, leaving her begging for a second chance. Sterling's sneering voice, calling her a "trailer park girl" undeserving of his name, had once cut deeper than any blade. He had always used her humble beginnings to keep her small, to make her grateful for the crumbs of his attention. She had lived a gilded cage, believing she was nothing without him, until her life flatlined in a hospital bed, watching him give a press conference about his "grief." But this time, she felt no sting, no tears. Only a cold, clear understanding of the mediocre man who stood on a pedestal she had painstakingly built with her own genius. Aurora signed the papers, her name a declaration of independence. She grabbed her old, phoenix-stickered laptop, ready to walk out. Sterling Thorne was about to find out exactly how expensive "free" could be.
Everyone in town knew Amelia had chased Jaxton for years, even etching his initials on her skin. When malicious rumors swarmed, he merely straightened his cuff links and ordered her to kneel before the woman he truly loved. Seething with realization, she slammed her engagement ring down on his desk and walked away. Not long after, she whispered "I do" to a billionaire, their wedding post crashing every feed. Panic cracked Jaxton. "She's using you to spite me," he spat. The billionaire just smiled. "Being her sword is my honor."
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